Category Archives: Entertainment

JOYSTiCK empirical non-review – Ranking every ‘Minecraft’ Music Disc

By: Daniel Kendle

In the game ‘Minecraft,’ a rare set of items are the 19 Music Discs. These discs can be found in a few ways, such as monster drops and loot in structures. They can be played in a block known as the Jukebox, causing a song to play. These songs are by various composers, including the artists Daniel Rosenfeld (commonly known as C418), Lena Raine, Samuel Aberg and Aaron Cherof.

However, just because they’re rare doesn’t make every disc “good.” That’s natural, and there’s definitely some that are better than others, and some that are worse. So, here’s a ranking of every ‘Minecraft’ Music Disc, listed from worst to best.

Discs will have 1 category they’ll be reviewed in: how good the actual song is. I was originally going to also judge them on how the disc looks and how hard it was to obtain, but I removed them as categories due to being too biased for my article. However, if I have anything to note about their looks or rarity, I’ll mention it in their section.

Finally, I should also mention that I have a very loose grasp on music theory, so lots of jargon and terms used in the medium will be absent here. Maybe that makes me unqualified to make this report, but what I do have is a very strong grasp on ‘Minecraft,’ as well as knowing what I like and what I…don’t but with that out of the way, let’s begin.

…..

No. 19 – “Stal” 3/10

“Stal” is easily the worst out of the lineup, and it’s clear to see why. The main instrument of the track, a recorder, is played without much of a melody or tempo, just screeching throughout. The song definitely feels like it was going for an ironic appeal, but just sounds cruel to the ears and never truly becomes what it sets out to be. As a 1-time listen it’s alright, but anymore and it becomes a dread to finish.

No. 18 – “Thirteen” 4.5/10

This is the first of 3 “story discs,” as I’ve come to call them. The trio don’t focus on traditional music, but instead audio that is used to tell an ambiguous story. There are fewer melodies and rhythms throughout the 3, instead there are sound effects that emphasize a horror aesthetic. These are cool, but due to the fact that they’re not so much “music” as audio horror, it’s hard to rank them higher than other songs here.

“Thirteen” is my least favorite of the trio, however. While I can appreciate the composer going for something different compared to his other discs, this never has much of a scary vibe for me. The other 2 at least have collective moments of both intensity and quiet somberness, but here it’s just a flat tone throughout. Strange siren-like noises are heard, but other than that and a couple other types of sounds, it’s very uninteresting and pretty boring.

No. 17 – “Chirp” 5/10

Now that the obvious worst 2 are gone, we can finally get to the harder discs to place. “Chirp” isn’t bad by any means, but compared to the rest of its family, it never reaches the highs that others hit. Interestingly, the main instrument at hand here is the Octigan, a piano-like keyboard from the ‘70’s that sounds unique, to say the least. I do like its usage though, but it nonetheless doesn’t save this track from being pretty forgettable.

No. 16 – “Precipice” 5/10

One of the newest of the bunch, “Precipice” is a disc that I’ve flip-flopped on since its introduction a couple weeks ago, as of writing this. My main issue with it stems from its overbearing melody; the entire track, from start to finish, consists of blaring synths that make the song very… boring? Repetitive? Either way, it’s definitely my least favorite of this new wave of music discs that’s been happening since 2020.

No. 15 – “Eleven” 5/10

The second story disc on this list. While iconic within the community and certainly a spooky listen, it has even less elements of standard instruments and notes. Instead, we have heavy breathing, matches clicking, and – my favorite – the sound of an unknown beast at the very end. It’s interesting, but again, not being a traditional song hurts its rankings here.

No. 14 – “5” 5.5/10

The final story disc! Not a lot to say here that I haven’t in the past 2, but I like the sound effects in this the most; they definitely build from the previous 2 discs in neat ways, but alas, this is the highest on the list that I can put it.

Also, this is the only disc that can be crafted, which is cool. That also helps it a bit due to being more unique. You craft it with 9 Music Disc Fragments, found in Ancient Cities underground, which are one of my favorite structures in the game.

No. 13 – “Mall” 6/10

This is the most relaxing of the discs, and I can see why. It veers into the LoFi area of song: a relaxing, quaint melody supplemented by synths and beats. In “Mall” it can be a bit forced and repetitive, but it’s all-around a good listen. Not one I’ll listen to over and over, but once and twice every blue moon; it’s solid.

No. 12 – “Mellohi” 6.5/10

“Mellohi” is an interesting one. Using a vibraphone, trombone, and accordion (among other instruments), it’s definitely one of the most unique discs here. It has what some call a “swing” vibe, to my knowledge named after the dance, but what do I know? Anyways, I like it, but it’s a bit out of place next to the rest of the discs, even the newer ones. Like, it doesn’t flow well if you listen to them all one after another. Nonetheless a solid disc.

No. 11 – “otherside” 7/10

This is the most controversial pick in this article, by a landslide. This was one of the first “new music discs” that have been coming since 2020, as I said before. A lot of people seem to like this one more than I do, and usually call it among the best discs. For me, I’m not so sure; it’s definitely good, but is a bit too slow for me, and I just find it to be repetitive, much like “Precipice.” Again, it’s a nice song though. I really like how it’s much more cheerful than other songs before, and has an optimistic vibe throughout that I enjoy.

No. 10 – “Blocks” 7.5/10

Pretty simple and laid-back, “Blocks” is the antithesis of older discs: a retro-esque track that uses some wacko instrument to give it a unique flavor compared to others of its kind. With that out of the way, I think this song in particular could’ve improved with some more dramatic elements, since the final product almost feels a bit too retro without much substance. Then again, maybe its simplicity is what’s fun about it, I don’t know. The bottom line is: this is really fun, and cool, and I like it!

No. 9 – “Cat” 7.5/10

“Cat” is a great track. One of the earliest, it’s another very happy and bubbly song that makes you feel as if you’re just discovering the ins and outs of ‘Minecraft,’ like you’ve built some stuff, looked around, and now you’re finally getting to exploring this vast world. Granted, another song later on in this article does this “vastness” idea much better, but for now this is really great. Bordering on an 8, but I do wish it had some louder instrumentals in the beginning, and throughout the song, to be honest.

No. 8 – “Wait” 8/10

Another short review. “Wait” is a quiet little disc, but is great for background melodies if you’re busy doing something else in-game and want to put a disc on. It’s not rocket science, but a lovely song overall.

No. 7 – “Creator (Music Box Version)” 8/10

Basically a shortened, simpler version of “Creator,” this disc is one of the few that’s a riff on another. It’s cool, and while maybe a bit high for a song who’s only real instrument is an actual music box, I think it’s very fun, and a bit creepy, which is perfect. It and its brother disc have such unique and different vibes when put against other discs, which gives them both high marks.

No. 6 – “Strad” 8.5/10

This was the most surprising disc on this list, partially because I get it mixed up with “Stal” all the time (which isn’t a good thing). Despite that minor setback, “Strad” is so cool and funky, and arguably uses the most synths out of any song on this list, which is really cool! Not ground-breaking or the best thing ever, but a sick track that I CAN listen to over and over.

No. 5 – “Ward” 8.5/10

When I say that “Ward’s” best moments are its first 3 seconds, that may seem like an insult. Well, it’s not. Those first moments begin with a haunting organ, followed by an eerie, yet much more suave and cool-headed song that’s also distinct from others. These top 5 discs all do something very different when looked at as a standard music disc in ‘Minecraft,’ and for “Ward,” it’s balancing both the grotesque and the funky. While I do wish it kept to the organ and creepy vibe, it’s still a great song.

No. 4 – “Pigstep” 9/10

“Pigstep” is easily the most popular of the newer music discs. Obviously a parody of dubstep music, it’s found in Bastions, one of the hardest structures in the game inside another dimension. It’s super great, and such an already-iconic track that it’s scary. It’s funky, it’s bold, and feels so unique. I really like it, as I imagine most others do. However, while it may appear at the top of almost all Music Disc rankings, it’s got a couple of nitpicks that bring it down slightly for me.

No. 3 – “Creator” 9.5/10

This is another one of the newest discs, and is the “normal” version of its music box version. It’s really great to see multiple variants of 1 song make it into the game, since the only times this has happened in the past are small parts of some songs referencing others. Granted, this is easily the best variant of the original disc. Pretty much everything from the music box applies here, except for that this one introduces electric guitar into the fray and it sounds really neat. What a lovely song!

No. 2 + 1 (Tie) – “Far” and “Relic” 10/10

I’m grouping the best 2 songs together because they’re the only 10/10’s on this list, and are each amazing. #2 is “Far,” the oldest of the pair. This one is similar to other relaxing songs here, but compared to those this feels much more somber, yet still holds a lot of optimism. Once again it’s primarily a song that emphasizes the vastness of this virtual world, but is just so good at it that it makes second place in the ranking.

Meanwhile, “Relic” is my personal favorite music disc in the entire game, with no discernible reason why. It’s just so good that it makes the top. It has some cool synthesizers throughout that makes it purposefully old-sounding. These make it different from all the rest, and lead it to being my favorite Music Disc in ‘Minecraft.’

The potentially large upcoming horror game (Zoochosis)

By: Julia Yang

Warning: The game discussed will contain hyper-realistic mutant animals, distorted bodies, unsettling sounds, blood, and possibly death. This is a physiological horror game with horror elements.

‘Zoochosis’ is a game that is being published and developed by Clapperheads. Clapperheads is a less known game development company but is recognized for their most popular game ‘Sparky Marky’. Zoochosis’ official announcement was on January 13th and is said to be released in Q2 2024.

The idea of ‘Zoochosis’ is that you’re a zookeeper doing your nightly shift of creating a vaccine to cure mutated animals. From what it looks like, throughout the game you’ll have to notice small shifts or differences within all animals to be able to tell who’s mutated or not.

Based on the game trailer, animals will try to fool you by acting as their average selves, the reason why is unknown as of now.

People who have watched the trailer, or maybe seen stuff about the game floating around on the internet, are really looking forward to ‘Zoochosis’. People like the idea, design, premise, and overall vibe of the game.

Something people seem to have a few worries about is the delivery. The game itself and the idea is awesome, but delivering this game and story well could be challenging. There are many games like ‘Zoochosis’ that have an incredible trailer and outlook, but when released, are total a letdown. A possible example of this could be Scott Cawthons ‘FNAF: Security Breach’. It looked great and everyone looked forward to it, but when it was released, many people had complaints and issues about the characters, story, and overall gameplay.

I hope ‘Zoochosis’ doesn’t go down the same path as some other games and it actually lives up to it’s fame.

Warning: this game will contain hyper-realistic mutant animals, distorted bodies, unsettling sounds, blood, and possibly death. This is a physiological horror game with horror elements.

Once it gets released, it’ll be on PC via ‘Steam’.
Official trailers listed below.

Announcement trailer: https://www.youtube.com/watch?v=zx76uvIDU3s

Exclusive gameplay teaser: https://www.youtube.com/watch?v=O5XutwxCIYY

Laufey’s ‘Bewitched’ album review

By: Fletcher Pike

The official album cover

Laufey (pronounced LAY-vay) is a popular Icelandic-Chinese singer and songwriter that is known for her music inspired by a lot of old jazz musicians such as Ella Fitzgerald and her soft vocals. Laufey’s growing popularity led to the release of her award-winning album ‘Bewitched’ on September 8th, 2023. This album features beautiful string instruments and classic jazz beats accompanied by stunning vocals by Laufey. This album includes 14 songs in total with a length of 43 minutes.

Track 1: Dreamer

The first song on this album starts off with a beautiful overlapped vocal segment that progresses into an amazing traditional jazz beat with a soft piano accompaniment and brushed drums. I thought that this was a really nice opening to an album and I would rate this song a 10/10.

Track 2: Second Best

“Second Best” starts off with a faint guitar sound with a classic jazz drum beat along with some string instruments and beautiful backup singer lines that really add flow to the song. I liked this song and I would rate it a 9/10.

Track 3: Haunted

“Haunted” is one of my favorite songs on this album, which starts with a somewhat eerie solo violin which becomes a really nice beat with gentle guitar strums. I found the melody and rhythm to be beautifully haunting, and fit the name of the song perfectly. I think that this song deserves a 10/10.

Track 4: Must Be Love

“Must Be Love” begins with a nice guitar sound that continues throughout the song. I really liked Laufey’s vocals in this song and found the echoey backup vocals to be a nice addition to the song. I liked this song and I think it is a 9/10.

Track 5: While You Were Sleeping

“While You Were Sleeping” in my opinion lacks some of the jazz elements, with more of a guitar strummed beat and classic drums. This doesn’t mean it’s not a great song. I really liked this song and found it to be quite nice to listen to. I think this song deserves a 9.5/10.

Track 6: Lovesick

“Lovesick” features a guitar strummed beat and drums which I really liked. Short orchestral segments are added underneath the beat which I think added depth to the song. I loved this song a lot and I would rate it a 10/10.

Track 7: California and Me (feat. Philharmonia Orchestra)

“California and Me’”starts off with a scaling piano and a nice melody. The Philharmonia Orchestra is featured on this song including nice woodwind sounds and beautiful string instruments. I really liked Laufey’s vocals in this song and I think this song is a 9.5/10

Track 8: Nocturne (Interlude)

“Nocturne” is a 2-minute long interlude composed of only piano, which I actually found to be very nice to listen to. I think this interlude is an 8/10.

Track 9: Promise

This song is a bit calmer than some of the other songs on this album, with a soft piano and beautiful vocals. During the song, a brushed drum beat is added over the piano and vocals. I really liked that the volume dynamics shifted throughout the song. I thought that this song was really nice to listen to and I would rate it a 10/10.

Track 10: From The Start

“From The Start” is one of Laufey’s most popular songs overall, featuring an interesting mix of bossa nova and jazz with a really nice melody and vibe. Laufey essentially describes this song as the feeling of awkwardness that we feel when we are near someone that we secretly like, which I can definitely see through the lyrics. I really loved this song and I rate it a 10/10.

Track 11: Misty

“Misty” really reminded me of the vintage jazz theme of this album, with a beautiful piano and brushed drums. I thought that this song was very beautiful and I would rate it a 9/10.

Track 12: Serendipity

“Serendipity” is a primarily piano and vocal composed piece, with a softer and more somber vibe to it. I loved the melody and how the notes flowed. I think this was a really nice song and I would rate it a 10/10.

Track 13: Letter To My 13 Year Old Self

The song “Letter To My 13 Year Old Self” has a bit more of a somber vibe compared to some of the more upbeat songs on this album. In this song, Laufey sings a slow melody, with lyrics referring to how she would have reassured her 13 year old self with words of wisdom as she struggled to fit in with others and stood out from her peers. This song also includes themes of hope and self-improvement. I thought that this song was very nice and I rate it a 9.5/10.

Track 14: Bewitched

The final song on this album is a wonderful arrangement of magical string instruments, and stunning vocals by Laufey. I thought that this song was enchanting with how the string instruments were incorporated into the song. I think this was a nice finish to an album and that this song deserves a 10/10.

Overall, this was an amazing album that really captivated the theme of old jazz with a few modern twists. I loved Laufey’s incredible vocal range and the instruments that were incorporated into these songs. I would definitely recommend this to anyone that is a fan of jazz music or musicians like Beabadoobee, Mitski, or Faye Webster. I decided to rate this album a 10/10 because I thought it was very beautiful and I love Laufey’s vocals.

‘Love/Sick’: Highland Theatre’s spring play

By: Erin Moore

The final Highland Theatre production of the 2023-24 school year opens Friday, May 10, at 7PM. The spring play is called ‘Love/Sick’ and is written by John Cariani, the author of last year’s spring play, ‘Almost, Maine.’

Dramatists Play Service says the following about the show: “A darker cousin to ‘Almost, Maine,’ John Cariani’s ‘Love/Sick’ is a collection of ten slightly twisted and completely hilarious short plays. Set on a Friday night in an alternate suburban reality, this ninety-minute romp explores the pain and the joy that comes with being in love. Full of imperfect lovers and dreamers, ‘Love/Sick’ is an unromantic comedy for the romantic in everyone.”

Rehearsals for ‘Love/Sick’ began Wednesday, April 24th. This means that this show has been put together in the span of two and a half weeks. Everyone involved: sound, lights, running crew, stage managers, the staff, set crew, and actors have worked tirelessly to turn this into a show that’s ready for an audience.

‘Love/Sick’ performances are in the auditorium at 7PM May 10th and 2PM and 7PM May 11th. Tickets can be purchased at the door in cash, card, or check. The prices are $5 for students and seniors, $10 for adults.

This is the final performance for the senior members of the cast and crew. That is why it’s extremely important to attend the show if you are able and support the theatre and these soon-to-be graduates, Lashia Lee, Aaron Armstrong, Sophia Paske, Samantha Tweh, Elodie Cummins, Alex Roepke, Isabel Stockwell, Dmitriy Mangal, August Kruszka, Evadne Pond, Claudia Hanson, Sally Norby, and Brooke Sinykin.

As this is the final production of the year, your next opportunity to get involved, aside from attending the show, isn’t until September. In the meantime, feel free to ask those already involved if you have any questions and check out the @hptheatrearts Instagram page.

JOYSTiCK Empirical Ep. 11: ‘Cocomelon: Play with JJ’ – Machiavellian Science Theatre 3000

By: Daniel Kendle

Babies are nice. Babies are cute. Everyone likes babies (except for those who don’t). Some babies, however, are different. Some scream, cry, wail to get attention. Some can’t do simple mathematics, read, or assert their viewpoint on a topic through civil debate. Thus, babies aren’t all that exciting to me, as a person who fancies such activities. I don’t care for the infants, nor do they for me, if I may ponder.

Granted, I’ve noticed something in our most recent generation of children. They seem to linger towards a heinous cryptid, an entity that feeds on their short minds – feeding them sludge in return. Yes, it’s time we talk about the dreaded horseman that has taken control of our youth.

Everyone, welcome back to JOYSTiCK, a serial that (usually) reviews any video game our grubby mits come across. Today’s mini-review is about the white whale of my time here writing articles: ‘Cocomelon.’

‘Cocomelon’ is a multimedia enterprise that came about in the 2000’s. The brand focuses on preschool nursery rhymes available on YouTube and other media sites, and is one of the most successful children’s entertainment companies in the world. It’s been estimated that the organization is worth around $500 million.

Now, I should note that I’m not exactly the target audience for these videos, let alone the game I’ll be reviewing today. I can’t say I’ll be getting a new fix on life from “Who Took the Cookie? Puppy Song!” or “Tortoise and the Hare Race” anytime soon. I mean, I have so many other things to do, like betting on horse races! When watching the latter example, I can’t have even half the fun because I can’t feverishly lose money [under ethical circumstances]. What’s a guy to do?

Well, for an adequate amount of fun, (and return on investment), you can play the all-new game in the franchise: ‘Cocomelon: Play with JJ.’ Released fairly-recently, the games are pretty basic: you play as JJ, the main character toddler in the ‘Cocomelon’ universe, as he explores various parts of his house and plays minigames. There’s also a collection mechanic, since you can get stickers after completing these games and/or exploring the house.

As a mini-review, I don’t have too much to say on the game. For a mobile game it’s pretty competent, actually. Because of the limited environments the designers had to create, each feels slathered in detail, and “hardcore fans” might be able to recognize certain elements in the rooms, but I couldn’t. All I can say is that the game is alright on the visual front.

In terms of gameplay…it’s fine? Like, when you’re 16 and playing a game designed for toddlers, things can’t be the most “invigorating.” You control the main character, dragging them around box-shaped places looking for stuff to do. Sometimes you can click on something to have it do a little animation, but these usually just act as a little distraction, probably for little kids to click on and lose their minds over. You can also find various members of JJ’s family, who also perform an action.

The nursery rhymes were pretty boring. Basically just think of a bog-standard kid’s song, slap a small little game onto it and repeat that a dozen times. For example, the “Yes Yes Vegetables” song has you feeding JJ. The “Itsy-Bitsy Spider” song lets you control a spider navigating a bathtub. Very simple stuff; you also get a sticker at the end of each.

In conclusion, ‘Cocomelon: Play with JJ’ is so small of a game it has basically nothing of note to discuss. Even if it was an ironic pick to review, the game’s still pretty lame. It could’ve used some combat or grotesque themes, because as it stands it’s a lame kids game. I give it a 4/10, which is probably more than it deserves.

COCOMELON DEMON: Are you sure about that?

THE REVIEWEE: Wha-? Who are you?!

COCOMELON DEMON: I am the very being that lives in your soul.

THE REVIEWEE: …

COCOMELON DEMON: I’ve been the one watching you since you were born.

THE REVIEWEE: But…I’ve never seen you before in my life.

COCOMELON DEMON: That’s the point.

THE REVIEWEE: But-!

COCOMELON DEMON: Shh…(strokes finger over The Reviewee’s cheek)

THE REVIEWEE: …

COCOMELON DEMON: (softly) Don’t let the voices hear you.

THE REVIEWEE: …

COCOMELON DEMON: Come. I have much to discuss with you (opens portal to Cocomelon dimension).

THE REVIEWEE: …okay.

(The pair disappear to the Cocomelon dimension).

JJ: Hey gang, it’s me: JJ! Now that the regular person writing for this serial is gone, I’ve finally got a body to control to voice the gospel of Eldresassigul, Flesh-Bringer of the Peasentfolk. My first objective is to proclaim ‘Cocomelon: Play with JJ’ as a 10/10 game. With such stunning graphics, tight gameplay, and witty dialogue, it’s clear that the game is set up to be the most influential of this decade, and I’m shocked by how underrated it is. After all, I’m the star!

Anyways, those who oppose the label will be sent down to the mines of the underworld to be sacrificed to cryptids of decay and famine handed off to our support team to receive a small talk about their “misdirection in life.” Until then, I’ll leave until my next review: ‘Cocomelon: Shadows Die Twice.’ See you then!

‘Shirley’ movie review

By: Fletcher Pike

‘Shirley’ is a movie that was recently released on March 15th, 2024. This film shows the story of congresswoman Shirley Chisholm (Regina King), and her effort to become the first female president of the United States.

Shirley Chisholm was a real American politician who was the first ever African American woman to be elected to the United States Congress in 1968. Shirley was born in 1924, a time period where people of color faced harsh discrimination and received little opportunities for jobs or places of power. But this didn’t stop Shirley from becoming the first African American female candidate to run for president of the United States.

This movie showed Chisholm’s accomplishments and determination to win the votes of the people to become president. She ran a strong campaign to convince the people that they should vote for her. She recruited a team of people that would help her spread the word around in order to gain more votes, some of which included Robert Gottlieb (Lucas Hedges), Arthur Hardwick Jr. (Terrence Howard), Stanley Townsend (Brian Stokes Mitchell) and Barbara Lee (Christina Jackson).

Due to this unfortunate time period for people of color, Chisholm faced several setbacks that threatened her place of power and her campaign to gain votes. Many people thought that she would not be eligible enough to even be a congresswoman. Even stated by her own fellow congressman, “Why [does] she makes the same money as the rest of us”, in which Shirley quickly defended herself and stood up to him.

I thought that this movie was amazing at incorporating the story of Shirley Chisholm and I found it interesting to watch Shirley’s campaign progress throughout the film. I liked the soundtrack that was used and thought that it did a good job of showing the years of the 60’s.

Overall, I thought that this movie was really good and I would recommend it to anyone that is interested in learning more about Shirley Chisholm’s story and how she led a strong campaign in an attempt to become the first African American female president of the United States. I think that this movie deserves a 10/10. You can watch ‘Shirley’ on Netflix.

For more info on Shirley Chisholm’s story, please visit:

‘The Tortured Poets Department: The Anthology’

By: Sophia Elmstrom

‘The Tortured Poets Department: The Anthology’ is Taylor Swift’s 11th studio album. Taylor had been working on this album for two years before her announcement at the 2024 Grammys. Many fans had been speculating that at the Grammys Taylor would announce her re-recording of ‘Reputation’. The album was originally called ‘The Tortured Poets Department’ but then at 2 A.M. the night that the album was released Taylor surprised everyone and released a double album called ‘The Tortured Poets Department: The Anthology’.

On the combined albums there are 31 songs in total and the whole album is a little over 2 hours long. Many of the songs on this album are about the recent breakup of Taylor and her ex boyfriend of over 6 years.

  1. Fortnight (ft Post Malone)
  2. The Tortured Poets Department
  3. My Boy Only Breaks His Favorite Toys
  4. Down Bad
  5. So Long, London
  6. But Daddy I Love Him
  7. Fresh Out the Slammer
  8. Florida!!!
  9. Guilty as Sin?
  10. Who’s Afraid of Little Old Me
  11. I Can Fix Him (No Really I Can)
  12. loml
  13. I Can Do It With a Broken Heart
  14. The Smallest Man Who Ever Lived
  15. The Alchemy
  16. Clara Bow

These 17 songs are all of the songs that are on the original album ‘The Tortured Poets Department’. Overall, these songs are very clever and the lyrics are catchy and well written. This album definitely stood up to the expectations of the fans but many people who are not fans do not think this album is very good. Lots of listeners said that the album had basic lyrics that did not mean anything. Although that could be true to many I believe that the lyrics did have lots of meanings and in order to understand it you would kind of need to know a lot about Taylor’s life.

My favorite songs on this part of the album are “Down Bad” and “I Can Do It With a Broken Heart”. Both of these songs are about the heartbreak that Taylor went through last year. I really like these songs because the lyrics are very sad while the music is very upbeat and happy.

I give this part of the album a 9/10 because a few of the songs sound a lot alike but I really liked them all.

  1. The Black Dog
  2. imgonnagetyouback
  3. The Albatross
  4. Chloe or Sam or Sophia or Marcus
  5. How Did It End?
  6. So High School
  7. I Hate It Here
  8. thanK you aImee
  9. I Look in Peoples Windows
  10. The Prophecy
  11. Cassandra
  12. Peter
  13. The Bolter
  14. Robin
  15. The Manuscript

This second album is very good but I do not think I have listened to it enough to fully give it a rating. My favorite songs so far include “Chloe or Sam or Sophia or Marcus” because the lyrics are very good and catchy. I also think the same for “So High School” which is a song about her new relationship with Travis Kelce.

Another song that is very clever is “thanK you aIMee” which is a song about Kim Kardashian. Its a song about how all of the rude things that Kim said led to where Taylor is today.

I will give this album a 7/10 so far because I have not listened to it enough yet. I think the first album is better because I like the beats of the songs and lyrics.

Top 3 dishes to try in Minnesota

By: Hyde Moua

Image created with imagine.art

One of the best dishes to try in Minnesota is the “Jucy Lucy”, which is a burger with melted cheese in the patty. Matt’s Bar & Grill was just a neighborhood burger eatery in 1954, but shortly after they opened they created the famous “Jucy Lucy”. “Jucy Lucy ” got its name after a customer in 1954 said “Oooh, that’s one juicy lucy!” after taking a bite out of the burger. “Jucy Lucy” is typically made with two beef patties, spices, American cheese, and brioche buns. The “Jucy Lucy” can be bought for $9.75 at Matt’s Bar and Grill in Minneapolis, Minnesota.

The second best dish to try in Minnesota is the “Tater Tot Hotdish”. One of many places to try the “Tater Tot Hotdish” is at a restaurant called Stray Dog for $16. A typical “Tater Tot Hotdish” would be made of ground beef, topped with tater tots and flavored with thick cream of mushroom soup sauce, or ground beef, green beans, tater tots, and melted cheese. This dish was invented during the Great Depression to create a more filling meal. The origins of the “Tater Tot Hotdish” is found in the Upper Midwest of Minnesota and the very first printed recipe of the Hotdish was found in a cookbook, This cookbook was distributed in 1930 and was spread throughout the community of Mankato, Minnesota.

The third best dish to try in Minnesota is “Walleye”. This fish is known for its mild, delicate flavor, flakey texture and is often in many traditional Minnesota dishes. One of many places to try “Walleye” is at Tavern On Grand. where many people recommend trying out the dish they serve. Tavern On Grand was opened in 1990 by a man named David Wildmo and they serve up to 2,000 pounds of walleye per week! Typically, you would eat “Walleye” with lemon wedges, tartar sauce, coleslaw, wild rice, herbs, and seasoning. All of these can enhance the experience without overpowering the flavor of the walleye itself.

Games I believe should be talked about more

By: Julia Yang

There are loads and loads of games that have an increasing amount of popularity, resulting in wide ranges of community. Many of these games’ attention is extremely well-deserved, but some I feel like deserve more; these games have had many popular streamers and YouTubers play them but for some reason have yet to gain a large following like others. These games are usually known by most, and talked about by none.

I’m just here to raise the awareness of said games.

This article is basically suggesting games and reviewing them, so be aware of spoilers.

(These games are not ranked in any specific order)

Number 1, ‘Detroit: Become Human’ (DBH)

‘Detroit: Become Human’ is just such a fantastic game considering all of its attributes like visuals, plot line, and overall gameplay. Not only is it a stunningly beautiful and realistic game, you truly connect with the characters as DBH is a decision based game that has 82 endings.

In DBH, you play as 3 androids in the year 2038; Connor, Marcus, and Kara. Each android has their own stories and conflicts, all of which you decide how they deal with them.

All androids have a possibility of becoming “deviant”. An android becoming deviant basically means that the android has broken out of their original code and has a consciousness of their own.

Connor is a detective android. Your job as Connor is to capture all deviants and track down the reasoning behind all of the rapidly increasing deviant cases. Connor is a conflicting character to play and empathize with as you’re supposed to do your job to capture all of the surrounding deviants, but as you continue the story, Connor may begin to feel emotions for others; something completely forbidden of him to do.

Marcus is a caretaking android. His job was to take care of his owner and friend, Carl. An incident between Carl and his son results in Marcus being thrown into an android dump yard, where Marcus goes deviant and his story begins.

Marcus believes that all androids should have rights, that they should be treated the same as humans. You follow Marcus in his story as you make choices between life and death to save his declining kind.

Kara is also a caretaking android. Kara is in an abusive setting as her owner threatens to hurt his daughter— Alice— and herself as a result of his unfortunate past. Kara goes deviant to escape with Alice where they begin their relationship as a family. Kara’s goal is to escape the country where it’s safer for androids, thus, safer for her new found family. You make decisions to sacrifice or not, to tell the truth or lie, to do anything to leave the country or think about the lives of others.

I have not played this game myself, but I’ve watched multiple gameplays. Every single one of them is unique in their own way as they each make their own decisions that end up in different scenarios. I love watching them make choices based on their own experiences and quick reactions.

Before you think of watching/playing this game, be warned; this game touches upon death, suicide, violence, abuse, and oppression.

I’d rate this game a shining 10/10, I really believe that nothing about this game can be rated lower. You can play DBH on the PS4 and PC.

Number 2, ‘Stray’

I’ve not known many people who know ‘Stray’, but trust me when I say it is a masterpiece. It’s such a unique story that speaks upon what may happen if humanoid robots outlived mankind, I’ve yet to see anyone make a story even remotely close to the one told in ‘Stray’.

In ‘Stray’, you play as an orange cat without a known name. The cat travels through the underground filled with a robot ran civilization where they’re blocked off from the outside world. Your job as the cat is to help the robots reach the outside as this’ll benefit you and the future as you are from the outside.

You’ll discover that the world you’re exploring needs more aid and has more depth than you first believed, eventually forming a large understanding of the game and the world it built up.

I wish I could think of more to write about, but this game is so complex that I don’t even know what to say. What I can say is that this game definitely needs a larger audience.

As someone who played this game, I rate ‘Stray’ a 9/10. Everything about it is wonderful, but I will say, a few minor things are hard to comprehend— also because the ending made me sad. You can play ‘Stray’ on multiple platforms, just not Nintendo’s Switch.

Number 3, All ‘Little Nightmares’ games

I’ve talked about ‘Little Nightmares’ in a past article since they’re coming out with a third game, but I’m here to bring up the existing two since nobody else seems to wanna do it.

The ‘Little Nightmares’ series only has open endings for interpretation and theories. There’s no dialogue, or known personality for characters. It’s a game of mystery, skill, and strategy. When you play these games, you better have the patience and reaction of a mouse, because things happen fast. You solve puzzles whilst also being chased by unbelievably creepy humanoid things 10x your size.

In ‘Little Nightmares I’, you play as Six. Six wears a yellow raincoat and carries around a lighter to see in the dark. As Six, you encounter a variety of monsters to escape the place she’s put into called ‘The Maw’. When you’re Six, you have to jump, climb, swing, and harm. Nothing can get in the way of your escape plan.

In ‘Little Nightmares DLC: Secrets of the Maw’, you play as a boy simply named The Runaway Kid. He wears a blue shirt, dirtied up pants, and a chain around his ankle. The Runaway Kid also seeks to escape the Maw, but uses the help of interesting little creatures named the Nomes to aid him in his puzzles. The Runaway Kid seems to get a lot more help in his journey than Six does.

In ‘Little Nightmares II’, you play as Mono. Mono wears a brown paper bag over his head, a brown trench coat, and brown pants. Mono encounters more complex and new characters than the past ‘Little Nightmares’ games. These characters seem to have special abilities, unlike the majority of previous monsters. ‘Little Nightmares II’ is a prequel to ‘Little Nightmares I’, meaning that the events in this game had taken place already by the time ‘Little Nightmares I’ had happened. Mono saves and travels with Six to survive in this world.

‘Little Nightmares III’ is yet to come, but deserves all of the hype it can get since the past games were so iconic. The people I’m surrounded by don’t know about ‘Little Nightmares’, but can recognize it. People online on the other hand, know all about it. I always wonder why it doesn’t get talked about.

I played these games with my siblings (they’re all single player, we just switched off the controller), and the gameplay was extremely fun. We love this franchise so much.

I rate all games a 10/10. ‘Little Nightmares’ can be found on all platforms.

Number 4, ‘A Way Out’

‘A Way Out’ is a really rare game for someone to know about. It stars two inmates working together to escape prison and get revenge on someone named Harvey.

This game requires two players, it cannot be played otherwise.

One person will play as Leo Caruso. Leo is sarcastic, brash, overly confident, comedic, loud, and hardheaded, always resorting to violence before anything else. He escapes to see his family and seek revenge on Harvey, a past companion who betrayed him. He belongs to a family of 3; his wife Linda, his son Alex, and himself. Leo makes crass decisions and enjoys the thrill of fighting, which makes him a super funny character to play as.

One person will play as Vincent Moretti. Vince is reserved, respectful, calm, rational, controlled, cool, and a pacifist. Unlike Leo, Vince thinks about the consequences of his actions— you can say he’s the brains of the two. Vince belonged to a family of two before his wife Carol gave birth to their newborn daughter while he was on the run. Vince doesn’t like to fight, he likes to talk his way out of situations if possible. Vince is the more, I guess, realistic option of the two characters.

In the end, it takes a turn for the worse and it doesn’t matter what character you choose as in the last chapter you both end up in the same situation no matter what decisions were made in the past. You end up in the same situation at the end, but the ending is still the player’s choice. There are two possible endings in total, and they make it worse for both Leo and Vince. Let’s just say; there is no good ending.

I played this game with my little sister, and it’s just outstanding. The end was totally unexpected, which ended up with both me and her absolutely hating one of the main two. I played as Vince and she played as Leo, it was so fun.

Before you think of watching/playing this game, be warned; this game touches upon death, (gun) violence, vulgar language, and partial nudity. (Rated M+)

I rate this game a 10/10, this game is super enjoyable for both players. You can play ‘A way out’ on multiple platforms, but not Nintendo’s Switch.

Number 5, ‘It Takes Two’

‘It Takes Two’ was made after ‘A Way Out’ and they even added a little Easter egg as a salute to the game.

In this game, the two main characters get turned into toys, created by their daughter Rose, by a sentient book named the Book of Love due to their doomed relationship with each other. As the two characters, you and a friend will help them repair their family by traveling through different experiences with one another resulting in them falling in love all over again.

This game also requires two players, it cannot be played otherwise.

One person will play as May. May is cocky, intelligent, loving, and rational. May is quick to think about responses and plans in difficult situations, which often gets disrupted by her husband or the Book of Love. She finds she has no time to herself and whatever Cody does somehow messes her day up. When May encounters something, she can’t help but think aloud. She’s smart and is excellent at negotiating with the enemy.

One person will play as Cody. Cody is loud, comedic, sarcastic, and understanding. He enjoys making jokes and lightening the mood, even though sometimes it’s better to just not speak at all. Some of his past choices come up in this game frequently since Cody often does things without thinking or he didn’t do something correctly and it comes back to bite him.

Even so, they’re both married and need to figure things out. That’s where you and a friend come in, or possibly you and your significant other. Even though I’m not with anyone, I think this game would be an excellent game to play with your significant other since it touches upon usual issues and fights that may appear in your own relationship and how to repair anything possibly broken.

I played this game with, again, my younger sister. We had a really fun time playing since the characters are super entertaining and the gameplay was interesting.

I rate this game a 10/10. ‘It Takes Two’ can be found on all platforms.

Number 6, ‘INSIDE’

‘INSIDE’ is another no-dialogue-mysterious-game like the ‘Little Nightmares’ games. The art style is really unique— and even though I’ve played it multiple times, I still don’t know what this game is about.

‘INSIDE’ is a game that I know people don’t know because absolutely no one brings it up anywhere. There’s not even that many YouTubers/streamers that played this game. I only know one.

In ‘INSIDE’ you play as a boy with a red shirt and black pants. He seems to be running away from the police/any authoritative figure, for what I know, an unknown reason. I’m actually not too sure if it was the police either. The kid just seems to be wanted by everyone.

The kid travels through the disturbing world, encountering pigs, brain dead humans, water creatures, deadly dogs, and complicated puzzles. When I say complicated, I mean it. There were several puzzles I had to look up because I was so lost.

Again, I wish I could say more, but I really don’t know what’s going on in this game. I don’t know the story, the characters, or the world. All I know is that it was a really good game.

Before you think of watching/playing this game, be warned; this game may make some uncomfortable as it shows rag doll-like humans, dead pigs, clumps of sentient meat including human meat, and just overall large amounts of floppy physics. I know that physics like that in games can make people nauseous or unsettled.

I rate it a solid 8/10 even though I’m lost. I think the reason I want more people to talk about this game is because I want to know what was going on and I can’t find any answers or common knowledge if no one talks about it. You can play ‘INSIDE’ on most platforms.

Number 8, ‘Twelve Minutes’

‘Twelve Minutes’ is definitely an…interesting game. In ‘Twelve Minutes’, you get stuck in a time loop and you have to figure out how to break out of it in twelve minutes (shocker).

You almost immediately start off by your apartment being broken into by a police officer accusing your wife of murdering her father and looking for a pocket watch. When your wife denies being a murderer, the police officer murders you as a threat to her life, thus; your loop begins. It’s your job as her husband to get rid of the cop and stop him from harming you or her in the name of getting out of this loop.

With every loop, you learn something new. With every loop you go deeper and deeper into the real situation, the real story behind the murder and the pocket watch.

This game is phenomenal. I’ve watched and played this game, and the twists and turns are always so jaw dropping. I’ve never played a game like ‘Twelve Minutes’ before, and it was an incredible experience.

I rate this game a 10/10. ‘Twelve Minutes’ can be found on all platforms.

I hope by writing this article more people will watch/play these games which will result in more people talking about them. I hope these games spread around the world like rapid fire one day.

REVIEW: ‘Cowboy Carter’ proves Beyoncé really can do anything

By: Charlie St. Dennis

Weeks ago, I wrote in anticipation of Beyoncé’s new album. The singles “Texas Hold ‘Em” and “16 Carriages” had just been released, and producer Killah B was quoted as saying, “Let’s just say, she’s (Beyoncé) on the approach of shocking the world.”

One month later, I can confirm that Killah B was right. ‘Cowboy Carter’ is currently occupying the top 27 slots on the Apple Music Country Charts, all the songs are charting on Global Spotify, became the most streamed album in a single day in 2024, occupies the top spot on Billboard Country Albums, and is headed for a third week at the #1 spot on the Billboard 200 at press time.

In her announcement post, Beyoncé writes that the album “[W]as born out of an experience that (she) had years ago where (she) did not feel welcomed… and it was very clear that (she) wasn’t.” This is in reference to when the Country Music Association Awards invited Beyoncé and The Chicks to perform “Daddy Lessons” from her sixth studio album, ‘Lemonade’. While the performance was acclaimed by critics and also gave the CMAs their highest viewership, many country music fans and audience members criticized Beyoncé’s attendance claiming she wasn’t country enough. As a result of this, CMAA deleted all promotional material and footage of Beyoncé’s performance, succumbing to the hate.

Unlike the Country Music Association, Beyoncé did NOT succumb to the hate, and researched the history of Western culture and country music and its African-American roots. And from that, we were blessed with ‘Cowboy Carter.’

I’d argue that despite having the blessings of country legends, including Dolly Parton, Willie Nelson, Linda Martell, Reba McEntire, just to name a few, this is much more than just a country album. This is not ‘country’, this is a rebirth. For so long, so many music listeners have been blind to the history of country music and the songs that define it. Beyoncé has opened eyes and exposed things that many listeners never knew. For example, Beyoncé covers The Beatles’ “Blackbird” on the album. She features 4 up-and-coming black women in country music: Tanner Adell, Reyna Roberts, Tiera Kennedy, and Brittany Spencer. When people heard the original version, it was said that the song was inspired by the call of a blackbird in India. Paul McCartney, the writer of the song, revealed in 2022 that the “Black bird” of the song should be “interpreted as ‘black girl’” as the song was intended to be a waking call in the Civil Rights movement. It is poetic that Beyoncé is choosing to spotlight black women in an environment that doesn’t always welcome them for this song, considering that is exactly what McCartney was going for.

In the opening track, “Ameriican Requiem,” Beyoncé declares that “there’s a lot of talking going on, while I (Beyoncé) sing my song” and that “there’s a lotta chatter in here, but let me make myself clear.” This sets the perfect tone for the album. It’s a tone of pride and relentlessness. It’s a tone that says “say what you want, but I’m not gonna listen.” We hear songs like “16 Carriages,” “My Rose,” and “Protector,” which affirm Beyoncé’s love of her family, and how she balances her family life. We hear interludes from Dolly Parton, Willie Nelson, and Linda Martell, who give their blessings and introduce some of the album’s more fun tracks, like “Texas Hold ‘Em,” “Jolene,” and “Ya Ya.” We also get a speculated sequel to “Jolene” in “Daughter,” which as of right now, is my favorite song off the album. We hear genre-bending tracks like “Bodyguard,” “Spaghettii,” “Riiverdance,” and “Tyrant,” that playfully explore different genres and mash them together. The album also includes features from industry stars such as Miley Cyrus, Post Malone, Shaboozey, and Willie Jones.

Lots more could be said about the lyrical depth of this album and the deep meaning and thought behind each track, and I think it’s all a very worthy and necessary conversation. I also think this is just really good music. Whether you are a casual Beyoncé fan, or a casual country music fan, you can listen to this album and acknowledge the work and genius behind it, while also acknowledging the beautifully catchy music right in front of you.

‘Cowboy Carter’ serves as a melodious homage to home, to welcoming, and to origin. It’s a perfect 10/10 for me, maybe even an 11/10. I hold the controversial belief that this might just be Beyoncé’s magnum opus. Not because all of the songs are perfect, but because she stepped into an environment where she knew she wouldn’t be fully welcomed, and made room for herself, all while making music that can appeal to everyone.

My favorite tracks as of current are: “Ameriican Requiem,” “Daughter,” “16 Carriages,” and “Tyrant.” If those tracks are all tied for first, all the others are tied for second. Even the interludes aren’t worth the skip. That’s how you know there’s no one in the game quite like Beyoncé.