By: Veronica Lopez Sosa, Sofia Patricio Mateo, and Evelyn Solano Ruiz
Category Archives: Entertainment
Norse mythology beginnings of each realm explanation: Part I
By: Ro’Mel Bryant-Oliveraz

Norse mythology is one of the most confusing and ambiguous mythologies. Most of the material about it is incomplete, lost, been re-written by someone else with changes, or has contradictions with previous stories. It was practiced by Norsemen, the Viking Age Scandinavians, before their conversion to Christianity. It’s defined by an event called Ragnarök, a prophesied battle where most of the gods and the world is destroyed.
The world is made of 9 realms, and different races. The Aesir, The Vanir, The Jotun, The Dwarves, etc. But how did each of the realms come to be? Who lives there? When did it happen? Who are the major characters and events?
This is most of the beginnings of Norse Mythology from the creation of the universe to the Aesir-Vanir War, with explanations of the races and realms that came in between.
The very beginning of everything:
Before anything, before the 9 realms or any being, there was a great void called Ginnungagap. It wasn’t a void as in absolute nothing, it was raw energy with no form.
On one side of the void was energy of pure heat, lava, volcanoes, and everything hot. Also home to a primordial being called Surtr, a giant who has been standing there with a flaming sword since before time existed, the only being older than everything. He is like the personification of fire itself, and meant to represent the guardian/alpha/omega protecting the primordial realm of the heat and spark of everything. His sword is called Surtalogi. It isn’t made of steel as there were no Dwarves or earth yet, and it’s described as a shining sword that is brighter than the sun. This part of the void was called Muspelheim.
On the opposite end of the void there was energy of pure ice, cold rivers, darkness, mist, and everything cold, the opposite of Muspelheim. In the center of this place was a roaring, bubbling spring called Hvergelmir. It wasn’t just any spring, it was the source of the eleven primordial rivers that carry the “Eitr”; a venomous life fluid of the universe, into the void. Eitr is the source of the deepest layer of life, being both venomous and the source of life, representing the duality of life. This part of the void was called Niflheim.
The very first being:
The energies manifested for no exact reason, there was just always cold and heat. Eventually the energies flowed and drifted closer until they merged. The Eitr from Nifleheim flowed into the vacuum of Ginnungagap and hardened. Then the hardened Eitr in the void got heat blown towards it from Muspelheim, and started to drip. After the Eitr continued to drip the drops gathered together, creating the first being Ymir. Ymir is the first ever being and is classified as a Jotun, or a Giant. Not all giants are huge, but Ymir being the first being was massive. Alongside Ymir also manifested a giant cow called Auõumbla. It provided milk for Ymir so it could grow and have energy to manifest offspring by itself. There is no explanation for how Auõumbla manifested, usually it’s just there and is always a balancer or nurturer needed for the raw power.
First appearance and origin of the first race, Giants/Jotun:
As Ymir kept existing 3 giants manifested from Ymir’s sweat. Since they were born from Ymir, and Ymir was made of melting Eitr, the giants inherited that venom in their blood. A female and male Jotun manifested from the sweat of Ymir’s armpits, while a third multi-headed Jotun manifested from the sweat of Ymir’s feet. This is likely because Jotun can be humanoid or not, and having two humanoids but one non-humanoid one in the beginning explains why they can be so diverse. The multi-headed giant was actually named Thrudgelmir; he later had a son named Bergelmir.
Aesir gods first appearance and origin:
Also Auõumbla after feeding Ymir eventually got hungry and to get nourishment, she licked ice from Niflheim. Behind the ice revealed a creature named Buri, there is no explanation for how Buri existed but he already was, and was only revealed, not created. Buri also already had a child named Bor upon being discovered. The name Buri actually translates to “Father” or “Provider”, and Bor’s name translates to “Son”, a very literal progression towards the gods, like they are just beings of order, and just planted themselves in somehow.
Bor had children with one of the female Jotun named Bestla, the daughter of Jotun Bölporn who is an ancient Jotun known for “thorny” elements, like dangerous weird magic. The children from Bestla and Bor were Odin, Vili, and Vé. It’s said the gods’ magic side and ability to do magic came from their Jotun side, Bestla and Bölporn, meaning the Aesir got magical elements and power from their giant half but order and control from the Bor line.
Creation of the world, Midgard, how, and the consequences for giants:
After a time the Jotun race from Ymir grew too large, and they aren’t destructive, but they are like pure nature or elemental beings that just grow naturally without order. Odin, Vili, and Vé killed Ymir, and created the world out of his body. They used each part of his body for a part of the world. They used Ymir’s flesh for the earth and land, his blood became the seas and lakes, his bones became the mountains, his teeth and small bones became rocks and pebbles, his hair became trees and plants and nature, his skull became the sky, his brains became the clouds, and they used his eyebrows to define a middle area of the world where they could operate and be safe, which was called Midgard. In the process of killing Ymir the entire Jotun race drowned in his blood, besides two Jotun, Bergelmir and his unnamed wife who escaped to the outskirts of the world using something called Lúõr, which is believed to be a primitive hollowed out tree trunk. The gods didn’t hunt them down, but made sure to define the middle safe area far away from them and let them try to survive the harsh outskirts of the world which is very dangerous, and they were expected to die.
Creation and origin of the Dwarves, and Svartalfheim:
Alongside the killing of Ymir the three gods, mostly Odin, saw maggots come from Ymir’s body as it decayed and decided to create life from it. They gave beings with only movement; the maggots, wit and shape, transforming them. The beings created were Dwarves. In most stories the first dwarves were Norõri, Suõri, Austri and Vestri, in English; North, South, West, East. They are four statue-like beings that don’t actually have the ability to move or talk or anything. They are purely statue-like tools for the gods to be able to hold up the clouds and sky so it doesn’t fall, and define the directions.
Also in other stories, or alongside them, the first Dwarf was Mótsognir, the lord of the dwarves. It’s said he was the first maggot to receive Wit and he is actually the one who shaped the rest of the maggots into shape and dwarves. And also the second dwarf Durinn, who worked alongside Mótsognir to help manage the smaller work as a small little helper.
All the other dwarves, which became an entire race, were intended to be created by the gods to be tools. They are very connected to the earth itself, and can forge weapons, armor, or tools much better than anything else due to that connection. They don’t just forge earth’s materials, they can feel them and speak to them. The sun kills the dwarves, turning them into stone because dwarves are essentially living rocks and the sun turns them back into rocks. When dwarves die they don’t have an afterlife like other races, they just go back into the earth.
The gods put them in a “lower” realm, underneath Midgard’s earth technically but its own realm, a dark, cave-like, underworld called Svartalfheim. It is filled with the constant clinks of hammers on anvils and massive underground furnaces, it sounds like a huge constant factory. They don’t have houses but instead Great Halls, which are buildings carved strictly into the roots of the mountains. Everything is made of polished stone, iron, and precious gems. It is a functional luxury. It’s not a horrible place, but it’s like a giant factory underneath the earth.
Introduction to Asgard:
After creating Dwarves the gods entered the Golden Age, described as a time the gods played golden board games on grass. There is no definitive time but it lasted long enough for the gods to think they “beat the game”. The gods used the dwarves and the new world they created to get anything they wanted. They built their home, Asgard, above the clouds. Asgard isn’t like building a city, they took a massive portion of the world, directly in the center most point of Midgard and the world, and elevated it. Asgard sits on a high plateau called the plain of Iõavöllr, which is so high that it actually pokes above the clouds. From Asgard you can see the clouds below you. Asgard is described to be filled with massive shining halls made of gold and silver that never tarnish.
Explanation of Bifröst, and origin and explanation of Heimdall:
Since it is so high there is no natural way to get there, so the gods created Bifröst, a rainbow burning bridge of three colors that only the Gods and their chosen can cross. The three colors each represent an aspect. Red for a burning, roaring, magical red fire which is specifically why the Frost Giants and later other giants can’t walk on it. Blue for Air for the heavens and air, symbolizing the bridge’s connection to the sky and its ethereal nature, also it being made of air makes it weightless and why it can float above the clouds. Green or white for Mist or shimmering water, which gives the bridge its shimmer or unstable look, and also signifies it is not a physical object but a manifestation of light and energy that the gods can turn on or off. It starts on the floor of Midgard and stretches all the way to the clouds to the front gate of Asgard.
The Bifröst is also guarded by the Aesir god Heimdall. He has the most mysterious and weird birth of the gods. He doesn’t have a single mother but was born from The Nine Sisters, who are the personifications of the oceans waves. The Nine Sisters are the daughters of Aegir the sea giant, and Rán the sea goddess. Each of the 9 Sisters are the personification of each type of wave, a surging wave, a frothing wave, a dark wave, etc. It’s said he was born on the edge of the world where the sea meets the land. He was created with the strength of earth, moisture of the sea, and heat of the sun. He is a boundary or liminal being, belonging to the sea, earth, and sky all at once making him the perfect person to guard the bridge that connects those worlds.
Heimdall even went to Midgard and introduced classes to humans. He created the classes of thralls, peasants, and nobles, further cementing his role as the bridge or boundary being of the divine and the mundane.
Asgard conclusion, story of Hrimthurs:
Asgard is meant to be a place of perfection, above everything, its also a fortress, after building their palaces the gods had a giant named Hrimthurs create an unbreakable wall around the entire realm.
Hrimthurs was a frost giant that somehow got to Midgard disguised as a man. He made a deal where he only had one winter to build the massive impossible wall, and he had to work alone with no help from any man. Even if it was 99% done, but not 100% it won’t get payment.
The giant’s deal was that he could use his horse, the gods agreed thinking that a horse couldn’t make a difference. But the horse was a beast of legend, during the night it would haul stones the size of mountains, then Hrimthurs could use the stones in the day to build. Loki, a trickster god, transformed into a magnificent mare in heat, and attracted the horse out the woods. Hrimthurs had to spend all night chasing the horse, and couldn’t move a single stone. After he couldn’t finish the wall in time and got no payment, the gods later found out he was one of the Jotnar, and Odin called Thor who swiftly killed him.
Ranking kaiju designs
By: Daniel Kendle
‘Ello, ace! It’s me: famed paleontologist and wildlife documentarian Frederick von Franchisesequelheimer II. Never heard of me before, I take it? (Chuckles) Don’t worry mate, I’m not gutted. Matter of fact, I’m chuffed to bits to have a new apprentice to regale my tales of grandeur to.
Since 1954, I have been trekking the world in search of the most marvelous creatures I can find, hoping to document my findings for this field journal you’re now reading. Dragons! Unicorns! The mythic Sasquatch! Why, there’s only a single individual of the latter-most species left in the world, and yet I’ve poached 3 of them!
Yet there remains a class of beasts of whom I’ve never been able to properly capture, nor kill and harvest from. Ever since I was a wee lad in my home in Britain, I’ve always dreamed of making skin medication out of one of their horns…and yet have failed every single attempt I’ve made to catch them. What am I talking about? Simple: kaiju.
Kaiju (roughly translating from Japanese to “strange beast”) is a term denoting large, powerful cryptids the size of mountains. Many have become popular over the years from film and television — and no doubt my numerous reports on them — as icons of national and international pop culture. Of course, that makes them all the more lucrative to myself and other fellow poach-! I mean…wildlife expeditionaries.
Of course, some of these chaps are more prized than others, so I’d be a mug if I didn’t try and capitalize on that fact. So I thought: ‘a ranking of all these kaiju is a swell idea, innit?’ And you know what, lad? I was right! So here’s a ranking of a handful of kaiju from films around the world, ordered by personal preference. Enjoy!
. . .
#12: “Meganulon(s)”
Film of origin: ‘Rodan’ (1956)
Bloody hell, these beasts are atrocious. They’re basically these cow-sized bugs that crawl around, killing people. Cool, right? But that’s the problem: that’s all they do. They can’t fly, swim, shoot lasers…really, they’re the closest kaiju on this list to resembling a regular animal.
They weren’t even the main monsters of the movie they come from! Don’t even bother hunting Meganulons down: their hide is tacky, their claws, weak, and don’t even get me started on their ghastly eyes. Bunch of chavs, the lot of them.
#11: “Space Godzilla”
Film of origin: ‘Godzilla vs. Space Godzilla’
(Sniffs) I’m not much of a space enthusiast myself. I find the idea of aliens existing ridiculous, preposterous, absurd, droll, vacuous, facetious, gelastic, and really, a bit dumb. In my years of traveling around the world, poaching any animal stupid enough to cross my way, I’ve never been able to figure out a way to hunt an alien; they just float around up there in space, barely out of reach of my Poachin’ Pistols™. Perhaps that’s why I hold some animosity towards Space Godzilla. That, and its design being the dumbest on this list. Yikes.
#10: “Anguirius”
Film of origin: ‘Godzilla Raids Again’
Anguirius is to other Kaiju what Pluto is to other Mickey Mouse characters: they’re all technically animals, yet some are, for whatever reason, bestowed with consciousness. What’s up with that? How come Goofy and Pluto — both dogs, mind you — can occupy the same space, yet only the former can freely express and communicate themselves like an intelligent being? Not to delve too deep into fictional canine class relations, but these questions have plagued me ever since my childhood in Belfast.
Anguirus is a kaiju like all the others, yet somehow feels like the dog of the group. Get off your hands and knees, Anguirus! Stop looking like a dope and actually do something cool! What a lame-o.
#9: “Baragon”
Film of origin: ‘Frankenstein vs. Baragon’
Despite the movie it originated from having an ironically-hilarious title, this dude’s just kind of boring. Better than the last 3, yeah, but what kind of poacher would I be to want this fella’s head over my mantle board? Not even a mother could love a face like that! Oh well: Baragon was apparently an inspiration for the Pokémon Nidoking, so as a poacher who enjoys #gaming, I suppose that’s cool.
#8: “King Kong”
Film of origin: ‘King Kong’
When it comes down to it, liking King Kong is basically dependent on how much you like gorillas. As for moi, they’re…fine, I guess? They’ve never been a favorite animal of mine, so the idea of trying to take down a colossal version of one has never been my fancy. Apparently this guy fights, like, dinosaurs back home, so that’s kinda sick. Whatever.
#7: “Gamera”
Film of origin: ‘Gamera, the Giant Monster’
I like turtles. Who doesn’t? Yeah, snakes are infinitely-cooler, but hey — nobody’s ever complained about adding 4 legs to one. And a shell.
Gamera’s an iconic figure in both pop culture and hunting circles, the latter of which I’m much more invested in. That out of the way, they really are just…a fire-breathing turtle. It’s as if its character designers didn’t really know how to make a giant turtle cool, so they bit the bullet and let it partake in everyone’s favorite pastime: arson. And y’know what? That kind of works for it!
#6: “Rodan”
Film of origin: ‘Rodan’
Ducks, pheasants and other medium-sized birds are popular game for hunters, and I’m no different. So that begs the question: does that admiration translate over to pterodactyls? Uh…yeah. Maybe.
Look, the idea of a giant pterosaur that flies at supersonic speeds is cool, but Rodan was really let down by its appearance in early films. It really just looked like an oversized turkey; I found myself chortling in my cinema seat when first viewing it. Granted, later ‘Godzilla’ films have made me reconsider potentially hunting and poaching it; they look a lot cooler. Still relatively-low on this list, but Rodan could still become one of my most sought-after choices of game someday.
#5: “Mechagodzilla”
Film of origin: ‘Godzilla vs. Mechagodzilla’
Wha-? …what am I, a wildlife hunter, supposed to say about a robot? (Sighs) Maybe this list wasn’t such a great idea: here I am, rambling about random monsters, while I could be out scalping wildebeests like I usually do.
My stance on Mechagodzilla is similar to that of King Kong: if you like what it’s based on, you’re probably gonna like its respective kaiju too. The good thing is that I find world-destroying lizards far cooler than boring apes, so by proxy I guess I like Mechagodzilla. I mean, ANYTHING’S better than Space Godzilla, at least.
#4: “Mothra”
Film of origin: ‘Mothra’
I’ve got a mate back home that’s into entomology; chap’s gonna be livid with this placement. Oh, his name? Franz Kafka.
Mothra seems to be a fan favorite amongst both film and poaching circles. Do I like it as much as others seem to? Nah. Do I respect it, though? Yeah, of course! Without any context, the song the 2 fairies sing about it in ‘Mothra vs. Godzilla’ is a bop, and it’s pretty inspiring to see an overgrown grub beat up a radioactive reptile. You go, queen!
#3: “Biollante”
Film of origin: ‘Godzilla vs. Biollante”
I’ve never seen a production of ‘Little Shop of Horrors,’ but I’ve always been into the carnivorous plant archetype of creature designs because of it and this lad. Biollante is a rad concept for a Kaiju, combining a flower, a lizard and the damned soul of a child into one awesome opponent. Heck, I’ve got all 3 of those things in my basement, I could make my OWN Biollante if I wanted to!
Oh, that reminds me: I need to go home and water my plants real quick. Don’t worry, I left a written note for the next ranking. See you in a second.
#2: “Godzilla”
Film of origin: ‘Godzilla’ (1954)

#1: “King Ghidorah”
Film of origin: “Ghidorah, the Three-Headed Monster”
Ever since I first picked up poaching, I knew from the start what my dream game would be to bag. King Ghidorah is my all-time favorite Kaiju, with its film being among the best ‘Godzilla’ movies too. There’s just something so compelling about this 3-headed beast that’s made it my white whale. Elusive, yes — but that’ll just make it all the sweeter when I finally add it to my collection of taxidermied trophies.
. . .
Welp! (Slaps thighs) I guess that’s that: the ranking’s done, and I’ve finally made up my mind as for what to pursue next. Er, well…hmph.
I don’t know if I should be telling you this, reader, but…a few days ago I got a call from someone asking to put a hit on another. Now, I may be adept at hunting wildlife, but murdering another man…I couldn’t imagine it. Still, I reluctantly took the job to ensure my bills get paid. Good coin was offered, anyways.
While unorthodox for even me, I suppose this is my next operation. It’s horrible, yes, but what else could I do? Hunting all of these Kaiju isn’t easy, and I need all the funds I can get. Should be a pretty easy job, too: the person on the phone even mailed me a picture of them.
So that’s all from me, gang. Cheers, and thanks for reading. And while I’m at it, if any of you guys have any intel on this person I’m set to murder, feel free to reach. Until then, however…

…I’ll be waiting.
The ethical concerns about the development of AI
By: Calvin Westin

The story about Prometheus, where fire stolen by a mythical figure from the gods became a symbol of the destructive and bad side of progress. While giving humankind a tool for making civilization and ruling the world, the fire itself remained uncontrollable. Mary Shelley used this same idea while creating the book of Victor Frankenstein, whose creation had made something too powerful to stay under its creator’s control, similar to fire in ancient times. And now, as the development of artificial intelligence technology progresses at a fast speed, it seems humans are once again following this pattern. By publishing these powerful artificial intelligence algorithms, companies like OpenAI are committing theft of fire, therefore risking disruption of domains of human intelligence.
People are also worried that our current safety rules aren’t enough to keep up. In Chapter 5 of Shelley’s book, Victor Frankenstein’s sadness creates an unsettling relationship. Having brought the monster into being, Frankenstein goes on, “This was then the reward of my curiosity; and I became myself capable of bestowing existence on whom I had created. Perhaps a corpse would be reanimated; galvanism had give tokens of such a wonder.”
This story is a major warning for us today. Scientists like Geoffrey Hinton believe that computers will soon beat humans in terms of dealing with data analysis and handling data. Once developers lose control over the results produced by the machines, there will be serious consequences following after that.
Consequently, it appears to be time that IT professionals start actually managing and executing their responsibilities more effectively. New tech isn’t an excuse to do sketchy stuff in this field, so experts working on AI really need to follow some strict safety rules while they’re doing their research.
In the end, the people who create anything have full moral responsibility for it.
‘U’ – Album review
By: Maple Graham
On March 20th, underscores (a.k.a. April Harper Grey) released her third studio album: ‘U’. It’s a short, 9-track, 34 minute album; it never overstays its welcome and is far from uneventful. The focus of the album is the prospect of catching feelings for someone and getting into a relationship with them. Throughout the course of the album, April (who is April herself, presumably presented in a realistic, yet fictionalized manner; all of the things brought up here could’ve happened, but there’s no evidence that this world is non-fictional) and her love interest begin to drift apart, and ultimately, the other person ends up leaving for someone else. This leaves April alone once more—treasuring their former relationship, stating “I’ll wish you well forever, no, this ain’t what I had imagined / That’s just how it happened” during “Wish U Well,” the finale of the album. It’s a playful yet melancholic album; it does what it strives to do without any extra fat around the edges.
The album leans heavily into underscores’ electronic influences, much more than her previous works of ‘Fishmonger’ and ‘Wallsocket’, but still keeps acoustic elements around for a satisfying blend of the two. ‘U’ is also less lyrically dense than ‘Wallsocket’, leading some fans to dislike it as most of the songs can be understood without understanding the references that come with the lyrics. The average person could understand a song like “The Peace” from ‘U’, that being a song about “trying to keep the peace” with someone else despite the relationship being detrimental to both parties—compare that to “Uncanny long arms” from ‘Wallsocket’: a song about a character named Mara getting an epiphany after dying and getting resuscitated during her arm reduction surgery, then cancelling it even though doing so would continue to fuel her obsession with another character present in the album. And no, in that latter example, none of that is explicitly mentioned in the song—instead being prior knowledge you get through a “government” website for the fake town of Wallsocket, Michigan that April set up before the release of the album. Taking all that into account, it’s apparent why a handful of fans felt disappointed at the lack of a story ‘U’ had, but the majority liked the collection of music that didn’t try to be anything more.
The rest of the article will now be my opinions and rough descriptions of the songs within the album—if it interests you at all, I suggest listening to the album yourself instead of letting me spoil the surprises through my review.
“Tell Me (U Want It)” is a solid opening to the album (as well as the third and final single of the album), and it certainly is a lasting first impression. While not revealing ‘U’’s true intensity quite yet, it still fuses a mix of dubstep–esque sounds with an acoustic guitar wonderfully, creating an addicting chorus—then subverting all expectations at the end by stripping away the instrumental sounds, leaving only raw vocals with whistling, synthesized chirping, and a simple kick pattern to compliment it. The lyrics themselves illustrate April’s skepticism towards others, only trusting people if they’re really trying to form a relationship with her, and not just people who want to use her for her status or fame, or judge her for who she is. The song cycles through past people and their flaws: “Livi thinks that I’m in over my head / Dropping old interests, changin’ my hair / Amanda says that I’m not on the right track / ‘You’ll hate looking back,’ I told her, ‘I’m well aware’” being a couple examples from the lyrics. I personally enjoyed this track—giving it a 83/100.
“Music” was the first single released within ‘U,’ and the second song of the album. Losing no momentum attained within the first song, it doubles down on the synthesizers, creating a maximalist hyperpop soundscape that’s hard to get out of your head. This song is about April meeting someone new, and becoming interested in them, with “And I don’t know what to do / Never gelled this well with someone / I just want to catch up to you / And I don’t know where it comes from” being admitted during the second pre-chorus, showing the growing feelings she has, and the foreboding presence of an obsession. This song blew me away from a production standpoint when it first released last summer, and it continues to hold up as one of the best songs on the album, giving this song an 88/100 from me.
Being the longest song within the album, “Hollywood Forever” is a bit of a doozy. Despite its 6-minute runtime, it’s fleshed out well and has frequent switch-ups that aren’t too intrusive. It also progresses and builds on itself, which becomes a recurring theme with the songs that aren’t singles on the project—the only deviation from this is “Bodyfeeling.” It follows April as she can afford “everyday indulgence” through her newfound virality, which is something she didn’t grow up with. During the chorus, the other person tries to reason with her by repeating “And you say, I’m so, I’m so Hollywood? / Well, aren’t we all so, all so Hollywood? / And you think I’m so, I’m so Hollywood? / You gotta let go,” the same argument over and over, that she’s no worse than anyone else. Later in the song; about halfway, April beckons her love interest, saying “Don’t you wanna / Don’t you wanna / Don’t you wanna become famous with me” to get them to adapt to her lifestyle and status. I would give this song an 84/100; it’s ingenious but ultimately a bit long for my tastes.
“The Peace” is the shortest song on ‘U’, entirely made up of underscores’ vocals. I really liked the production on this one, and it’s a shame this song is a bit of an outlier from the other songs on this album. The lyricism depicts April’s crumbling relationship with another person, both falling into old habits like addiction with the other as they “just wanna keep the peace,” and they do so by smoking and spending time together. As stated before, underscores’ vocal harmonies are phenomenal, and I give this a solid 90/100 for both sound and creativity.
“Innuendo (I Get U)” crescendos into easily the best coda of the album—seconded only by “Lovefield.” It was my favorite upon my first listen to ‘U’, and although I’ve grown on the project as a whole, this is still a really fun listen. The lyrics are less than dazzling, that being April believes that the relationship she has is only for sexual pleasure, saying “It’s just like I already know / Well, you don’t gotta say another word / ‘Cause I already know your type of girl / You don’t gotta talk to me / I know what you want from me / It’s finally time for me to get a turn”: she lets the situation escalate before finding out that “[she’s] really not [their] type of girl.” I’d rate this an 85/100 for how carefully crafted this feels, the production is bedazzling and it’s truly something special.
The coda of “Lovefield,” as stated before, is unrivaled on ‘U.’ This is, as April calls it, a “heart to heart” with the person she likes. It’s an interlude of sorts, dropping the playful and affectionately brash attitude and being real for a moment: she’s beginning to lose the grip she once had on that other person, explaining that “Every time I hang with you (You) / We don’t know what we’re supposed to do / God, is this forever, ever? / I’d just forget it, but I can’t, I can’t / You’re just outsidе the Lovefield,” highlighting how it’s beginning to feel like she can’t hold a relationship anymore. She also says “Hand on my shoulder, I recoiled / Is the Lovefield really getting smaller? / I don’t wanna be untouchable anymore” during the bridge of the song, showing her mental vulnerability to any relationship she has, and how she feels herself becoming “untouchable” to the people around her. This song is an 86/100 for me; it’s not the best on the album, but it’s still memorable.
Falling back into energetic electro-pop, “Do It” immediately takes the unguarded atmosphere and shatters it. Being the second single released along with its own accompanying choreography, it’s a change to ‘U’ that isn’t really expected. It feels disingenuous in a way—everything she said during “Lovefield” comes across as a lie, which also sets up the last two songs of the album. Future connections aside, this song is about trying to find a relationship again, with the verses consisting mostly of questions: “What are your prospects? / Do you make your own cash? […] If I left for three months / And I turned my phone off / Would you wait here for me? […] What is my net worth? / How does my song go?” being examples of said questions. April also touches on the detail of “I’m married to the music, the music, baby” at the bridge of the song—she feels like she can’t ever have a meaningful relationship with someone when music is in her life. I rate this an 89/100, this song is one of my favorites and gets stuck in my head often.
“Bodyfeeling” is a minimalist, catchy experience depicting April experiencing negative feelings towards her love interest, noticing “I get a body feeling I never tell you about / I get a body feeling, the one I keep shutting down / I get a body feeling, but I’ll ignore my body for you, for you”—yet pushing them to continue a relationship with them. It has a much less extravagant production, but is still masterfully done—instead of her composition wizardry shining here, it is instead her own vocals. I give this an 80/100 for its rememberability, yet also docking points since its instrumental is slightly lackluster compared to the rest of this project.
The finale of ‘U’ doesn’t disappoint; “Wish U Well” is a song about April breaking ties with the relationship, and either person going their separate ways. April ends up encountering this person by chance in public, seeing her former love interest with another person, and she sees herself in that other person, saying “You’re walking to the corner store, you’re interlocking arms / She looks just like me / In a way, it’s beautiful.” She additionally wishes him well, harboring no hard feelings to him. It’s a slightly melancholic finish, but I don’t think this album could have a better end. Even though it has its strengths, it’s still nothing unpredictable, so I give this a modest 78/100. Don’t be fooled though, this is still a very good song—the entire album is definitely worth a listen if you’re into electronic music.
Overall, I give ‘U’ an 84/100. This was certainly an experience, and though it’s not as polarizing as something like Porter Robinson’s ‘SMILE! :D’ or Patricia Taxxon’s ‘Pix & Bit,’ it’s still a consistent album that feels the perfect length. If you’ve read this far, I highly encourage you to listen to the full album, and the rest of the underscores discography if you haven’t already!
An overview of authors from Saint Paul
By: Karl Salkowski
There are a number of very influential and well regarded authors who are affiliated with Saint Paul, Minnesota. Many of the stories they wrote were based on life growing up in Minnesota and the communities they were a part of. F. Scott Fitzgerald is probably the most famous author from the Saint Paul area, but there are many others including modern authors such as Kao Kaila Yang and William Kent Krueger.
F. Scott Fitzgerald was born on Summit Avenue in 1896, just a few miles away from Highland Park Senior High school. He is most well known for his novels about the “jazz age.” His most successful work ‘The Great Gatsby’ is still relevant in the modern era over a hundred years after its publication, and is still frequently taught in high schools across the United States. I personally would recommend ‘The Great Gatsby’, because I really enjoyed the way the story and characters’ relationships unfolded.
August Wilson, a Pulitzer Prize winning playwright, lived in Minnesota for over a decade. He has had a long association with the local Penumbra Theater Company located in Saint Paul. His most famous plays are ‘Fences’ and ‘The Piano Lesson’. He is known for writing about the African American experience growing up throughout the 20th century. Three of his plays have already been adapted into films.
Another famous writer, Garrison Keillor, spent much of his career living in Saint Paul, producing the MPR variety show ‘A Prairie Home Companion’ and several books. He is best known for making fun of the “Minnesotan Sensibility”, through his “News from Lake Wobegon,” where “all the children are above average.”
William Kent Krueger is a crime writer who lives in Saint Paul, famously known for having won back-to-back Anthony Awards for best novel. When the Saint Clair Broiler was still in operation, locals would often see him there writing.
Kao Kaila Yang is one of the most influential contemporary writers in Saint Paul. She is a Hmong refugee and has often written about the refugee experience, and her own family’s story. She writes for all ages, everything from picture books to memoirs. Her most famous work is ‘The Latehomecomer: A Hmong Family Memoir’, which has won several prestigious awards and is highly rated on both Goodreads and Amazon.
Starbucks vs. Caribou
By: Veronica Lopez Sosa, Sofia Patricio Mateo and Evelyn Solano Ruiz
‘The Hunt (Jagten)’ Review
By: Amir Salaad
WARNING: This review contains Major spoilers
‘The Hunt (Jagten)’ is a drama movie directed by Thomas Vinterberg and released in 2012. This movie is about a nice kindergarten assistant living in a small Danish village when his life is ruined by a false accusation. The rating of this movie is R because it has some sexual content, some violence and language.
Lucas is a lonely guy but has some respect in his community and he’s getting his life back together after a divorce and custody battle for his son Marcus. He works at a preschool in the village where the kids all love him, like Klara, who’s the daughter of his best friend, Theo. After Klara says something about Lucas touching her to the principal, Lucas gets called out for touching Klara. Even though there is no evidence against Lucas, and he’s denying it, the whole village goes against him.
When the film keeps going, the person watching can see Lucas’s life really fall apart. He gets banned from the grocery store, he gets assaulted, and gets shut out by his so called “family”. The tension in the film gets higher as ‘The Hunt’ goes from Lucas getting cut off from the whole village to him getting beat up. And all of this happens when the viewer knows that Lucas is really innocent. The closer it gets to the end the more you can see Lucas’s life go all the way down.
Mads Mikkelsen gives a good performance of Lucas. He shows a guy that’s slowly losing himself over the movie over a false rumor. He tries to stay strong but slowly starts to go insane.
Theo, Lucas’s friend, also has a weird feeling over the movie when he struggles with protecting his daughter Klara and believing that his friend didn’t touch his daughter.
My thoughts on the film is that it’s a great movie but that it also plays with your head. Because at the end of the movie, after everything calms down for Lucas and it’s proven that he didn’t touch Klara, he gets shot at at the end of the movie. What I think that means is that nothing will ever actually go back to normal for him. At least for Lucas.
I would give ‘The Hunt (Jagten)’ a 10/10. This movie is on Prime Video and other streaming services.
Pros and cons of AI
By: Janessa Castro Cruz

Artificial intelligence (AI) is a technology that makes computers and machines to simulate human learning, creativity, thinking, and problem solving. They understand and respond to human language and learn from new information and experience. AI is able to make detailed recommendations and act independently, replacing the need for human intelligence. Over the years, AI’s popularity has risen and some believe that AI shouldn’t be used and should be banned, and others believe it’s a great tool and should be more available. There are lots of pros and cons of AI.
PROS: Some benefits of AI is that you can work faster, as it can generate outputs faster than the human brain and body can process information. You could work smarter when using it, and the machine can make mistakes but it’s more often in humans. There have been research studies that show AI-assisted reviewing is more accurate than basic human reviewing.
CONS: AI could create a lot of deep-fakes, causing fraud, theft, scams, and more. It’s possible that AI can create fake representations of real people and events. The tool is now in the workforce and has caused people to lose their jobs also causing mass unemployment. The school system is now disrupted; students rely on AI to do their work for them, cheat on tests, and more meaning they aren’t learning anything. It also consumes a lot of water, making it harmful to our earth. Data centers powering AI are predicted to consume over 426 billion liters of water annually by 2030
I don’t think AI should be used, especially in the school system and in jobs. If it’s affecting students’ education and doing the work for them then they aren’t learning anything. It’s also causing people to lose their jobs and they shouldn’t allow that to happen. I believe that AI should only be used to brainstorm ideas and help with research and reviewing.
Student’s Spring Break Plans
By: Story Houghton and Damiya Payne



