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Movies/TV/Theaters

Review on the movie ‘MA’

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By: Sasha Deans

‘Ma’, directed by Tate Taylor and starring Octavia Spencer, is a psychological thriller that blends teenage rebellion with creeping dread in a small-town setting. At first glance, the movie seems like a typical teen drama: new girl in town trying to fit in, high school parties, and awkward crushes. But it quickly takes a sharp left turn into something much darker and more disturbing.

The story follows Maggie, a seemingly sweet and well-behaved girl who’s just moved to a small town with her single mom. She’s adjusting to a new school, new friends, and the usual teenage awkwardness. Maggie is introduced to a group of classmates who are more outgoing and party-oriented. At first, she turns down an invite to hang out, choosing to stick with her mom instead. But when her plans fall through, she decides to give it a shot and go out with them just once.

That one night quickly snowballs into something much bigger when the group crosses paths with Sue Ann, a middle-aged woman who at first seems like any other local. They meet her outside a liquor store and, after some hesitation, she agrees to buy them alcohol. What starts off as a random favor turns into an open invitation to party at her house, in the basement, to be exact. She gives them rules: stay in the basement, don’t go upstairs, and one person stays sober. At first, the teens think they’ve hit the jackpot. A cool adult who’s not only letting them drink but giving them a place to do it safely? What could go wrong?

Well, a lot, as it turns out.

One of the strongest parts of ‘Ma’ is Octavia Spencer’s performance. She’s known for playing warm, empathetic characters, so seeing her take on such a twisted and unpredictable role adds an extra layer of tension. She plays Ma with such complexity you can sense there’s pain and trauma behind her actions, but that doesn’t make her any less terrifying. She shifts between friendly and frightening so fast that you never really feel safe when she’s on screen.

Visually, the movie does a great job of creating contrast. The bright, energetic scenes of teens partying clash with the dark, confined space of Ma’s basement. The further the teens fall into Ma’s world, the more unsettling everything becomes. The film uses silence and music effectively to build suspense, and there are moments that genuinely make your skin crawl not from jump scares, but from the slow, psychological unraveling of the situation.

Personally, I found ‘Ma’ to be a unique take on the thriller genre. It’s not your typical horror movie, it’s more about mood and tension than blood and gore. It plays with your expectations, especially with how it sets up Ma as a kind, slightly awkward woman and then peels back the layers to reveal something much darker. It also makes you think about how people carry emotional scars and how dangerous it can be when those scars are left untreated.

I do agree it kinda has it’s more cheesy parts though the movie is slow and the gore/scary stuff doesn’t happen to the very very end which gets kind of annoying if your a frequent horror movie watcher.

If you’re looking for a thriller with a strong lead performance, unexpected turns, and a creepy atmosphere that sticks with you after the credits roll, ‘Ma’ is definitely worth watching. Just be warned you may never look at a friendly stranger the same way again. I rate it a 3/5

You can watch on Netflix!

Music/Concerts, Tech/Games

JOYSTiCK Ep. 16: ‘A Minecraft Movie’ – Jock’ the Block

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By: Daniel Kendle

The ‘Minecraft’ movie, formally known as ‘A Minecraft Movie’, is a 2025 film released by Warner Bros. Pictures, Legendary Pictures, and Mojang Studios. Directed by Jared Hess (‘Napoleon Dynamite,’ ‘Ninety-Five Senses’), the movie is based off of the popular video game ‘Minecraft.’ 

‘Minecraft’ is my personal favorite video game ever, so I’ve been…curious about its silver-screen adaptation ever since it was announced, boosted by its initial trailer’s release last year. I’m also (straightens tie) a bit of a film buff myself, so that helps a lot. So, on opening night of this year, I showed up to an AMC screening of the movie, clad in a suit and my dad’s sunglasses, ready to enter the pits and emerge back alive.

The film’s plot is pretty basic, all things considered; if you’ve seen the modern ‘Jumanji’ films, then you get the idea: people are sucked into a video game, and have to find their way back home to the “real” world. This comparison isn’t necessarily a bad one per say, but I think it’s the beginning of an all-encompassing problem this film has: identity.

When adapting a piece of media into a feature film, one must decide how faithful the adaptation must be. This is a sliding scale, with past video game movies falling all over the spectrum. For me, the sweet spot is around the middle: the film encapsulates and faithfully translates the source material thoroughly, but brings forth its own ideas as to not feel like just a 1-to-1 replica of its predecessor.

This is where ‘A Minecraft Movie’ confuses me. The film seems to strive to land on both opposite ends of the line: it wants to be incredibly-faithful, yet also be a standalone product. The movie features countless references and Easter eggs to ‘Minecraft’ and its spin-off franchises – hell, the main villain is a character from one of those spin-offs. And yet, seemingly to spite this, the plot chosen for the film seems barely interested in telling a story reminiscent of ‘Minecraft’s’ emotions, atmosphere, and world building, instead using locations and creatures from the game on a surface level.

Throughout the movie, I was having a good time – a GREAT time, even -, but never really processed the experience as an adaptation of the game I love. I’ve heard how people couldn’t believe that they were finally watching the ‘Minecraft’ movie upon initial viewing. While this likely isn’t their opinion on that matter, I felt the same, though in a negative way. This movie doesn’t feel reminiscent of its source material in any way other than literally. Throwing all of these references and characters is one thing, but capturing the spirit and vibe of the game you’re adapting is another.

For me, ‘Minecraft’ is a game that relies heavily on its unique atmosphere for its magic. In a vacuum, I’ve always described it as tender, yet haunting – the world, despite its scenic vistas and cute mobs, has always had a looming sense of isolation that prevents it from joining ‘Stardew Valley’ and ‘Animal Crossing’ in the cozy game genre. But then again, its loose structure separates it from a game like ‘Terraria,’ another sandbox game that employs a more strict and linear progression system.

It’s so unique, and is among the game’s most beguiling offerings.

This movie reminds me of a quote by Max Brooks, author of the book ‘World War Z’ (and, like, 3 ‘Minecraft’ novels; go figure). When asked about his thoughts on the book’s screen translation, he said:

“I was expecting to hate, it and I wanted to hate it because it was so different from my book, and yet the fact that it was so different from my book made it easier to watch because I didn’t watch my characters and my story get mangled…So I was just watching somebody else’s zombie movie, which was fun and intense.” – Max Brooks, USA Today

This quote is about how I feel about ‘A Minecraft Movie:’ it’s a fun ride and I’m able to put aside the original title and enjoy it separately, yet when compared to its adapted game in retrospect, it pales in comparison. I was able to enjoy my time in the theatre, but I’ve largely filtered out my memories with it. It’s over, and I’ve gained little in the process.

If you haven’t seen the clips online by now (a near-impossible task, I know), this film has some memes going around about it. Since the initial teaser, lines like “I…am Steve,” “Flint and steel!,” and most-popular of all, “Chicken Jockey!,” have gained immense notoriety since their inception. These are only a few of the movie’s impressive array of joke-quotes. The film rattles them out at nauseum, as if it’s a 9-5 for it. I can certainly see their appeal, and do find them funny – to an extent. Their inclusions have left me in the opinion that they make the film feel…hollow.

This movie, in my opinion, is set to become dated with time. Not because it has any specific pop culture references or whatever, but because of what it stands for. This is the ‘Minecraft’ movie. Forever. There’s no going back. And when you have a film whose main appeal is ironic, topical humor, there’s little chance that we’ll be as kind to it then as some of us are now.

There’s nothing wrong with liking ‘A Minecraft Movie,’ of course. Everyone has their own opinions, and as long as you aren’t hurting anyone else with your’s it’s perfectly-valid. But nonetheless, I’d like to see a strong argument for the film’s portrayal of this universe as one reminiscent of the power the original one holds.

Actually, there is 1 I should mention. Hess has stated in multiple interviews how the film’s title using “A” at the beginning is intentional, highlighting how this adaptation is only 1 of many, the others being fan creations and the like. Using “A” defines it as not the definitive ‘Minecraft’ translation, but only a single story in an amorphous narrative, one able to be shaped by anyone. I greatly-respect this decision, and believe it to be a strong counter to my thoughts on the movie’s tonal dissonance.

Still, I can’t call this a perfect bandage. Even if Mojang claims to view ‘A Minecraft Movie’ as only a fragment in a sea of ‘Minecraft’-related stories, its nature eludes this idea. Having the creators of the game supporting and developing this feature ultimately undermines this mentality. If the people who made the game, a movie’s adaptation, and also helped aid the movie’s development, that action leaves it impossible for the game studio to not be partial to this retelling of their original game. Their commitment to ‘A Minecraft Movie’ doesn’t cement it as the definitive adaptation of the game for all, but rather Mojang’s definitive adaptation of the game.

This partiality strains the director and companies’ efforts in underplaying the product’s pinnicality, causing the final result to attempt to stray from the original material’s theming and world as much as possible without becoming something new. And when that result personally feels like a poor representation of the material…my time with it is ruined.

. . .

This is likely my most controversial review yet, and I’m aware of that. I’ve mainly focused on the movie’s – and my – relationship with the game, which makes this review ripe with some of that yum-yum bias that politicians always drool over.

You’ve also possibly noticed how I’ve never even mentioned the story, characters, or VFX once! It’s a surface-level complaint, see – this whole time, I HAVE been talking about those, just in a manner less-literal than you may have expected. Yeah (grunts while flexing), back in elementary school, they called me Mr. Whatshisname the Foreshadow-er, for what it’s worth.

In conclusion, I’m giving ‘A Minecraft Movie’ a 4/10. As of April 2025, the film is playing in theatres globally.

Movies/TV/Theaters

Memorable Oscar moments from over the years

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By: Hermekay Dehaney

Photo by Mirko Fabian from Pexels.com

Over the years, the Oscar ceremony has delivered everything from heartfelt wins to shocking surprises, giving the audience a lot to talk about afterward. In honor of the annual Oscar awards taking place on March 2, here is a look back at some of the most memorable Oscar moments from over the years — the good, the bad, and one of the most unforgettable. 

The Good: 

‘Parasite’ groundbreaking win (2020)

‘Parasite’ was the first non-English language film to win Best Picture. Created by Bong Joon-ho, the South Korean film won Best Director, Best Original Screenplay, and Best International Feature Film. This win marked a turning point for the Academy because it showed that there is a potential shift to embrace international films rather than just sticking to Hollywood movies. 

Leonardo DiCaprio wins first Oscar (2016) 

Leonardo DiCaprio is arguably one of the most well known actors in the world. He has acted since the late 1980s, best known for movies such as ‘Titanic,’ ‘The Great Gatsby,’ and ‘The Wolf of Wall Street.’ Even after so many famous movies, and 7 Oscar nominations, Leonardo DiCaprio finally won his first Oscar for his role in ‘The Revenant,’ in 2016. He was received with a well-deserved standing ovation from the audience. He took time out of his speech to raise awareness of climate change, he said, “Climate change is real, it is happening right now, it is the most urgent threat facing our entire species, and we need to work collectively together and stop procrastinating.”

Halle Berry’s Historic Win (2002)  

Halle became the first Black woman to win Best Actress for her role in, ‘Monster’s Ball.’ In her heartfelt acceptance speech, she says, “This moment is so much bigger than me. This moment is for Dorothy Dandridge, Lena Horne, and Diahann Carroll. It’s for the women who stand beside me: Jada Pinkett, Angela Bassett, and Vivica Fox. And it’s for every nameless, faceless woman of color that now has a chance because this door tonight has been opened.” Her speech remains one of the most powerful moments in Oscar history. 

The Bad:

‘Moonlight’/’LaLa La’ mix-up (2017)

The 2017 Oscar ceremony is remembered for the most infamous line in Academy Awards history. 2 ½ minutes into ‘LaLa Land’s’ Best Picture win, announced by Faye Dunaway and Warren Beatty, ‘LaLa Land’ producer Jordan Horowitz informed the audience that, “There’s been a mistake. ‘Moonlight’, you guys won Best Picture. This is not a joke.” That shocking reveal overshadowed what should have been a celebratory win for ‘Moonlight.’ 

Adrien Brody’s Awkward Speech (2025)

Adrien Brody broke the record for the longest Oscar-winning acceptance speech, beating the record set in 1943 by Greer Garson. The speech was 5 minutes and 40 seconds of pure awkwardness. While walking on stage to accept his award, Adrien Brody spit out his gum and threw it to his wife, Georgina Chapman who then proceeded to catch it. Towards the end of his lengthy speech of thanking anyone he could think of, the Academy began to play music which is a signal that your time is up. Instead of taking that as a sign, he proceeded to say, “I’m wrapping up, please turn the music off. I’ve done this before. Thank you. It’s not my first rodeo, but I will be brief.” This is not his first time doing something like this. When he accepted his award for Best Actor for the ‘Pianist’ in 2003, his speech went over time and he responded to the music cutoff by saying, “One second, please. One second. Cut it out. I got one shot at this. I didn’t say more than five names, I don’t think.”

The Unforgettable: 

Will Smith slaps Chris Rock (2022)

Often referred to as “The Slap heard around the world,” due to the video becoming a viral sensation, not just in the United States, Will Smith slapping Chris Rock is still remembered to this day, which is why I placed it as the most unforgettable Oscar moment. This moment shocked audience members and people watching at home. It was caused by an uncomfortable moment when Will Smith walked onstage and slapped Chris Rock after Rock made a joke about his wife, Jada Pinkett Smith’s bald head. The incident immediately went viral and similar to the ‘Moonlight’ mix-up, this incident cast a shadow over Will Smith’s award win for Best Actor for the movie ‘King Richard’ which he won later that night. 

Whether good, bad, or unforgettable, these Oscar moments shape the legacy of The Academy and also remind us of the unpredictability of live television on one of Hollywood’s biggest nights.

Movies/TV/Theaters

MOVIE REVIEW: ‘SEVEN’

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By: Charlotte Bistodeau

The movie ‘Seven’ (sometimes seen as ‘Se7en’), is a 1995 R-rated, crime/horror film directed by David Fincher (who also directed 1999’s ‘Fight Club’, 2011’s ‘The Girl With the Dragon Tattoo’, and 2023’s ‘The Killer’) and written by Andrew Kevin Walker (who also wrote 1999’s ‘Sleepy Hollow’, 2010’s ‘Wolfman’, and 2023’s ‘The Killer’).

The film follows two police detectives, William Somerset and David Mills, as they hunt down the serial killer who kills their victims based on the seven deadly sins. It’s hard to give any more information on the story of the movie because you pretty much know about as much as the two detectives at the beginning and learn along with them. This makes the movie interesting. Instead of knowing things that the main characters don’t, you know only what they know, making you invested in each scene.

I would say that there aren’t a lot of horror aspects except a few dead body’s. Instead, there is a sense of dread making you feel like something bad could happen at any moment throughout the film. The ending of the movie though, is perfect. There couldn’t be a better ending to it.

I enjoyed the main characters thoroughly. Many horror movies throughout the 1980’s and 90’s have an incredibly stupid amount of main characters. Many times you end up being annoyed with these stupid characters and even end up rooting for the killer (or being extremely disappointed in the killer for not having killed them by now). But ‘Se7en’ is not that movie. William Somerset is incredibly smart, to the point that he’s able to figure out by the first two murders that they were done by the same person. Even David Mills, who is not as smart as Somerset, still has a personality that is able to put two and two together. These things make you root for them. It also helps that the actors of William Somerset (Morgan Freeman) and David Mills (Brad Pitt) do a great job at playing their characters.

The background music is something else. You don’t notice it. Or at least I didn’t. It wasn’t bad, in fact it was great, it was just that you get so invested into the story that the background music doesn’t stand out. It adds feeling without making it noticeable.

You can buy the DVD for about 25$ on Amazon or you can watch it on HBO or YouTube Premium.

I’ve watched a lot of horror movies from the 1980’s-90’s and this one is definitely my favorite. Even compared to horror movies today, it’s still my favorite. So, I would have to rate it a 10/10. If you really like psychological horror or crime horror, I would definitely recommend this movie to watch.

Movies/TV/Theaters

‘Avatar: The Way of Water’

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By: Seng Yang

The movie ‘Avatar: The Way of Water’, released in 2022, and directed by James Cameron, is a film with 60% of CGI imagery and the other 40% of the film utilizes the traditional techniques of live-action imagery. It is a film produced by Jon Landau, Peter M. Tobyansen, and James Cameron. It is set in Pandora, a habitable exomoon, and primarily in the tropical-inspired underwater region of the Metkayina clan.

The film tells us about the Sully family (Jake, Neytiri, and their kids Lo’ak, Neteyam, Tuktirey, and Kiri), the trouble that follows them, the lengths they go to keep each other safe, the battles they fight to stay alive, and the tragedies they endure.

Lo’ak te Suli Tsyeyk’itan the second son of Jake Sully is a major character in the film serving as one of two main protagonists in ‘Avatar: The Way of Water’. The movie heavily explores Lo’ak’s struggles with identity and his relationships with his family, particularly his older brother Neteyam. His impulsive actions and desire to prove himself often creates conflicts and drives the story forward.

In my opinion, I love ‘Avatar: The Way of Water’. It was the first movie I saw in theaters and I think it was a magical experience. Everything about the movie was perfect and I rate this movie a 5/5 because I love how it explores the themes of environmentalism, family, and the conflict between human greed and the natural world. I think it’s also a pretty emotional movie as it shows motherhood not only for the Na’vi but also the Tulkun which is a species of whale-like creatures native to the oceans of Pandora.

Overall, I love how it makes you feel deeply connected to nature especially with the environment and where it takes place. Like I said before, watching the movie in theaters was magical and a once in a lifetime experience, it’s one of those moments where you just had to be there to experience the feeling.

You can watch ‘Avatar: The Way of Water’ on Disney+ or you can rent it on other platforms.

Movies/TV/Theaters

‘Home Alone’ movie review

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By: Sophia Elmstrom and Lily Sheldon

*Warning: this review contains spoilers

‘Home Alone’ is an American holiday comedy film directed by Chris Columbus and was made in 1990. The film stars Macaulay Culkin as Kevin McCallister, and the cast features Joe Pesci, Daniel Stern, John Heard and Catherine O’Hara. This film is also the 1st movie out of 4, along with 2 other versions. The film grossed $476.7 million worldwide, becoming the second highest grossing film of 1990. This movie was a big hit, but before we share our thoughts here is a rundown of the plot.

The movie starts with Kevin and his huge family getting ready to spend Christmas in Paris. Everyone is staying at Kevin’s house the night before they leave. Kevin’s siblings and cousins are running around the house preparing for this vacation. No one in the family will help Kevin pack his bag which results in Kevin eventually getting sent up to the attic after ruining the family dinner when arguing with his cousin. Kevin is very upset and is sick of his family picking on him. When he is up in the attic Kevin wishes that his family would disappear.

That night, there is a power outage due to snow, and all the alarm clocks in the house were reset. This causes everyone in the house to oversleep, and they have to rush to get to the airport in the morning. While Kevin’s family is rushing to get to the airport in the morning, Kevin accidentally gets left behind. Kevin wakes up to the house being empty, and is very happy that his wish to not have a family came true. Kevin loves having the house to himself, and is taking advantage of that. Kevin’s house then becomes watched by the “Wet Bandits”, Harry and Marv who are neighborhood burglars. Kevin tricks Harry and Marv into thinking that his family is still home. This makes them hold off on their plans to rob Kevin’s house.

Kevin’s mom, Kate, realizes on her flight that Kevin was left at home. When they get to Paris, Kate tries to get on a flight home. Kate makes it to Pennsylvania, but cannot get on a flight back home to Chicago because all the flights are booked and the phone lines are still down in Chicago. Kate meets a guy named Gus at the airport, and Gus offers to let her travel with them to Chicago in a moving van with his band.

On Christmas Eve, Harry and Marv realize that Kevin is the only one inside his house. Kevin hears them discussing plans to break into his house that night. Kevin sets up his whole house with traps. When Harry and Marv break in, they set off all of the traps in the house, making them regret the robbery. Kevin calls the police and Harry and Marv get arrested.

Kevin is disappointed that his family is still gone on Christmas Day. Kevin’s mom finally makes it home and surprises Kevin. The rest of Kevin’s family comes home shortly after. Kevin is glad that his family is home.

‘Home Alone’ received a 66% on Rotten Tomatoes and 7.7/10 from IMDb. Overall, the audience rating summary was a 4.8 with many people saying it was a classic Christmas movie with a nostalgic feeling.

We agree with this rating of the audience but we believe that Rotten Tomatoes and IMDb should have given it a higher rating as it is a very good movie. We both watch this Christmas movie every year with our family and it brings us lots of Christmas memories. We overall rate this a 9/10 because it has that nostalgic Christmas feeling and reminds us of our childhood.

You can watch ‘Home Alone’ on Disney Plus.

Movies/TV/Theaters

‘NAUSICAÄ OF THE VALLEY OF THE WIND’: REVIEW

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By: Charlotte Bistodeau

‘Nausicaä of the Valley of the Wind’ was released in 1984 and was Hayao Miyazaki’s first ever film he did. It’s also the first ever film I watched by Miyazaki followed up by ‘Howl’s Moving Castle’ and the like.

‘Nausicaä of the Valley of the Wind’ is a post-apocalyptic fantasy based in a world covered in plants that make up the Toxic Jungle. Nausicaä is a princess who loves her people of the Valley of the Wind and would do anything to protect them. But she also loves the insects of the Toxic Jungle and knows that harming them would only hurt her people.

‘Nausicaä of the Valley of the Wind’ has got to be my favorite movie and I must have watched it over twenty times. From the writing to the screenplay, I love it all. The story is about a girl, Nausicaä, who is taken as captive and ends up in the middle of a feud between two other empires, Tolmekia and Pejite. In the end, she ends up getting back to the Valley of the Wind and stopping the Ohmu, an insect from the Toxic Jungle, stampeding across the land destroying everything in their path. I love Nausicaä’s character and what she believes. She is strong and caring and she would do anything to protect her people, even if it meant dying.

I also think that my favorite sound track from any of Miyazaki’s films has to be from this movie. All the songs convey different feelings that you can really feel.

I also have to talk about the voice acting. I have watched it in the original Japanese and the English version and I have to say, surprisingly, the English version is better. Nausicaä’s voice in the Japanese version is extremely small and baby like, which doesn’t suit her at all, while in the English version she sounds like an 18-year-old girl, which she is. The audio quality is also way better and also the subtitles on the Japanese version are really bad. For example, there is little emotion and some of the sentences don’t make any sense whatsoever. It’s one of the only films where I like the English dub better.

Overall, I rate this movie a 10/10 but I might be a little biased. The only real complaint would be that they did skip over some parts in the book, which Miyazaki wrote. But it doesn’t take anything from the movie, probably because Miyazaki was the author of the book and one of the directors of the movie.

You can find the movie on Max, Amazon Prime, Hulu, YouTube TV, and Google Play Movie. You can also purchase the Blu Ray/DVD set for 15 dollars at Target. In any case, I would recommend the movie to anyone, young or old.