By: Hayden Fitzsimons

In the conversation of the greatest films ever, The Social Network regularly crops up. David Fincher’s 2010 film has been seen as an incredibly perfect film with little to no mistakes within its creative elements. The screenplay, provided by world-renowned Aaron Sorkin, is often seen as the greatest screenplay, or at the very least one of the best to ever grace the earth. With a director such as Fincher, and a writer of Sorkin’s calibre, it seems as if the potential of the film was too good to be true, however, in my opinion, the expectations were sufficiently met.

While I personally don’t see The Social Network to be the best ever, it is without a doubt a masterpiece of some of the highest quality. Fincher is a personal favorite of mine, and his ability to get the best out of his actors once again is exhibited in The Social Network.

Fincher has also always been a director with a very specific visual style, and this style is seen once again in this film. The pairing of a visual director with Sorkin, who is a very dialogue-heavy writer, seems odd on paper, yet when it comes to its fruition the pairing worked wonders. Sorkin’s skills lie within his unparalleled ability to write realistic and attention-grabbing dialogue. So, it’s unsurprising that The Social Network has been praised mostly for it’s dialogue, which is of a quality rarely seen in film.

Comparing The Social Network to many of the other dialogue driven films I’ve seen, I find myself at a loss to fins other films which can rival the quality of Sorkin’s work in this film. The Social Network relies heavily on this supreme dialogue as it is the main selling point, however this isn’t to say the other elements of the film are lacking. It’s quite the opposite; every element of The Social Network rivals the quality of Sorkin’s writing.

The performances from Jesse Eisenberg, Andrew Garlfield, and Armie Hammer (who played two characters, often at the same time) amongst others are all incredible to the point where the viewer may likely forget the names behind the faces and be fully enveloped in their performances. The eclectic editing aids the equally dramatic story to a perfection, all thanks to Fincher’s understanding of camerawork and pacing.

To put it simply, if you haven’t yet seen The Social Network, you should, and you shouldn’t worry about having high expectations as they likely will be met.