Category Archives: Music/Concerts

JOYSTiCK empirical non-review – Ranking every ‘Minecraft’ Music Disc

By: Daniel Kendle

In the game ‘Minecraft,’ a rare set of items are the 19 Music Discs. These discs can be found in a few ways, such as monster drops and loot in structures. They can be played in a block known as the Jukebox, causing a song to play. These songs are by various composers, including the artists Daniel Rosenfeld (commonly known as C418), Lena Raine, Samuel Aberg and Aaron Cherof.

However, just because they’re rare doesn’t make every disc “good.” That’s natural, and there’s definitely some that are better than others, and some that are worse. So, here’s a ranking of every ‘Minecraft’ Music Disc, listed from worst to best.

Discs will have 1 category they’ll be reviewed in: how good the actual song is. I was originally going to also judge them on how the disc looks and how hard it was to obtain, but I removed them as categories due to being too biased for my article. However, if I have anything to note about their looks or rarity, I’ll mention it in their section.

Finally, I should also mention that I have a very loose grasp on music theory, so lots of jargon and terms used in the medium will be absent here. Maybe that makes me unqualified to make this report, but what I do have is a very strong grasp on ‘Minecraft,’ as well as knowing what I like and what I…don’t but with that out of the way, let’s begin.

…..

No. 19 – “Stal” 3/10

“Stal” is easily the worst out of the lineup, and it’s clear to see why. The main instrument of the track, a recorder, is played without much of a melody or tempo, just screeching throughout. The song definitely feels like it was going for an ironic appeal, but just sounds cruel to the ears and never truly becomes what it sets out to be. As a 1-time listen it’s alright, but anymore and it becomes a dread to finish.

No. 18 – “Thirteen” 4.5/10

This is the first of 3 “story discs,” as I’ve come to call them. The trio don’t focus on traditional music, but instead audio that is used to tell an ambiguous story. There are fewer melodies and rhythms throughout the 3, instead there are sound effects that emphasize a horror aesthetic. These are cool, but due to the fact that they’re not so much “music” as audio horror, it’s hard to rank them higher than other songs here.

“Thirteen” is my least favorite of the trio, however. While I can appreciate the composer going for something different compared to his other discs, this never has much of a scary vibe for me. The other 2 at least have collective moments of both intensity and quiet somberness, but here it’s just a flat tone throughout. Strange siren-like noises are heard, but other than that and a couple other types of sounds, it’s very uninteresting and pretty boring.

No. 17 – “Chirp” 5/10

Now that the obvious worst 2 are gone, we can finally get to the harder discs to place. “Chirp” isn’t bad by any means, but compared to the rest of its family, it never reaches the highs that others hit. Interestingly, the main instrument at hand here is the Octigan, a piano-like keyboard from the ‘70’s that sounds unique, to say the least. I do like its usage though, but it nonetheless doesn’t save this track from being pretty forgettable.

No. 16 – “Precipice” 5/10

One of the newest of the bunch, “Precipice” is a disc that I’ve flip-flopped on since its introduction a couple weeks ago, as of writing this. My main issue with it stems from its overbearing melody; the entire track, from start to finish, consists of blaring synths that make the song very… boring? Repetitive? Either way, it’s definitely my least favorite of this new wave of music discs that’s been happening since 2020.

No. 15 – “Eleven” 5/10

The second story disc on this list. While iconic within the community and certainly a spooky listen, it has even less elements of standard instruments and notes. Instead, we have heavy breathing, matches clicking, and – my favorite – the sound of an unknown beast at the very end. It’s interesting, but again, not being a traditional song hurts its rankings here.

No. 14 – “5” 5.5/10

The final story disc! Not a lot to say here that I haven’t in the past 2, but I like the sound effects in this the most; they definitely build from the previous 2 discs in neat ways, but alas, this is the highest on the list that I can put it.

Also, this is the only disc that can be crafted, which is cool. That also helps it a bit due to being more unique. You craft it with 9 Music Disc Fragments, found in Ancient Cities underground, which are one of my favorite structures in the game.

No. 13 – “Mall” 6/10

This is the most relaxing of the discs, and I can see why. It veers into the LoFi area of song: a relaxing, quaint melody supplemented by synths and beats. In “Mall” it can be a bit forced and repetitive, but it’s all-around a good listen. Not one I’ll listen to over and over, but once and twice every blue moon; it’s solid.

No. 12 – “Mellohi” 6.5/10

“Mellohi” is an interesting one. Using a vibraphone, trombone, and accordion (among other instruments), it’s definitely one of the most unique discs here. It has what some call a “swing” vibe, to my knowledge named after the dance, but what do I know? Anyways, I like it, but it’s a bit out of place next to the rest of the discs, even the newer ones. Like, it doesn’t flow well if you listen to them all one after another. Nonetheless a solid disc.

No. 11 – “otherside” 7/10

This is the most controversial pick in this article, by a landslide. This was one of the first “new music discs” that have been coming since 2020, as I said before. A lot of people seem to like this one more than I do, and usually call it among the best discs. For me, I’m not so sure; it’s definitely good, but is a bit too slow for me, and I just find it to be repetitive, much like “Precipice.” Again, it’s a nice song though. I really like how it’s much more cheerful than other songs before, and has an optimistic vibe throughout that I enjoy.

No. 10 – “Blocks” 7.5/10

Pretty simple and laid-back, “Blocks” is the antithesis of older discs: a retro-esque track that uses some wacko instrument to give it a unique flavor compared to others of its kind. With that out of the way, I think this song in particular could’ve improved with some more dramatic elements, since the final product almost feels a bit too retro without much substance. Then again, maybe its simplicity is what’s fun about it, I don’t know. The bottom line is: this is really fun, and cool, and I like it!

No. 9 – “Cat” 7.5/10

“Cat” is a great track. One of the earliest, it’s another very happy and bubbly song that makes you feel as if you’re just discovering the ins and outs of ‘Minecraft,’ like you’ve built some stuff, looked around, and now you’re finally getting to exploring this vast world. Granted, another song later on in this article does this “vastness” idea much better, but for now this is really great. Bordering on an 8, but I do wish it had some louder instrumentals in the beginning, and throughout the song, to be honest.

No. 8 – “Wait” 8/10

Another short review. “Wait” is a quiet little disc, but is great for background melodies if you’re busy doing something else in-game and want to put a disc on. It’s not rocket science, but a lovely song overall.

No. 7 – “Creator (Music Box Version)” 8/10

Basically a shortened, simpler version of “Creator,” this disc is one of the few that’s a riff on another. It’s cool, and while maybe a bit high for a song who’s only real instrument is an actual music box, I think it’s very fun, and a bit creepy, which is perfect. It and its brother disc have such unique and different vibes when put against other discs, which gives them both high marks.

No. 6 – “Strad” 8.5/10

This was the most surprising disc on this list, partially because I get it mixed up with “Stal” all the time (which isn’t a good thing). Despite that minor setback, “Strad” is so cool and funky, and arguably uses the most synths out of any song on this list, which is really cool! Not ground-breaking or the best thing ever, but a sick track that I CAN listen to over and over.

No. 5 – “Ward” 8.5/10

When I say that “Ward’s” best moments are its first 3 seconds, that may seem like an insult. Well, it’s not. Those first moments begin with a haunting organ, followed by an eerie, yet much more suave and cool-headed song that’s also distinct from others. These top 5 discs all do something very different when looked at as a standard music disc in ‘Minecraft,’ and for “Ward,” it’s balancing both the grotesque and the funky. While I do wish it kept to the organ and creepy vibe, it’s still a great song.

No. 4 – “Pigstep” 9/10

“Pigstep” is easily the most popular of the newer music discs. Obviously a parody of dubstep music, it’s found in Bastions, one of the hardest structures in the game inside another dimension. It’s super great, and such an already-iconic track that it’s scary. It’s funky, it’s bold, and feels so unique. I really like it, as I imagine most others do. However, while it may appear at the top of almost all Music Disc rankings, it’s got a couple of nitpicks that bring it down slightly for me.

No. 3 – “Creator” 9.5/10

This is another one of the newest discs, and is the “normal” version of its music box version. It’s really great to see multiple variants of 1 song make it into the game, since the only times this has happened in the past are small parts of some songs referencing others. Granted, this is easily the best variant of the original disc. Pretty much everything from the music box applies here, except for that this one introduces electric guitar into the fray and it sounds really neat. What a lovely song!

No. 2 + 1 (Tie) – “Far” and “Relic” 10/10

I’m grouping the best 2 songs together because they’re the only 10/10’s on this list, and are each amazing. #2 is “Far,” the oldest of the pair. This one is similar to other relaxing songs here, but compared to those this feels much more somber, yet still holds a lot of optimism. Once again it’s primarily a song that emphasizes the vastness of this virtual world, but is just so good at it that it makes second place in the ranking.

Meanwhile, “Relic” is my personal favorite music disc in the entire game, with no discernible reason why. It’s just so good that it makes the top. It has some cool synthesizers throughout that makes it purposefully old-sounding. These make it different from all the rest, and lead it to being my favorite Music Disc in ‘Minecraft.’

Laufey’s ‘Bewitched’ album review

By: Fletcher Pike

The official album cover

Laufey (pronounced LAY-vay) is a popular Icelandic-Chinese singer and songwriter that is known for her music inspired by a lot of old jazz musicians such as Ella Fitzgerald and her soft vocals. Laufey’s growing popularity led to the release of her award-winning album ‘Bewitched’ on September 8th, 2023. This album features beautiful string instruments and classic jazz beats accompanied by stunning vocals by Laufey. This album includes 14 songs in total with a length of 43 minutes.

Track 1: Dreamer

The first song on this album starts off with a beautiful overlapped vocal segment that progresses into an amazing traditional jazz beat with a soft piano accompaniment and brushed drums. I thought that this was a really nice opening to an album and I would rate this song a 10/10.

Track 2: Second Best

“Second Best” starts off with a faint guitar sound with a classic jazz drum beat along with some string instruments and beautiful backup singer lines that really add flow to the song. I liked this song and I would rate it a 9/10.

Track 3: Haunted

“Haunted” is one of my favorite songs on this album, which starts with a somewhat eerie solo violin which becomes a really nice beat with gentle guitar strums. I found the melody and rhythm to be beautifully haunting, and fit the name of the song perfectly. I think that this song deserves a 10/10.

Track 4: Must Be Love

“Must Be Love” begins with a nice guitar sound that continues throughout the song. I really liked Laufey’s vocals in this song and found the echoey backup vocals to be a nice addition to the song. I liked this song and I think it is a 9/10.

Track 5: While You Were Sleeping

“While You Were Sleeping” in my opinion lacks some of the jazz elements, with more of a guitar strummed beat and classic drums. This doesn’t mean it’s not a great song. I really liked this song and found it to be quite nice to listen to. I think this song deserves a 9.5/10.

Track 6: Lovesick

“Lovesick” features a guitar strummed beat and drums which I really liked. Short orchestral segments are added underneath the beat which I think added depth to the song. I loved this song a lot and I would rate it a 10/10.

Track 7: California and Me (feat. Philharmonia Orchestra)

“California and Me’”starts off with a scaling piano and a nice melody. The Philharmonia Orchestra is featured on this song including nice woodwind sounds and beautiful string instruments. I really liked Laufey’s vocals in this song and I think this song is a 9.5/10

Track 8: Nocturne (Interlude)

“Nocturne” is a 2-minute long interlude composed of only piano, which I actually found to be very nice to listen to. I think this interlude is an 8/10.

Track 9: Promise

This song is a bit calmer than some of the other songs on this album, with a soft piano and beautiful vocals. During the song, a brushed drum beat is added over the piano and vocals. I really liked that the volume dynamics shifted throughout the song. I thought that this song was really nice to listen to and I would rate it a 10/10.

Track 10: From The Start

“From The Start” is one of Laufey’s most popular songs overall, featuring an interesting mix of bossa nova and jazz with a really nice melody and vibe. Laufey essentially describes this song as the feeling of awkwardness that we feel when we are near someone that we secretly like, which I can definitely see through the lyrics. I really loved this song and I rate it a 10/10.

Track 11: Misty

“Misty” really reminded me of the vintage jazz theme of this album, with a beautiful piano and brushed drums. I thought that this song was very beautiful and I would rate it a 9/10.

Track 12: Serendipity

“Serendipity” is a primarily piano and vocal composed piece, with a softer and more somber vibe to it. I loved the melody and how the notes flowed. I think this was a really nice song and I would rate it a 10/10.

Track 13: Letter To My 13 Year Old Self

The song “Letter To My 13 Year Old Self” has a bit more of a somber vibe compared to some of the more upbeat songs on this album. In this song, Laufey sings a slow melody, with lyrics referring to how she would have reassured her 13 year old self with words of wisdom as she struggled to fit in with others and stood out from her peers. This song also includes themes of hope and self-improvement. I thought that this song was very nice and I rate it a 9.5/10.

Track 14: Bewitched

The final song on this album is a wonderful arrangement of magical string instruments, and stunning vocals by Laufey. I thought that this song was enchanting with how the string instruments were incorporated into the song. I think this was a nice finish to an album and that this song deserves a 10/10.

Overall, this was an amazing album that really captivated the theme of old jazz with a few modern twists. I loved Laufey’s incredible vocal range and the instruments that were incorporated into these songs. I would definitely recommend this to anyone that is a fan of jazz music or musicians like Beabadoobee, Mitski, or Faye Webster. I decided to rate this album a 10/10 because I thought it was very beautiful and I love Laufey’s vocals.

‘The Tortured Poets Department: The Anthology’

By: Sophia Elmstrom

‘The Tortured Poets Department: The Anthology’ is Taylor Swift’s 11th studio album. Taylor had been working on this album for two years before her announcement at the 2024 Grammys. Many fans had been speculating that at the Grammys Taylor would announce her re-recording of ‘Reputation’. The album was originally called ‘The Tortured Poets Department’ but then at 2 A.M. the night that the album was released Taylor surprised everyone and released a double album called ‘The Tortured Poets Department: The Anthology’.

On the combined albums there are 31 songs in total and the whole album is a little over 2 hours long. Many of the songs on this album are about the recent breakup of Taylor and her ex boyfriend of over 6 years.

  1. Fortnight (ft Post Malone)
  2. The Tortured Poets Department
  3. My Boy Only Breaks His Favorite Toys
  4. Down Bad
  5. So Long, London
  6. But Daddy I Love Him
  7. Fresh Out the Slammer
  8. Florida!!!
  9. Guilty as Sin?
  10. Who’s Afraid of Little Old Me
  11. I Can Fix Him (No Really I Can)
  12. loml
  13. I Can Do It With a Broken Heart
  14. The Smallest Man Who Ever Lived
  15. The Alchemy
  16. Clara Bow

These 17 songs are all of the songs that are on the original album ‘The Tortured Poets Department’. Overall, these songs are very clever and the lyrics are catchy and well written. This album definitely stood up to the expectations of the fans but many people who are not fans do not think this album is very good. Lots of listeners said that the album had basic lyrics that did not mean anything. Although that could be true to many I believe that the lyrics did have lots of meanings and in order to understand it you would kind of need to know a lot about Taylor’s life.

My favorite songs on this part of the album are “Down Bad” and “I Can Do It With a Broken Heart”. Both of these songs are about the heartbreak that Taylor went through last year. I really like these songs because the lyrics are very sad while the music is very upbeat and happy.

I give this part of the album a 9/10 because a few of the songs sound a lot alike but I really liked them all.

  1. The Black Dog
  2. imgonnagetyouback
  3. The Albatross
  4. Chloe or Sam or Sophia or Marcus
  5. How Did It End?
  6. So High School
  7. I Hate It Here
  8. thanK you aImee
  9. I Look in Peoples Windows
  10. The Prophecy
  11. Cassandra
  12. Peter
  13. The Bolter
  14. Robin
  15. The Manuscript

This second album is very good but I do not think I have listened to it enough to fully give it a rating. My favorite songs so far include “Chloe or Sam or Sophia or Marcus” because the lyrics are very good and catchy. I also think the same for “So High School” which is a song about her new relationship with Travis Kelce.

Another song that is very clever is “thanK you aIMee” which is a song about Kim Kardashian. Its a song about how all of the rude things that Kim said led to where Taylor is today.

I will give this album a 7/10 so far because I have not listened to it enough yet. I think the first album is better because I like the beats of the songs and lyrics.

REVIEW: ‘Cowboy Carter’ proves Beyoncé really can do anything

By: Charlie St. Dennis

Weeks ago, I wrote in anticipation of Beyoncé’s new album. The singles “Texas Hold ‘Em” and “16 Carriages” had just been released, and producer Killah B was quoted as saying, “Let’s just say, she’s (Beyoncé) on the approach of shocking the world.”

One month later, I can confirm that Killah B was right. ‘Cowboy Carter’ is currently occupying the top 27 slots on the Apple Music Country Charts, all the songs are charting on Global Spotify, became the most streamed album in a single day in 2024, occupies the top spot on Billboard Country Albums, and is headed for a third week at the #1 spot on the Billboard 200 at press time.

In her announcement post, Beyoncé writes that the album “[W]as born out of an experience that (she) had years ago where (she) did not feel welcomed… and it was very clear that (she) wasn’t.” This is in reference to when the Country Music Association Awards invited Beyoncé and The Chicks to perform “Daddy Lessons” from her sixth studio album, ‘Lemonade’. While the performance was acclaimed by critics and also gave the CMAs their highest viewership, many country music fans and audience members criticized Beyoncé’s attendance claiming she wasn’t country enough. As a result of this, CMAA deleted all promotional material and footage of Beyoncé’s performance, succumbing to the hate.

Unlike the Country Music Association, Beyoncé did NOT succumb to the hate, and researched the history of Western culture and country music and its African-American roots. And from that, we were blessed with ‘Cowboy Carter.’

I’d argue that despite having the blessings of country legends, including Dolly Parton, Willie Nelson, Linda Martell, Reba McEntire, just to name a few, this is much more than just a country album. This is not ‘country’, this is a rebirth. For so long, so many music listeners have been blind to the history of country music and the songs that define it. Beyoncé has opened eyes and exposed things that many listeners never knew. For example, Beyoncé covers The Beatles’ “Blackbird” on the album. She features 4 up-and-coming black women in country music: Tanner Adell, Reyna Roberts, Tiera Kennedy, and Brittany Spencer. When people heard the original version, it was said that the song was inspired by the call of a blackbird in India. Paul McCartney, the writer of the song, revealed in 2022 that the “Black bird” of the song should be “interpreted as ‘black girl’” as the song was intended to be a waking call in the Civil Rights movement. It is poetic that Beyoncé is choosing to spotlight black women in an environment that doesn’t always welcome them for this song, considering that is exactly what McCartney was going for.

In the opening track, “Ameriican Requiem,” Beyoncé declares that “there’s a lot of talking going on, while I (Beyoncé) sing my song” and that “there’s a lotta chatter in here, but let me make myself clear.” This sets the perfect tone for the album. It’s a tone of pride and relentlessness. It’s a tone that says “say what you want, but I’m not gonna listen.” We hear songs like “16 Carriages,” “My Rose,” and “Protector,” which affirm Beyoncé’s love of her family, and how she balances her family life. We hear interludes from Dolly Parton, Willie Nelson, and Linda Martell, who give their blessings and introduce some of the album’s more fun tracks, like “Texas Hold ‘Em,” “Jolene,” and “Ya Ya.” We also get a speculated sequel to “Jolene” in “Daughter,” which as of right now, is my favorite song off the album. We hear genre-bending tracks like “Bodyguard,” “Spaghettii,” “Riiverdance,” and “Tyrant,” that playfully explore different genres and mash them together. The album also includes features from industry stars such as Miley Cyrus, Post Malone, Shaboozey, and Willie Jones.

Lots more could be said about the lyrical depth of this album and the deep meaning and thought behind each track, and I think it’s all a very worthy and necessary conversation. I also think this is just really good music. Whether you are a casual Beyoncé fan, or a casual country music fan, you can listen to this album and acknowledge the work and genius behind it, while also acknowledging the beautifully catchy music right in front of you.

‘Cowboy Carter’ serves as a melodious homage to home, to welcoming, and to origin. It’s a perfect 10/10 for me, maybe even an 11/10. I hold the controversial belief that this might just be Beyoncé’s magnum opus. Not because all of the songs are perfect, but because she stepped into an environment where she knew she wouldn’t be fully welcomed, and made room for herself, all while making music that can appeal to everyone.

My favorite tracks as of current are: “Ameriican Requiem,” “Daughter,” “16 Carriages,” and “Tyrant.” If those tracks are all tied for first, all the others are tied for second. Even the interludes aren’t worth the skip. That’s how you know there’s no one in the game quite like Beyoncé.

‘Found Heaven’ album review

By: Sophia Elmstrom

‘Found Heaven’ by Conan Gray is Conan’s third album and most recent one. This album came out April 5th, 2024 and is brand new. This album has 13 songs and is a total of 36 minutes long.

This new album is very out of Conan Gray’s comfort zone, most of his music is slow paced whereas these songs are more funky and amped up. Many of the songs on this new album are inspired by popular 80’s and 90’s music. For example, a song on this album is called
“Eye of the Night” inspired by “Eye of the Tiger”.

The song titles are:

  • Found Heaven
  • Never Ending Song
  • Fainted Love
  • Lonely Dancers
  • Alley Rose
  • The Final Flight
  • Miss You
  • Bourgeoisieses
  • Forever With Me
  • Eye Of The Night
  • Boys & Girls
  • Killing Me
  • Winner

My top three songs on this album are “Alley Rose”, “Bourgeoisieses”, and “Lonely Dancers”. Both “Alley Rose” and “Lonely Dancers” were released as singles before this album came out on April 5th.

“Alley Rose” is inspired by the album ‘Abbey Road’ which was by the Beatles. Conan wrote this while he was on his way home from London after getting his heart broken there. “Alley Rose” is one of my favorites on the album because the lyricism is truly beautiful as well as the music. 10/10

“Bourgeoisieses” is a very upbeat song about the rich. This song is unlike anything Conan has written and I like it very much for that reason. This song is intentionally misspelled and is the “plural” of bourgeoisie. ‘Bourgeoisieses’ makes fun of rich people and Conan says that this whole song is just supposed to be funny. I really enjoy it and it is very very catchy. 7/10

“Lonely Dancers” was a single off of this album and is about getting ghosted and being confused. I like “Lonely Dancers” because of its upbeat and catchy music. I believe that this is the best song off of the album with the best music while “Alley Rose” has the best lyrics. 10/10

Overall, I give this album an 8/10 because it took me a while to get used to the new style of music. If you enjoy 80’s music I would definitely recommend this album because it is a modernized version of 80s music.

OPINION: Why Lauryn Hill is one of the greatest musicians of all time, even with just one studio album


By: Charlie St. Dennis

When discussing music, and hip-hop in general, debates frequently occur asking who the best of that genre is. Honorific titles spread like wildfire, like “The King of Pop” Michael Jackson, “Queen of Soul” Aretha Franklin, and “King of Rock” Elvis Presley just to name a few. One title that was “given” a few years back was “Queen of Hip-Hop” which was given to Lauryn Hill. While I think this is a fitting title, I think Lauryn Hill should be in the conversation of larger, more broad titles, perhaps “Queen of Songwriting”.

The problem I run into here when having these conversations is that people frequently bring up the fact that Lauryn Hill has only released one album. They say this in an attempt to contradict me, saying she isn’t even eligible for these conversations. I, however, think that’s just another testament of what makes her great.

With a running time of 77 minutes, Lauryn Hill wrote all but one of the songs on ‘The Miseducation of Lauryn Hill’ single-handedly. The album explores a number of different genres, ranging from neo-soul to traditional R&B to progressive rap. The meanings and intentions behind these songs range, as well. Songs like “Nothing Even Matters” and “Ex-Factor” address love, while songs like “To Zion” and “Every Ghetto, Every City” discuss motherhood and reflection on the life you lived. We’ll dive deeper into that…

The album went on to hit No.1 on the Rap charts, and on the Billboard 200 Top Albums. Hill also won 5 Grammy awards, including Best New Artist and Album of the Year, becoming the second Black woman to receive the album accolade, and she became the first artist to win the Best New Artist award for a hip-hop record.

She is deserving of these accolades. There is a reason why the album has sold over 20 million copies around the world. That reason is because this is music that is not only catchy, but resonates with people, whether they can relate to it or not. She showed us that you can rap and make catchy songs, but also be vulnerable. Because she tackled these topics, she brought a sense of openness and emotion to the rap industry, which allowed for artists to emote on record. At the time, Hill was just trying to figure out her life, she was only 23. 25 years later, these testaments still remain true.

Songs like “To Zion (feat. Carlos Santana)” not only feature a catchy beat and an ear worm of a guitar riff, but it also tackles the topic of Lauryn Hill having to choose between continuing her career or starting a family. She says on the record that everyone told her “to use her head, but instead I chose to use my heart.” She continued her career as she recorded the album, while beginning the early phase of parenting her newborn son, Zion. This put an end to the narrative that women had to “make a choice”: Successful celebrities like Serena Williams and Cardi B have seen successes in continuing their careers while also being a mother, and credited Hill for giving them the hope that they can.

Songs like “Every Ghetto, Every City” serve as funky autobiographies telling us about the little girl that grew up to become *the* Lauryn Hill. Songs like “Everything is Everything” stand out because just about everyone can attach it to their life, because we can all understand the philosophy that life moves slow but change does come, which Lauryn references in the song when she says, “after winter must come spring.” She also references civil rights leaders like Betty Shabazz, and makes deep connections to the Civil Rights movement, just adding to the deep hidden meaning behind the song. Interestingly enough, now-EGOT winner John Legend started his career playing piano on this track!

Moral of the story, I love Lauryn Hill. I believe that there is more to a song than what you hear upon first listen, and I think this album is a good testament to that. When speaking about my love of Ms. Hill, people often bring up the fact that she’s only released one album and ask me if I want another one from her.

My answer? No. In just 16 songs, Ms. Hill perfectly sums up life. Her life, my life, and our life collectively as a society. The album is perfect, and even though Ms. Hill may not be (she has had her share of controversy and financial issues over the years), she has achieved with one album what many artists fail to do with ten: perfection. This is the perfect legacy to leave behind.

Your favorite artist wouldn’t be in the game today if it weren’t for Ms. Lauryn Hill. And that’s why she is the greatest of all time.

‘Heaven Knows’ by Pinkpantheress album review

By: Fletcher Pike

The official album cover for “Heaven Knows”

Pinkpantheress is a popular artist known for her mixtape from 2021 ‘to hell with it’ including hit songs “Pain” and “Break it off”. Many of her songs feature echoey and soft vocals topped with fast breakbeats and low instrumental undertones. Recently, in 2023, she came out with her debut studio album titled ‘Heaven knows’. This album was released on November 10th, with several collaborations from many different artists and includes a total of 13 songs.

Track 1: “Another Life” ft. Rema

The first song on this album starts off with a scaling church organ with the sounds of rain. This turns into a catchy breakbeat with a faint piano underneath it with nice vocals, with segments with an electric guitar. Nigerian rapper Rema is featured in this song with echoey vocals. Overall, this was a really nice opening to an album, and I found the sound of the church organ to be really unique. I rate this song a 10/10.

Track 2: “True Romance”

This song opens with the shuttering of a camera, which evolves into a guitar melody and clapped beats with a unique warped guitar underneath it. I really liked Pinkpantheress’s vocals in this song and I rate this song a 9.5/10 because I did think that it got a bit repetitive at times, but it was still good overall.

Track 3: “Mosquito”

The single “Mosquito” is an upbeat song with a joyful guitar sound and a nice beat over it. I think this is one of my favorite songs from this album because I loved the melody and the instruments used in this song. I will give this song a 10/10.

Track 4: “The aisle”

“The aisle” starts off with a pulsating beat and an echoey synth sound under it. I loved the dynamics of the instruments and sounds in this song which leads me to give this song a 9/10.

Track 5: “Nice to meet you” ft. Central Cee

This song opens up with a high pitched synth sound that continues throughout the song. I liked Pinkpantheress’s vocals but personally I wasn’t a fan of Central Cee’s vocals. I thought that this song was okay overall, so I rate it a 7/10.

Track 6: “Bury me” ft. Kelela

“Bury me” starts with a growing pad sound with a choppy vocal sample with bird sounds. A low bass melody is introduced that is continued throughout the song that I really enjoyed. I loved the vocals in this song from both Pinkpantheress and Kelela. I will rate this song a 10/10.

Track 7: “Internet baby (Interlude)”

“Internet baby (Interlude)” begins with a sharp beat with an electric guitar and a theremin sound. It turns into a beat with a nice electric piano over a sharp drum beat. I’m not sure it was much of an interlude because of the length of the song, but overall I liked this song and I rate it a 9/10.

Track 8: “Ophelia”

“Ophelia” begins with a beautiful harp sound that continues throughout the song; it has a traditional rock beat over it and really great vocals. I found the harp instrument to be a nice addition to this song and adds to the vibe of the song. I rate this song a 10/10 and it is one of my personal favorites from this album.

Track 9: “Feel complete”

“Feel complete” starts off with a high pitched piano sound with a classic drum beat over it. This song also features stringed instruments and a bright guitar sound. I thought that the melody flowed well. I liked this song and I rate it a 9/10.

Track 10: “Blue”

“Blue” starts off with a glitchy synth sound with some nice drums over it. I liked the main chorus of the song since I found it to be very catchy. I loved this song and I rate it a 10/10.

Track 11: “Feelings”

“Feelings starts off with a glitchy telephone-like sound which turns into a nice beat with an airy synth pad with some drums and nice vocals. I thought that this song was pretty good and I liked the sounds that were used in the song. I will give this song a 9/10.

Track 12: “Capable of love”

This song starts off with a guitar and some glitchy vocals behind Pinkpantheress’s voice. It also includes a nice drum beat over the guitar and vocals. I thought that this song was okay, and I rate it an 8/10.

Track 13: “Boys a liar pt. 2” ft. Ice Spice

The final song on this album is one of Pinkpantheress’s most popular songs, with a collaboration with the rapper Ice Spice. This song is a continuation of one of her songs from her mixtape ‘to hell with it’, with new verses and vocals from Ice Spice. This song has gained interest and popularity all throughout social media, but mostly on TikTok. I’ll give this song a 10/10.

Overall, this album was a fantastic creation and a great debut to Pinkpantheress’s music career. I’m a big fan of the creative instruments and sounds that Pinkpantheress incorporates into her music. I am hoping to see more albums from Pinkpantheress in the future and to listen to her creative music. I will rate this album a 9/10.

REVIEW: Exploring the concept and depth of Beyoncé’s ‘Lemonade’

By: Charlie St. Dennis

This year, we celebrate the 8th anniversary of ‘Lemonade’, Beyoncé’s concept album released after news broke of her husband and longtime partner, Jay-Z, cheating on her. The album explores all of the emotions she went through, and how she dealt with the circumstance. As Beyonce braces to release a new album this month, I wanted to take this opportunity to explore one of my favorite pieces of work by her, one track at a time. Here is my review of ‘Lemonade’, in formation.

1. Pray You Catch Me – 8/10

The opening track of the album, “Pray You Catch Me” serves as a beautifully soft and gentle opening to the song. A piano-backed ballad, it finds Beyonce learning about her husband’s infidelity. The line “pray you catch me…” is a plea by Beyonce for her husband to find her snooping and to realize she knows what he’s been doing. I love this piece, and think that there’s a lot more to it than just piano and vocals.

2. Hold Up – 10/10

This song is one of my favorite songs of all time. With a beautiful instrumental, a loose sample of Andy Williams’ “Can’t Get Used To Loving You,” the song also touches on the societal standard that women who have been wronged by their partners are supposed to behave. We see this in the video, which begins with a spoken word piece with Beyonce in denial, but then once that’s done, she walks down a city street with a baseball bat, hitting every object in sight. Beyonce challenges these standards with the lyrics “What’s worse: being jealous or crazy? Or like being walked all over lately, walked all over lately?” She ends up deciding, “I’d rather be crazy!”

3. Don’t Hurt Yourself (feat. Jack White) – 7/10

Beyonce uses “Don’t Hurt Yourself” to dabble into Rock & Roll, and she succeeds. While Rock is not necessarily my thing, I have immense respect and admiration for her for stepping outside of her bubble. This also features the first guest on the album, rocker Jack White, who carries a verse in the later half of the song. Lyrically, this song is a plea for Jay-Z to recognize that he is married to one of the prettiest, most successful women in the world, and that he needs to show her more respect. The song has been likened to the late 60’s plea by Aretha Franklin, “Respect”.

4. Sorry – 8.5/10

This is definitely Beyonce’s most unapologetic song on the album. It is also the song that makes it most clear that it is about Jay-Z. She references “Big Homie,” which is the nickname Jay-Z gave himself on their duet, “Crazy In Love”. It uses some techno-R&B and dancehall influences, which I really enjoy. She also closes the song with the lyric, “you better call Becky with the good hair,” which I feel is a fun way to introduce Jay-Z’s infamous mistress.

5. 6 Inch (feat. The Weeknd) – 6/10

“6 Inch” samples Isaac Hayes’ rendition of “Walk On By” and is a power anthem of being hardworking, while also talking about Beyoncé’s own vulnerability. The feature from The Weeknd is great, but unfortunately, I feel this song is a bit forgettable.

6. Daddy Lessons – 9/10

I *love* “Daddy Lessons”. It’s Beyonce’s first attempt at country, and boy was it successful. I love the story this song tells, and the classic Country sounds like banjo in the background. Truly a beautiful song.

7. Love Drought – 8.5

I really enjoy “Love Drought”. Lyrically well thought out, and incorporates not-frequently-heard instrumental sounds. My favorite lyric is “10 times out of 9 I know you’re lyin, but 9 times out of 10 I know you’re trying so I’m trying to be fair,” because I really think it well sums up the difficulties she is having while trying to justify her husband’s infidelity.

8. Sandcastles – 10/10

This song was quite the emotional rollercoaster, but I’m here for all of it. She begins the song discussing the “sandcastles” she built with her husband that have since washed away. She struggles with moving on, and doesn’t know why it’s so difficult for her. By the time we get to the second part of the song, she slowly has a change of heart and realizes that she is gonna try to work things out with Jay-Z.

9. Forward (feat. James Blake) – 6/10

By far the most forgettable song on the album. Sorry, not sorry! Does this mean it’s bad? No, it’s just nothing that stands out. The song is almost entirely James Blake, who has a nice, soulful voice, but we aren’t listening for him! We want Bey! I do genuinely like the song, just wish it had more Beyonce.

10. Freedom (feat. Kendrick Lamar) – 10/10

I’d say this is one of the best off the album, for both its message and its melody. The song details the struggles that black women in our country must overcome, and the mindset they need to have. It features families of victims of police brutality, who have been forced into the movement, and have to fight regardless of whether they like it or not. It also features young black figures like Zendaya, Winnie Harlow, and Quvenzhané Wallis. And of course, Kendrick Lamar has a feature, which is beautiful. The song became a protest anthem, and has been used at Black Lives Matter rallies.

11. All Night – 10/10

Two of the best on the album, back to back! The song is essentially about forgiveness, and how Beyonce has resorted to making up with her husband and moving on. It’s a really great song, and I also applaud her for her decision here, because that must’ve been hard, and it is probably not the decision I would personally go with.

12. Formation – 10/10

Oh my goodness! So many levels to this one. While not about her husband’s infidelity, this is an ode to Beyonce’s identity and the culture she was surrounded by, notably her mother’s background in Louisiana. The entirety of the video was filmed in New Orleans. The song begins with a sample of Bounce musicians Messy Mya and Big Freedia exclaiming “What happened after New Orleans?” This is said as Beyonce stands on a police car sinking into flooded waters in the Third Ward, which is supposed to symbolize how police and the government didn’t support the predominantly black city, and how the city had to stay on top by sustaining themselves. The song has been studied at universities, used at protests and marches across the world, and captured the attention of conservative commentators who called it “Anti-American.” I won’t speak to that, but I will stay that I Stand With Formation!

You might not know it, but you will go through a “Lemonade” moment in your life. There will be a “Pray You Catch Me” moment where you long for someone to see what you’re going through. There will be a “Don’t Hurt Yourself” moment where you discover your worth and you realize that you didn’t deserve what happened. There will be a “Love Drought” moment where you get in touch with your emotions, and a “Sandcastles” moment where you make a decision of how to go forward. And of course, there will be an “All Night” moment where you move on and you thrive. These moments have happened, are happening, or will happen, and you can resort to this album for guidance.

While my calculations have my average review being 8.5/10, I would give this album a 9/10. It is Beyoncé’s first conceptual piece, and I think that it was a brilliant way to touch on different aspects of her identity: her cultural identity, marital identity, and familial identity. She remains #1 in my book.

I hope you enjoyed this review, and I implore you to check out the album and accompanying visuals. Let me know your thoughts!

Melanie Martinez ‘PORTALS’ album review

By: Fletcher Pike

The official album cover for ‘PORTALS’

Melanie Martínez is a popular artist known for her unique and creative sense of style. She most recently released an album titled ‘PORTALS’ last year on March 31st. Melanie’s trilogy of albums, ‘Crybaby’, ‘K12’, and ‘PORTALS’, all follow a tale of her character Crybaby.

Melanie incorporates both story and depth within her songs, which is found throughout her albums. In this new album, ‘PORTALS’, Melanie enters a creative new era and her character Crybaby has been reincarnated into a pink, alien-like creature in a magical forest. This album contains 13 songs in total along with an additional 3 included in the deluxe version of the album.

TRACK 1: DEATH

The first song on this album, “DEATH” represents the reincarnation of the character Crybaby, and her return to the world in a new form. The song starts out with a short interlude that evolves into a catchy rhythm that features a heavy guitar, bass, and drums with interesting lyrics that really follow the theme that the song represents. I think this is a great opening to an album and I rate it a 10/10.

TRACK 2: VOID

“VOID” is the first song that Melanie produced on her own for this album, and the first thing she wrote was the bass line featured in the song. I really enjoyed the vocals, lyrics, and drums that were in this song. I will rate this song a 9.5/10 because I do think it was a little bit repetitive.

TRACK 3: TUNNEL VISION

“TUNNEL VISION” was the very first song that was teased to Melanie Martinez’s fans through the trailer promoting the new album, making it quite popular. It starts off with a brief vocal segment that was included in the trailer followed by a unique beat featuring drums and a high pitched guitar. This is a great song and I rate it a 10/10.

TRACK 4: FAIREE SOIRÉE

The fourth song on her album, and probably the most upbeat, “FAIREE SOIRÉE” is a bright and vibrant song with a joyful melody and rhythm. It has a pop-like beat with a guitar melody over it as well as some great vocals. Recently, on February 9th, a music video was released for this song featuring Melanie and her backup dancers dressed as fairies with amazing choreography and costume design. This is a fantastic song and personally one of my favorites, so I give this song a 10/10.

TRACK 5: LIGHT SHOWER

“LIGHT SHOWER” is actually the very first song that Melanie wrote for this album, where she wrote it as a love song with her guitar. This song is beautifully written and composed and has a bit of a somber and slower tone to it. It features only a guitar along with Melanie’s vocals. I think this song is very beautiful and I rate it a 10/10.

TRACK 6: SPIDER WEB

“SPIDER WEB” starts off with an echoey harp that progresses throughout the entire song that evolves into a catchy beat with some really interesting lyrics that I enjoyed. I really liked Melanie’s vocals in this song. I think that “SPIDER WEB” was a fantastic song and I rate it a 10/10.

TRACK 7: LEECHES

“LEECHES” is a slower and more somber song, with a guitar melody and flowing vocals that I found to be very ambient and nice. I also enjoyed the string instruments that were present in this song. I thought it was a beautiful song and I rate this song a 9/10.

TRACK 8: BATTLE OF THE LARYNX

“BATTLE OF THE LARYNX” starts off with a guitar melody with a bit softer vocals that ascends into a really nice drum beat that I liked listening to. I think this song is a solid 9/10 since it did get repetitive at times but it was overall nice to listen to.

TRACK 9: THE CONTORTIONIST

The 9th track, “THE CONTORTIONIST”, starts off with a quiet string sound with softer vocals from Melanie that I really liked. Throughout the song, there is a snap-like sound representing a bone breaking due to the name and vibe of the song, which I found very creative. “THE CONTORTIONIST” is a really great song and I rate it a 9.5/10

TRACK 10: MOON CYCLE

“MOON CYCLE” starts off with an echoey guitar that ascends into a beat with slight drums and bass. I thought that overall this song was good, but I thought it lacked a bit of depth in contrast to the other songs on the album. I think this song is an 8/10.

TRACK 11: NYMPHOLOGY

“NYMPHOLOGY” is a really great song. It starts off with string instruments and a guitar that shifts into a really catchy beat with amazing lyrics. The lyrics in this song focus on themes of feminism and gender classification. I thought it was a beautiful song and I would rate it a 10/10.

Around the last minute of “NYMPHOLOGY”, there is a brief interlude that Melanie has confirmed to be named “Amulet”. This interlude might be short, but it is very catchy and I really liked listening to it. It has a beat that is reminiscent of “FAERIE SOIRÉE”, and interesting lyrics. I loved both “NYMPHOLOGY” and “Amulet” and I rate both a 10/10.

TRACK 12: EVIL

“EVIL” features a darker tone in contrast to the other songs on this album. It has a low heavy guitar melody that is very similar to the melody found in “BATTLE OF THE LARYNX” that really adds to the tone of the song. I enjoyed the rhythm and the instruments used in this song and I rate “EVIL” a 10/10.

TRACK 13: WOMB

The final track for this album, “WOMB” is a mainly guitar composed song that I found to be very nice. I thought it sounded upbeat with the guitar melody. At the main chorus, it switches into a segment with a heavy guitar and drums. Overall, it is a pretty good finish to an album, and I rate it a 10/10.

DELUXE TRACK 1: POWDER

“POWDER” is the first song included in the deluxe version of ‘PORTALS’. It features a more echoey tone with Melanie’s vocals having some sort of pitched down vocal effect, which I didn’t care for that much. It has a pop style beat with a low guitar under it. I thought that this song was pretty okay, so I rate it a 8/10.

DELUXE TRACK 2: PLUTO

“PLUTO” starts off with a waltz-like flute melody with a really nice drum beat over it. I loved the vocals and melody in this song and the lyrics were pretty good, with brass instruments included in some sections in the song. I rate this song a 10/10.

DELUXE TRACK 3: MILK OF THE SIREN

The final deluxe track for this album is titled “MILK OF THE SIREN” and features a slower tempo compared to most other tracks on this album. This song starts off with Melanie’s vocals that evolves into a slow waltz-like beat with solemn drums. At some parts it shifts into a heavy drum part with an interesting chorus. I think this is a pretty good song overall, but I thought that it was a bit repetitive to listen to. I will rate this song a 8/10.

Overall, ‘PORTALS’ is a wonderful and creative album that is a fantastic start to Melanie’s new era. It is clear that much thought and creativity has gone into the creation of this album. I am anticipating any further albums Melanie might release in the near future, which might be a while since Melanie’s albums usually have a 4-5 year gap between them. This was a great album, which leads me to rate it a 9.5/10.

‘Minor’ review:

By: Sophia Elmstrom

‘Minor’ by Gracie Abrams is her first ever EP and her debut music. Gracie Abrams is a fairly new artist who got her start by a school project which she never thought would lead to anything.

Gracie Abrams is a folk pop singer and her range of musical talent is truly incredible. Once you start listening to Gracie you will not be able to stop. The first time I found her was when I first listened to ‘Minor’. The first song I ever listened to was “I Miss You I’m Sorry”. This song and this whole EP truly changed the way I viewed music and how I saw Gracie Abrams as an artist.

The EP ‘Minor’ contains 7 songs in total and their names are: “Friend”, ”21”, “Under/Over”, “tehe”, “I miss you, i’m sorry”, “Long sleeves”, and “Minor”. ‘Minor’ is a breakup album with all these songs being about heartbreak in your teenage years. My ranking of these songs is:

  1. Friend: 10/10
  2. Minor: 9.5/10
  3. I Miss you, im sorry: 8/10
  4. 21: 10/10
  5. Long Sleeves: 6/10
  6. Under/Over: 5/10
  7. tehe: 7/10

The reason my favorite song on ‘Minor’ is “Friend” is because the lyrics and music are beautiful. The lyrics show what it is like to go through a breakup and have your ex still want to be your friend. You know you cannot do this because it won’t work like that and she knows just because her ex is okay doesn’t mean she is.

I believe that this is a song many teens can relate to and I think it is an amazingly crafted song. “Friend” is 2:57 long and my favorite lyrics are “I’m sure you’re doin’ fine but I don’t wanna hear it”. I really like this lyric because it shows that she knows her ex is okay after the breakup but she really does not want to hear about it.

Another song that I believe to be crafted beautifully is “21”. This is a song about moving on and having to accept that your ex will have a life without you. “21’s” lyrics are strong and have many meanings behind them. Gracie Abrams herself said in an interview that she took many of these lyrics directly from her journal.

The song is 3:06 long and my favorite lyric is “When the night is over, don’t call me up I’m already under”. The reason I really like that lyric is because it is referencing her other song on the EP “Under/Over”.

Overall, I really like this album and it led me to love Gracie Abrams and all of her music. I rate this album a 10/10 because of the lyrics and meaning behind songs.