Category Archives: Music/Concerts

‘When The Pawn…’ by Fiona Apple album review

By: Fletcher Pike

Fiona Apple’s unique album ‘When The Pawn…’ came out in 1999 and featured 10 songs total with a total length of 42 minutes. This album was released following Fiona’s hit album ‘Tidal’ which came out just a few years before in 1996. The full title of this album is actually a 90 word poem that is featured on an overlay on the album cover. In this album, Fiona Apple incorporates piano elements into most of her songs with pop-style jazz beats and features her distinct smooth alto voice.

Track 1: On The Bound

The first song on this album, “On The Bound” begins with a swing beat with a heavy piano melody accompanied with electric piano undertones. The chorus shifts into an elegant beat with added string instruments as Fiona howls echoed lyrics. I loved this song a lot and I think it was a great opening to this album. I think that this song deserves a 10/10.

Track 2: To Your Love

The following song, “To Your Love” features vibrating and scaling vocals with a classic drum beat and fast piano hits. I did like the melody but personally this song didn’t stand out as much as the other songs on this album. It was still a really enjoyable song and I would rate it a 9/10.

Track 3: Limp

“Limp” starts with a simple growing piano melody with increasing intensity that explodes into sections with loud drums and a note-descending saxophone. I really loved the drums on this song and how the intensity increased as the song continued. I thought that this song was very pleasant to listen to and I rate it a 9.5/10

Track 4: Love Ridden

“Love Ridden” is a solemn tune compacted with emotion including a mostly piano and vocal composed melody. Stringed instrument undertones add depth to the song. I found this song to be very touching, with Fiona’s emotive and powerful vocals. I really liked this song overall and I would rate it a 9.5/10.

Track 5: Paper Bag

“Paper Bag” begins with a slower scratchy drum beat with a vinyl-like effect over it, with Fiona’s scaling and staccato vocals entering shortly after. I loved how this song was put together and I found the lyrics to be very interesting, which talks about how hope can lead to disappointment. I think this song deserves a 10/10 for the melody and intriguing lyrics.

Track 6: A Mistake

“A Mistake” starts with an electric organ with scratchy brass elements. I overall thought that this song was pretty great, but it didn’t really stand out to me. I liked the melody and the electric organ that was used in the song, so I think that this song is a 9/10.

Track 7: Fast As You Can

“Fast As You Can” is the hit single from this album. The song includes a racing tempo with quick piano hits that stops at slow segments during the song that picks up as it continues. I enjoyed the faster tempo on this song, as it grabs your attention right away with the march-style drums and vibrant theme. I think that this track has to be one of my favorites on the album and I rate it a 10/10.

Track 8: The Way Things Are

The song “The Way Things Are” begins with a wavy synth instrument shifting into a roaring heavy guitar and a classic drum beat. I liked the addition of the heavy guitar since it made it stand out from the other songs on the album. I think that overall this song was pretty good to listen to, and that I rate it a 9.5/10

Track 9: Get Gone

“Get Gone” begins with a tranquil piano and an ambient brushed drum beat that transitions to a louder drum set and piano sounds with string instrument undertones. I was a big fan of Fiona’s vocals in this song and the duality between dynamics. I loved the melody of the song and the different instruments used in this track. Parts of this song reminded me of some vintage jazz songs, which I admired a lot. This is a really great song, and I think it’s a 10/10. 

Track 10: I Know

‘When The Pawn…’ ends with a slow and melancholy rhythm with an ambient piano under Fiona’s gentle vocals. I think that it was a fitting song to end this album, and I enjoyed the vocals in this song. This was a great finish to the album, and I rate it a 9.5/10.

‘When The Pawn…’ is by far one of my most favorite albums by Fiona Apple. I find that the creativity and uniqueness that she incorporates into her songs makes her stand out as an artist. These songs were full of different kinds of emotions that I found to be interesting to listen to. Overall, I think that this album is a 10/10.

Album review: ’14 minutes’ by Dominic Fike

By: Calla Fragassi

Dominic Fike is an American singer, songwriter, and actor. He is known for his role in the hit TV show ‘Euphoria’, but is also recognized for his music that falls under the Alternative/Indie genre. He released his fifth studio album on May 3, 2024, called ’14 minutes’. The 8 tracks on the album add up to 14 minutes exactly which is where the name comes from. Here is a quick review of each of these 8 songs, and the album as a whole:

The first song on the album is “megaman”. This song is one of the shorter ones on the album at 1:18 and focuses more on the instrumental aspects of the song. Throughout the entire song, he gently plucks the cords of an acoustic guitar to give it a sharper tone and uses a kick drum as the second instrument. He mumbles most of the words while singing, making the song more simplistic and relaxing. Overall, I usually like my music to be a little more upbeat, but I can still appreciate the sound and slowness ofmegaman.

The second song on the album is called “hi grace”. In “hi grace”, Fike uses sound effects to make his voice higher, as well as make his words sound glitchy. Throughout the song he uses piano, guitar, and drums which makes the song more upbeat than the previous song, but it’s still not super loud or intense. How he sings the chorus of the song reminds me of Bob Dylan’s voice in his music, and is one of the more popular songs on this album; I would rank this song in my top three favorites from this album.

The third song on ’14 minutes’ is “1.23.23”. This song reminds me of some of his older music from his previous album ‘Sunburn’ because he sings at a lower tone and uses a similar glitchy effect as “hi grace”. The lyrics in the chorus talk about scars and changing along with verses that are written about going back in time and fixing mistakes. This song gives a more hopeful message to listeners but is not one of my favorites on this album.

The fourth song on the album is called “THICKRICK”. This song sounds more like it is directed towards someone with anger based on the instruments and intensity of the song. Fike uses an electric guitar in this song and purposefully makes it the loudest sound in “THICKRICK”. This one is also not one of my favorites, but the lyrics in the song like “Don’t let the tattoos fool you, love” are full of anger and make it worth a listen.

The fifth track on the album is “Bowie Box”. The only instrument in this song is acoustic guitar. He only sings for a very short period at the beginning, making most of the song just him playing the guitar. This is one of the slower songs on the album and somewhat reminds me of the song “Skinny Love” by Bon Iver because of the tone of voice Fike sings with.

The sixth song on the album is “misses”. This is my favorite song of this album and is currently trending on Apple Music and social media platforms like TikTok and Instagram. This song is very upbeat and cheerful and has quickly climbed to Dominic Fike’s number-one song. It’s easier to understand and learn than some of his others on the album and is the perfect song for summer.

Number 7 on the album is “to say to say”. He again uses the same glitchy effect in this song as he did on tracks 2 & 3, but this song only has 10 verses in its 80 seconds. Although it’s a little different from some of the other songs, it still fits in with the indie alternative style Fike typically works with.

The last song on this album is called “coast2coast”. It’s another one of my favorites out of these tracks because of the instruments he uses and how fast it is. It’s only 1 minute long, but he manages to make a great song out of the small amount of time he uses.

Overall, I would recommend this album to anyone who enjoys a different play on traditional indie music. He uses different instruments and effects than what are normally seen and it’s super fun seeing what he’ll incorporate into each song. I do wish the songs I enjoyed like “misses” and “hi grace” were longer songs, but I think the idea behind the album only being 14 minutes long is very interesting and I haven’t seen it done before!

A summary of the feud between Kendrick Lamar and Drake

By: Hermekay Dehaney

The feud between Drake and Kendrick Lamar, who are two of the most prominent figures in hip-pop, has been building for years, marked by a series of indirect and direct disses throughout each other’s music careers. The feud has been growing in tension with both releasing back to back diss tracks aimed at each other for the past couple months.

But when did it start, and how did it escalate?

Well, for starters the two were once acquainted with each other and even  collaborated on different songs and albums, such as Drake’s album ‘Take care’ in 2011, and Kendrick’s album ‘Good kid, M.A.A.D city’ which was released a year later in 2012. 

The drama wouldn’t start until 2013 where Kendrick Lamar was featured on Big Sean’s song called “Control” where he dissed other artists including Drake, saying “I got love for you all, but I’m trying to m**der you.” Drake would then respond in an interview by saying “[I]t just sounded like an ambitious thought to me. That’s all it was. I know good and well that Kendrick’s not m**dering me, at all, on any platform. So when that day presents itself, I guess we can revisit the topic.” This would be the start of the decade-long feud.

The feud would escalate however, in March of 2024  when Kendrick Lamar would release his song “Like That,” which was produced by Metro Boomin’ and the rapper Future in an album called ‘We Don’t Trust You,’ in response to J Cole and Drake’s 2023 song “First Person Shooter.” In the J Cole verse, he said “Love when they argue the hardest MC Is it K-Dot? Is it Aubrey? Or me? We the big three like we started a league,” to which Kendrick responded by accusing the rappers of sneak dissing, and went on rapping by saying,  “big three —— it’s just big me.” What made that song significant was that the producer, Metro Boomin’  was a former producer for Drake but ultimately fell out with him.

J Cole would then respond by releasing a diss track, “7 Minute Drill,” rapping, “I got a phone call, they say that somebody dissing, You want some attention, it come with extensions,” and “He still doing shows but fell off like The Simpsons.” He also dissed Kendrick’s recent songs by saying it was “tragic.”

Only a couple days after releasing that diss, he would end up backing down by saying  “I ain’t gonna lie to y’all the past two days felt terrible,” which he would explain that he felt pressured because “the world wanna see blood.” And he ended up removing his diss from all streaming services, and apologized to Kendrick.

Drake would then release his diss track “Push Ups” on April 13, in which he clowns Kendrick for being 5’5″. He then went on to slam Kendrick for collaborating with mainstream artists such as Maroon 5, and Taylor Swift by saying “Maroon 5 need a verse, you better make it witty. Then we need a verse for the Swifties.” He then dropped another diss called “Taylor made freestyle.” Kendrick responded by dropping a 6 minute long diss track “Europhia,” on April 30, accusing Drake of getting plastic surgery as well as calling Drake a “master manipulator,” and saying “Let me say I’m the biggest hater,” and also “I hate the way that you walk, the way that you talk, I hate the way that you dress.”

I personally think this is where the feud reached its climax, because this was the start of the back to back disses.

 Kendrick dropped another song less than 72 hours later “6:16 in LA,” where claims that someone in Drake’s circle is leaking damaging information about him. Then on May 3rd Drake clapped back with “Family Matters,” basically accusing Lamar of cheating on his wife. Lamar hit back with another song just an hour after Drake’s diss “Meet the Grahams,” where he accused Drake of having a secret daughter, and calling him a “narcissist, misogynist, livin’ inside his songs.”  He also made a verse addressed to Adonis, Drake’s son, saying, ”Dear, Adonis, I’m sorry that that man is your father, let me be honest,” he also addressed Drake’s parents in the song. This feud would not stop there as Kendrick would drop yet another diss track “Not Like Us,” which alleges Drake being a p**ophiles, he raps “Certified Lover Boy? Certified p**ophiles.”

Drake would respond with a track called “The Heart Part 6,” where he basically denied all the serious allegations against him.

So far it’s been quiet from Kendrick and Drake dissing each other besides Drake dropping a remix of Metro Boomin’s recent diss track against him, but that’s another story for another day.

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OPINION: My definitive Beyoncé album rankings

By: Charlie St. Dennis

As the craze behind Beyoncé’s new release, ‘Cowboy Carter,’ finally dials down, I’ve found myself taking more time to listen to some of her other albums from earlier in her career. In 8 solo studio albums, she has accomplished an admirable feat of having such a versatile discography with no stand-out “duds.” Here is my definitive ranking of each of Beyoncé’s albums, and why:

8. ‘Dangerously in Love’ (2003)

Recorded entirely during the longest and final hiatus of her hit girl-group, Destiny’s Child, Beyoncé recorded this as her first solo album. Though there’s nothing particularly bad about this, it even gave us some hits like “Crazy in Love” and “Naughty Girl,” there’s nothing that particularly stands out about it either. It is home to some of Beyoncé’s weakest tracks, which I won’t hold against her, considering she was very new to her career. My favorites off this album are “Dangerously In Love 2” and “Crazy In Love (feat. Jay Z).”

7. ‘I Am… Sasha Fierce’ (2008)

Perhaps her most commercially successful album, with 9 chart topping singles, ‘I Am…’ is a classic. It also introduces us to Beyoncé’s alter-ego, Sasha Fierce. Fierce is said to only come out on stage, and shows Beyoncé’s more “aggressive and sensual” side. This is a good album, although I like Beyoncé’s more deep work, and we don’t see too much of that on this album (even though it is there, in some parts). While the hits on this album include “Single Ladies (Put A Ring On It),” “Halo,” and “If I Were A Boy,” my personal favorite is “Diva.”

6. ‘BEYONCÉ’ (2013)

This is probably my most controversial ranking here. Many dedicated fans of Beyoncé would place this in what they’d call their “Holy Trinity” of her discography…but not this dedicated Beyoncé fan. While I do enjoy this album, I don’t think it particularly stands out. It does capture Beyoncé in her first state of vulnerability caught on recording! We see this vulnerability on tracks like “Heaven,” “Pretty Hurts,” and my personal favorite, “Blue (feat. Blue Ivy).” We also hear more upbeat tracks, which are good as well, including “Feeling Myself (feat. Nicki Minaj),” “***Flawless (feat. Nicki Minaj),” and “XO”. These are tracks that I generally enjoy, but they don’t do it for me *quite* like some of the upcoming albums.

5. ‘B’Day’ (2006)

I think ‘B’Day’ did a great job at showing us a little taste of all that Beyoncé was capable of. She was fresh out of Hollywood and the award show circuit due to her success as Deena Jones in the movie-musical ‘Dreamgirls’ and she was ready to release music of her own. She uses country and creole influences, and gives us a perfect blend of deep & danceable. My personal favorites from the album are “Listen (from Dreamgirls)” and “Get Me Bodied (Extended Mix).”

4. ‘4’ (2012)

‘4’ is a very interesting album because it is like a roller coaster but without all the bumps. It goes up and down and has its dance songs, motivational songs, and its sad, more depressing songs, but it’s all very intricate and well put together. It’s hard to pick a favorite song, considering I like them all very much. I’d say one of my favorite songs of all time is “I Care,” so that’s definitely my favorite off the album. I also love “Party (feat. Andre 3000),” which delightfully serves as a celebratory song for any and every occasion.

3. ‘Renaissance’ (2022)

Renaissance’ is like nothing else I’d heard before. It is distinct and clear in its intent to educate and to bring up the events of the past. We hear features from previously little known black queer icons such as Big Freedia, Kevin Aviance, Kevin JZ Prodigy, among many others. Not only is it educational and intentional, it’s also just really good music. You get a little neo-soul out of “Plastic Off The Sofa,” you get some classic house from “Break My Soul” and “Pure/Honey,” and of course you get some disco from songs like “Cuff It” and “Summer Renaissance.” I find the album to be quite versatile and cohesive, and that really works well for it. My favorites on the album are “Church Girl” and “Pure/Honey.”

2. ‘Cowboy Carter’ (2024)

If you’ve been reading my pieces in the Plaid Line for awhile now, you now that I really enjoyed ‘Cowboy Carter’. That still remains true! The album is a lovely way of stepping into territory that was new to Beyoncé, but also something she has dipped her toes in before. Songs from ‘Lemonade’ and ‘B’Day’ have foreshadowed Beyoncé’s country feature. Anyways, I really loved this album, and it very quickly moved its way up the ladder in terms of my favorite Beyoncé albums.

My favorites at press time, because they always change, are “Tyrant,” “Sweet * Honey * Buckin’,” and “Daughter.”

1. ‘Lemonade’ (2016)

And lastly, but definitely not least, we have ‘Lemonade’. As you may know, I also really enjoyed ‘Lemonade’. It might just be the perfect album. It tells a story that can be listened to as one, or in individual parts, however you choose. It ranges from sad R&B, to a more upbeat equivalent, and has heavy Caribbean, Creole, and Houstonian influences. I implore you to read my prior review for my depth, but take my word for it when I say I truly love this album. My favorites are “Hold Up,” “All Night,” and “Freedom (feat. Kendrick Lamar).”

This was incredibly hard to write because I love all of these albums so so much, but here was my best shot. So, with that, there is Beyoncé’s studio solo discography. I hope you enjoyed this review, and let me know what you think of Beyoncé’s discography!

JOYSTiCK empirical non-review – Ranking every ‘Minecraft’ Music Disc

By: Daniel Kendle

In the game ‘Minecraft,’ a rare set of items are the 19 Music Discs. These discs can be found in a few ways, such as monster drops and loot in structures. They can be played in a block known as the Jukebox, causing a song to play. These songs are by various composers, including the artists Daniel Rosenfeld (commonly known as C418), Lena Raine, Samuel Aberg and Aaron Cherof.

However, just because they’re rare doesn’t make every disc “good.” That’s natural, and there’s definitely some that are better than others, and some that are worse. So, here’s a ranking of every ‘Minecraft’ Music Disc, listed from worst to best.

Discs will have 1 category they’ll be reviewed in: how good the actual song is. I was originally going to also judge them on how the disc looks and how hard it was to obtain, but I removed them as categories due to being too biased for my article. However, if I have anything to note about their looks or rarity, I’ll mention it in their section.

Finally, I should also mention that I have a very loose grasp on music theory, so lots of jargon and terms used in the medium will be absent here. Maybe that makes me unqualified to make this report, but what I do have is a very strong grasp on ‘Minecraft,’ as well as knowing what I like and what I…don’t but with that out of the way, let’s begin.

…..

No. 19 – “Stal” 3/10

“Stal” is easily the worst out of the lineup, and it’s clear to see why. The main instrument of the track, a recorder, is played without much of a melody or tempo, just screeching throughout. The song definitely feels like it was going for an ironic appeal, but just sounds cruel to the ears and never truly becomes what it sets out to be. As a 1-time listen it’s alright, but anymore and it becomes a dread to finish.

No. 18 – “Thirteen” 4.5/10

This is the first of 3 “story discs,” as I’ve come to call them. The trio don’t focus on traditional music, but instead audio that is used to tell an ambiguous story. There are fewer melodies and rhythms throughout the 3, instead there are sound effects that emphasize a horror aesthetic. These are cool, but due to the fact that they’re not so much “music” as audio horror, it’s hard to rank them higher than other songs here.

“Thirteen” is my least favorite of the trio, however. While I can appreciate the composer going for something different compared to his other discs, this never has much of a scary vibe for me. The other 2 at least have collective moments of both intensity and quiet somberness, but here it’s just a flat tone throughout. Strange siren-like noises are heard, but other than that and a couple other types of sounds, it’s very uninteresting and pretty boring.

No. 17 – “Chirp” 5/10

Now that the obvious worst 2 are gone, we can finally get to the harder discs to place. “Chirp” isn’t bad by any means, but compared to the rest of its family, it never reaches the highs that others hit. Interestingly, the main instrument at hand here is the Octigan, a piano-like keyboard from the ‘70’s that sounds unique, to say the least. I do like its usage though, but it nonetheless doesn’t save this track from being pretty forgettable.

No. 16 – “Precipice” 5/10

One of the newest of the bunch, “Precipice” is a disc that I’ve flip-flopped on since its introduction a couple weeks ago, as of writing this. My main issue with it stems from its overbearing melody; the entire track, from start to finish, consists of blaring synths that make the song very… boring? Repetitive? Either way, it’s definitely my least favorite of this new wave of music discs that’s been happening since 2020.

No. 15 – “Eleven” 5/10

The second story disc on this list. While iconic within the community and certainly a spooky listen, it has even less elements of standard instruments and notes. Instead, we have heavy breathing, matches clicking, and – my favorite – the sound of an unknown beast at the very end. It’s interesting, but again, not being a traditional song hurts its rankings here.

No. 14 – “5” 5.5/10

The final story disc! Not a lot to say here that I haven’t in the past 2, but I like the sound effects in this the most; they definitely build from the previous 2 discs in neat ways, but alas, this is the highest on the list that I can put it.

Also, this is the only disc that can be crafted, which is cool. That also helps it a bit due to being more unique. You craft it with 9 Music Disc Fragments, found in Ancient Cities underground, which are one of my favorite structures in the game.

No. 13 – “Mall” 6/10

This is the most relaxing of the discs, and I can see why. It veers into the LoFi area of song: a relaxing, quaint melody supplemented by synths and beats. In “Mall” it can be a bit forced and repetitive, but it’s all-around a good listen. Not one I’ll listen to over and over, but once and twice every blue moon; it’s solid.

No. 12 – “Mellohi” 6.5/10

“Mellohi” is an interesting one. Using a vibraphone, trombone, and accordion (among other instruments), it’s definitely one of the most unique discs here. It has what some call a “swing” vibe, to my knowledge named after the dance, but what do I know? Anyways, I like it, but it’s a bit out of place next to the rest of the discs, even the newer ones. Like, it doesn’t flow well if you listen to them all one after another. Nonetheless a solid disc.

No. 11 – “otherside” 7/10

This is the most controversial pick in this article, by a landslide. This was one of the first “new music discs” that have been coming since 2020, as I said before. A lot of people seem to like this one more than I do, and usually call it among the best discs. For me, I’m not so sure; it’s definitely good, but is a bit too slow for me, and I just find it to be repetitive, much like “Precipice.” Again, it’s a nice song though. I really like how it’s much more cheerful than other songs before, and has an optimistic vibe throughout that I enjoy.

No. 10 – “Blocks” 7.5/10

Pretty simple and laid-back, “Blocks” is the antithesis of older discs: a retro-esque track that uses some wacko instrument to give it a unique flavor compared to others of its kind. With that out of the way, I think this song in particular could’ve improved with some more dramatic elements, since the final product almost feels a bit too retro without much substance. Then again, maybe its simplicity is what’s fun about it, I don’t know. The bottom line is: this is really fun, and cool, and I like it!

No. 9 – “Cat” 7.5/10

“Cat” is a great track. One of the earliest, it’s another very happy and bubbly song that makes you feel as if you’re just discovering the ins and outs of ‘Minecraft,’ like you’ve built some stuff, looked around, and now you’re finally getting to exploring this vast world. Granted, another song later on in this article does this “vastness” idea much better, but for now this is really great. Bordering on an 8, but I do wish it had some louder instrumentals in the beginning, and throughout the song, to be honest.

No. 8 – “Wait” 8/10

Another short review. “Wait” is a quiet little disc, but is great for background melodies if you’re busy doing something else in-game and want to put a disc on. It’s not rocket science, but a lovely song overall.

No. 7 – “Creator (Music Box Version)” 8/10

Basically a shortened, simpler version of “Creator,” this disc is one of the few that’s a riff on another. It’s cool, and while maybe a bit high for a song who’s only real instrument is an actual music box, I think it’s very fun, and a bit creepy, which is perfect. It and its brother disc have such unique and different vibes when put against other discs, which gives them both high marks.

No. 6 – “Strad” 8.5/10

This was the most surprising disc on this list, partially because I get it mixed up with “Stal” all the time (which isn’t a good thing). Despite that minor setback, “Strad” is so cool and funky, and arguably uses the most synths out of any song on this list, which is really cool! Not ground-breaking or the best thing ever, but a sick track that I CAN listen to over and over.

No. 5 – “Ward” 8.5/10

When I say that “Ward’s” best moments are its first 3 seconds, that may seem like an insult. Well, it’s not. Those first moments begin with a haunting organ, followed by an eerie, yet much more suave and cool-headed song that’s also distinct from others. These top 5 discs all do something very different when looked at as a standard music disc in ‘Minecraft,’ and for “Ward,” it’s balancing both the grotesque and the funky. While I do wish it kept to the organ and creepy vibe, it’s still a great song.

No. 4 – “Pigstep” 9/10

“Pigstep” is easily the most popular of the newer music discs. Obviously a parody of dubstep music, it’s found in Bastions, one of the hardest structures in the game inside another dimension. It’s super great, and such an already-iconic track that it’s scary. It’s funky, it’s bold, and feels so unique. I really like it, as I imagine most others do. However, while it may appear at the top of almost all Music Disc rankings, it’s got a couple of nitpicks that bring it down slightly for me.

No. 3 – “Creator” 9.5/10

This is another one of the newest discs, and is the “normal” version of its music box version. It’s really great to see multiple variants of 1 song make it into the game, since the only times this has happened in the past are small parts of some songs referencing others. Granted, this is easily the best variant of the original disc. Pretty much everything from the music box applies here, except for that this one introduces electric guitar into the fray and it sounds really neat. What a lovely song!

No. 2 + 1 (Tie) – “Far” and “Relic” 10/10

I’m grouping the best 2 songs together because they’re the only 10/10’s on this list, and are each amazing. #2 is “Far,” the oldest of the pair. This one is similar to other relaxing songs here, but compared to those this feels much more somber, yet still holds a lot of optimism. Once again it’s primarily a song that emphasizes the vastness of this virtual world, but is just so good at it that it makes second place in the ranking.

Meanwhile, “Relic” is my personal favorite music disc in the entire game, with no discernible reason why. It’s just so good that it makes the top. It has some cool synthesizers throughout that makes it purposefully old-sounding. These make it different from all the rest, and lead it to being my favorite Music Disc in ‘Minecraft.’

Laufey’s ‘Bewitched’ album review

By: Fletcher Pike

The official album cover

Laufey (pronounced LAY-vay) is a popular Icelandic-Chinese singer and songwriter that is known for her music inspired by a lot of old jazz musicians such as Ella Fitzgerald and her soft vocals. Laufey’s growing popularity led to the release of her award-winning album ‘Bewitched’ on September 8th, 2023. This album features beautiful string instruments and classic jazz beats accompanied by stunning vocals by Laufey. This album includes 14 songs in total with a length of 43 minutes.

Track 1: Dreamer

The first song on this album starts off with a beautiful overlapped vocal segment that progresses into an amazing traditional jazz beat with a soft piano accompaniment and brushed drums. I thought that this was a really nice opening to an album and I would rate this song a 10/10.

Track 2: Second Best

“Second Best” starts off with a faint guitar sound with a classic jazz drum beat along with some string instruments and beautiful backup singer lines that really add flow to the song. I liked this song and I would rate it a 9/10.

Track 3: Haunted

“Haunted” is one of my favorite songs on this album, which starts with a somewhat eerie solo violin which becomes a really nice beat with gentle guitar strums. I found the melody and rhythm to be beautifully haunting, and fit the name of the song perfectly. I think that this song deserves a 10/10.

Track 4: Must Be Love

“Must Be Love” begins with a nice guitar sound that continues throughout the song. I really liked Laufey’s vocals in this song and found the echoey backup vocals to be a nice addition to the song. I liked this song and I think it is a 9/10.

Track 5: While You Were Sleeping

“While You Were Sleeping” in my opinion lacks some of the jazz elements, with more of a guitar strummed beat and classic drums. This doesn’t mean it’s not a great song. I really liked this song and found it to be quite nice to listen to. I think this song deserves a 9.5/10.

Track 6: Lovesick

“Lovesick” features a guitar strummed beat and drums which I really liked. Short orchestral segments are added underneath the beat which I think added depth to the song. I loved this song a lot and I would rate it a 10/10.

Track 7: California and Me (feat. Philharmonia Orchestra)

“California and Me’”starts off with a scaling piano and a nice melody. The Philharmonia Orchestra is featured on this song including nice woodwind sounds and beautiful string instruments. I really liked Laufey’s vocals in this song and I think this song is a 9.5/10

Track 8: Nocturne (Interlude)

“Nocturne” is a 2-minute long interlude composed of only piano, which I actually found to be very nice to listen to. I think this interlude is an 8/10.

Track 9: Promise

This song is a bit calmer than some of the other songs on this album, with a soft piano and beautiful vocals. During the song, a brushed drum beat is added over the piano and vocals. I really liked that the volume dynamics shifted throughout the song. I thought that this song was really nice to listen to and I would rate it a 10/10.

Track 10: From The Start

“From The Start” is one of Laufey’s most popular songs overall, featuring an interesting mix of bossa nova and jazz with a really nice melody and vibe. Laufey essentially describes this song as the feeling of awkwardness that we feel when we are near someone that we secretly like, which I can definitely see through the lyrics. I really loved this song and I rate it a 10/10.

Track 11: Misty

“Misty” really reminded me of the vintage jazz theme of this album, with a beautiful piano and brushed drums. I thought that this song was very beautiful and I would rate it a 9/10.

Track 12: Serendipity

“Serendipity” is a primarily piano and vocal composed piece, with a softer and more somber vibe to it. I loved the melody and how the notes flowed. I think this was a really nice song and I would rate it a 10/10.

Track 13: Letter To My 13 Year Old Self

The song “Letter To My 13 Year Old Self” has a bit more of a somber vibe compared to some of the more upbeat songs on this album. In this song, Laufey sings a slow melody, with lyrics referring to how she would have reassured her 13 year old self with words of wisdom as she struggled to fit in with others and stood out from her peers. This song also includes themes of hope and self-improvement. I thought that this song was very nice and I rate it a 9.5/10.

Track 14: Bewitched

The final song on this album is a wonderful arrangement of magical string instruments, and stunning vocals by Laufey. I thought that this song was enchanting with how the string instruments were incorporated into the song. I think this was a nice finish to an album and that this song deserves a 10/10.

Overall, this was an amazing album that really captivated the theme of old jazz with a few modern twists. I loved Laufey’s incredible vocal range and the instruments that were incorporated into these songs. I would definitely recommend this to anyone that is a fan of jazz music or musicians like Beabadoobee, Mitski, or Faye Webster. I decided to rate this album a 10/10 because I thought it was very beautiful and I love Laufey’s vocals.

‘The Tortured Poets Department: The Anthology’

By: Sophia Elmstrom

‘The Tortured Poets Department: The Anthology’ is Taylor Swift’s 11th studio album. Taylor had been working on this album for two years before her announcement at the 2024 Grammys. Many fans had been speculating that at the Grammys Taylor would announce her re-recording of ‘Reputation’. The album was originally called ‘The Tortured Poets Department’ but then at 2 A.M. the night that the album was released Taylor surprised everyone and released a double album called ‘The Tortured Poets Department: The Anthology’.

On the combined albums there are 31 songs in total and the whole album is a little over 2 hours long. Many of the songs on this album are about the recent breakup of Taylor and her ex boyfriend of over 6 years.

  1. Fortnight (ft Post Malone)
  2. The Tortured Poets Department
  3. My Boy Only Breaks His Favorite Toys
  4. Down Bad
  5. So Long, London
  6. But Daddy I Love Him
  7. Fresh Out the Slammer
  8. Florida!!!
  9. Guilty as Sin?
  10. Who’s Afraid of Little Old Me
  11. I Can Fix Him (No Really I Can)
  12. loml
  13. I Can Do It With a Broken Heart
  14. The Smallest Man Who Ever Lived
  15. The Alchemy
  16. Clara Bow

These 17 songs are all of the songs that are on the original album ‘The Tortured Poets Department’. Overall, these songs are very clever and the lyrics are catchy and well written. This album definitely stood up to the expectations of the fans but many people who are not fans do not think this album is very good. Lots of listeners said that the album had basic lyrics that did not mean anything. Although that could be true to many I believe that the lyrics did have lots of meanings and in order to understand it you would kind of need to know a lot about Taylor’s life.

My favorite songs on this part of the album are “Down Bad” and “I Can Do It With a Broken Heart”. Both of these songs are about the heartbreak that Taylor went through last year. I really like these songs because the lyrics are very sad while the music is very upbeat and happy.

I give this part of the album a 9/10 because a few of the songs sound a lot alike but I really liked them all.

  1. The Black Dog
  2. imgonnagetyouback
  3. The Albatross
  4. Chloe or Sam or Sophia or Marcus
  5. How Did It End?
  6. So High School
  7. I Hate It Here
  8. thanK you aImee
  9. I Look in Peoples Windows
  10. The Prophecy
  11. Cassandra
  12. Peter
  13. The Bolter
  14. Robin
  15. The Manuscript

This second album is very good but I do not think I have listened to it enough to fully give it a rating. My favorite songs so far include “Chloe or Sam or Sophia or Marcus” because the lyrics are very good and catchy. I also think the same for “So High School” which is a song about her new relationship with Travis Kelce.

Another song that is very clever is “thanK you aIMee” which is a song about Kim Kardashian. Its a song about how all of the rude things that Kim said led to where Taylor is today.

I will give this album a 7/10 so far because I have not listened to it enough yet. I think the first album is better because I like the beats of the songs and lyrics.

REVIEW: ‘Cowboy Carter’ proves Beyoncé really can do anything

By: Charlie St. Dennis

Weeks ago, I wrote in anticipation of Beyoncé’s new album. The singles “Texas Hold ‘Em” and “16 Carriages” had just been released, and producer Killah B was quoted as saying, “Let’s just say, she’s (Beyoncé) on the approach of shocking the world.”

One month later, I can confirm that Killah B was right. ‘Cowboy Carter’ is currently occupying the top 27 slots on the Apple Music Country Charts, all the songs are charting on Global Spotify, became the most streamed album in a single day in 2024, occupies the top spot on Billboard Country Albums, and is headed for a third week at the #1 spot on the Billboard 200 at press time.

In her announcement post, Beyoncé writes that the album “[W]as born out of an experience that (she) had years ago where (she) did not feel welcomed… and it was very clear that (she) wasn’t.” This is in reference to when the Country Music Association Awards invited Beyoncé and The Chicks to perform “Daddy Lessons” from her sixth studio album, ‘Lemonade’. While the performance was acclaimed by critics and also gave the CMAs their highest viewership, many country music fans and audience members criticized Beyoncé’s attendance claiming she wasn’t country enough. As a result of this, CMAA deleted all promotional material and footage of Beyoncé’s performance, succumbing to the hate.

Unlike the Country Music Association, Beyoncé did NOT succumb to the hate, and researched the history of Western culture and country music and its African-American roots. And from that, we were blessed with ‘Cowboy Carter.’

I’d argue that despite having the blessings of country legends, including Dolly Parton, Willie Nelson, Linda Martell, Reba McEntire, just to name a few, this is much more than just a country album. This is not ‘country’, this is a rebirth. For so long, so many music listeners have been blind to the history of country music and the songs that define it. Beyoncé has opened eyes and exposed things that many listeners never knew. For example, Beyoncé covers The Beatles’ “Blackbird” on the album. She features 4 up-and-coming black women in country music: Tanner Adell, Reyna Roberts, Tiera Kennedy, and Brittany Spencer. When people heard the original version, it was said that the song was inspired by the call of a blackbird in India. Paul McCartney, the writer of the song, revealed in 2022 that the “Black bird” of the song should be “interpreted as ‘black girl’” as the song was intended to be a waking call in the Civil Rights movement. It is poetic that Beyoncé is choosing to spotlight black women in an environment that doesn’t always welcome them for this song, considering that is exactly what McCartney was going for.

In the opening track, “Ameriican Requiem,” Beyoncé declares that “there’s a lot of talking going on, while I (Beyoncé) sing my song” and that “there’s a lotta chatter in here, but let me make myself clear.” This sets the perfect tone for the album. It’s a tone of pride and relentlessness. It’s a tone that says “say what you want, but I’m not gonna listen.” We hear songs like “16 Carriages,” “My Rose,” and “Protector,” which affirm Beyoncé’s love of her family, and how she balances her family life. We hear interludes from Dolly Parton, Willie Nelson, and Linda Martell, who give their blessings and introduce some of the album’s more fun tracks, like “Texas Hold ‘Em,” “Jolene,” and “Ya Ya.” We also get a speculated sequel to “Jolene” in “Daughter,” which as of right now, is my favorite song off the album. We hear genre-bending tracks like “Bodyguard,” “Spaghettii,” “Riiverdance,” and “Tyrant,” that playfully explore different genres and mash them together. The album also includes features from industry stars such as Miley Cyrus, Post Malone, Shaboozey, and Willie Jones.

Lots more could be said about the lyrical depth of this album and the deep meaning and thought behind each track, and I think it’s all a very worthy and necessary conversation. I also think this is just really good music. Whether you are a casual Beyoncé fan, or a casual country music fan, you can listen to this album and acknowledge the work and genius behind it, while also acknowledging the beautifully catchy music right in front of you.

‘Cowboy Carter’ serves as a melodious homage to home, to welcoming, and to origin. It’s a perfect 10/10 for me, maybe even an 11/10. I hold the controversial belief that this might just be Beyoncé’s magnum opus. Not because all of the songs are perfect, but because she stepped into an environment where she knew she wouldn’t be fully welcomed, and made room for herself, all while making music that can appeal to everyone.

My favorite tracks as of current are: “Ameriican Requiem,” “Daughter,” “16 Carriages,” and “Tyrant.” If those tracks are all tied for first, all the others are tied for second. Even the interludes aren’t worth the skip. That’s how you know there’s no one in the game quite like Beyoncé.

‘Found Heaven’ album review

By: Sophia Elmstrom

‘Found Heaven’ by Conan Gray is Conan’s third album and most recent one. This album came out April 5th, 2024 and is brand new. This album has 13 songs and is a total of 36 minutes long.

This new album is very out of Conan Gray’s comfort zone, most of his music is slow paced whereas these songs are more funky and amped up. Many of the songs on this new album are inspired by popular 80’s and 90’s music. For example, a song on this album is called
“Eye of the Night” inspired by “Eye of the Tiger”.

The song titles are:

  • Found Heaven
  • Never Ending Song
  • Fainted Love
  • Lonely Dancers
  • Alley Rose
  • The Final Flight
  • Miss You
  • Bourgeoisieses
  • Forever With Me
  • Eye Of The Night
  • Boys & Girls
  • Killing Me
  • Winner

My top three songs on this album are “Alley Rose”, “Bourgeoisieses”, and “Lonely Dancers”. Both “Alley Rose” and “Lonely Dancers” were released as singles before this album came out on April 5th.

“Alley Rose” is inspired by the album ‘Abbey Road’ which was by the Beatles. Conan wrote this while he was on his way home from London after getting his heart broken there. “Alley Rose” is one of my favorites on the album because the lyricism is truly beautiful as well as the music. 10/10

“Bourgeoisieses” is a very upbeat song about the rich. This song is unlike anything Conan has written and I like it very much for that reason. This song is intentionally misspelled and is the “plural” of bourgeoisie. ‘Bourgeoisieses’ makes fun of rich people and Conan says that this whole song is just supposed to be funny. I really enjoy it and it is very very catchy. 7/10

“Lonely Dancers” was a single off of this album and is about getting ghosted and being confused. I like “Lonely Dancers” because of its upbeat and catchy music. I believe that this is the best song off of the album with the best music while “Alley Rose” has the best lyrics. 10/10

Overall, I give this album an 8/10 because it took me a while to get used to the new style of music. If you enjoy 80’s music I would definitely recommend this album because it is a modernized version of 80s music.

OPINION: Why Lauryn Hill is one of the greatest musicians of all time, even with just one studio album


By: Charlie St. Dennis

When discussing music, and hip-hop in general, debates frequently occur asking who the best of that genre is. Honorific titles spread like wildfire, like “The King of Pop” Michael Jackson, “Queen of Soul” Aretha Franklin, and “King of Rock” Elvis Presley just to name a few. One title that was “given” a few years back was “Queen of Hip-Hop” which was given to Lauryn Hill. While I think this is a fitting title, I think Lauryn Hill should be in the conversation of larger, more broad titles, perhaps “Queen of Songwriting”.

The problem I run into here when having these conversations is that people frequently bring up the fact that Lauryn Hill has only released one album. They say this in an attempt to contradict me, saying she isn’t even eligible for these conversations. I, however, think that’s just another testament of what makes her great.

With a running time of 77 minutes, Lauryn Hill wrote all but one of the songs on ‘The Miseducation of Lauryn Hill’ single-handedly. The album explores a number of different genres, ranging from neo-soul to traditional R&B to progressive rap. The meanings and intentions behind these songs range, as well. Songs like “Nothing Even Matters” and “Ex-Factor” address love, while songs like “To Zion” and “Every Ghetto, Every City” discuss motherhood and reflection on the life you lived. We’ll dive deeper into that…

The album went on to hit No.1 on the Rap charts, and on the Billboard 200 Top Albums. Hill also won 5 Grammy awards, including Best New Artist and Album of the Year, becoming the second Black woman to receive the album accolade, and she became the first artist to win the Best New Artist award for a hip-hop record.

She is deserving of these accolades. There is a reason why the album has sold over 20 million copies around the world. That reason is because this is music that is not only catchy, but resonates with people, whether they can relate to it or not. She showed us that you can rap and make catchy songs, but also be vulnerable. Because she tackled these topics, she brought a sense of openness and emotion to the rap industry, which allowed for artists to emote on record. At the time, Hill was just trying to figure out her life, she was only 23. 25 years later, these testaments still remain true.

Songs like “To Zion (feat. Carlos Santana)” not only feature a catchy beat and an ear worm of a guitar riff, but it also tackles the topic of Lauryn Hill having to choose between continuing her career or starting a family. She says on the record that everyone told her “to use her head, but instead I chose to use my heart.” She continued her career as she recorded the album, while beginning the early phase of parenting her newborn son, Zion. This put an end to the narrative that women had to “make a choice”: Successful celebrities like Serena Williams and Cardi B have seen successes in continuing their careers while also being a mother, and credited Hill for giving them the hope that they can.

Songs like “Every Ghetto, Every City” serve as funky autobiographies telling us about the little girl that grew up to become *the* Lauryn Hill. Songs like “Everything is Everything” stand out because just about everyone can attach it to their life, because we can all understand the philosophy that life moves slow but change does come, which Lauryn references in the song when she says, “after winter must come spring.” She also references civil rights leaders like Betty Shabazz, and makes deep connections to the Civil Rights movement, just adding to the deep hidden meaning behind the song. Interestingly enough, now-EGOT winner John Legend started his career playing piano on this track!

Moral of the story, I love Lauryn Hill. I believe that there is more to a song than what you hear upon first listen, and I think this album is a good testament to that. When speaking about my love of Ms. Hill, people often bring up the fact that she’s only released one album and ask me if I want another one from her.

My answer? No. In just 16 songs, Ms. Hill perfectly sums up life. Her life, my life, and our life collectively as a society. The album is perfect, and even though Ms. Hill may not be (she has had her share of controversy and financial issues over the years), she has achieved with one album what many artists fail to do with ten: perfection. This is the perfect legacy to leave behind.

Your favorite artist wouldn’t be in the game today if it weren’t for Ms. Lauryn Hill. And that’s why she is the greatest of all time.