Category Archives: Movies/TV/Theaters

‘Freaked’ review

By: Teah Henry

‘Freaked’ is a 1993 comedy written and directed by Alex Winter and Tom Stern. It stars Alex Winter as smug celebrity Ricky Coogin, who is hired by the company Everything Except Shoes, or E.E.S. for short, as a spokesperson to speak against accusations that the company is producing a harmful toxic waste. Sent to South America by E.E.S., Ricky and two of his friends end up taking a detour to visit a freak show, only to find that it’s run by a mad scientist who kidnaps them and turns them into freaks for his show. 

The movie was originally an ‘Evil Dead’ style horror movie starring the band Butthole Surfers. After some rewrites, it became a surrealist comedy more in line with the directors’ MTV show, ‘The Idiot Box’.

When they pitched the film to Fox, Joe Roth was the studio head, and he gave them twelve million dollars as a budget. Unfortunately, Roth would be fired during ‘Freaked’ being filmed, and was replaced by Peter Chernin, who did not like the film and cut the budget.

‘Freaked’ made only $30,000 dollars in theaters, mostly due to the cutting down Chernin and Fox did to the budget and publicity. 

It’s a shame the movie didn’t do well at its release, because it’s one of the most creative comedies out there. It feels like it easily could have become a classic alongside other movies such as ‘Monty Python and the Holy Grail’.

It’s surreal humor features jokes where an outhouse is humongous on the inside, or how the villain character can’t hear a loud crash but can hear a styrofoam cup falling to the floor. It never misses a beat with the laughs, and the script is actually pretty smart with some jokes being cleverly set up in the beginning of the movie, only for the punchline to appear near the end. 

If the humor isn’t your thing, its special effects are worth watching the movie for on their own. Done by three different companies, the effects in ‘Freaked’ create an ensemble of people turned into freaks such as a human worm and a man with a nose bigger than his face. It’s all done incredibly well, especially the make-up for Ricky Coogin, once he’s turned into a half-human, half-beast. It was even nominated for a Saturn Award for best make-up. 

Despite its troubled release, ‘Freaked’ has become somewhat of a cult hit. It’s not available anywhere to watch officially, but the movie has been uploaded on YouTube in its entirety and has nearly one million views. Most people that have seen it agree that it’s a good movie while being very, very weird. 

‘Freaked’ is a look at how films and their creators can get shortchanged by a big studio, but luckily, some films are able to gain a decent fan base based simply on the quality of the movie alone. If you need a movie to watch, ‘Freaked’ is a good one to check out. 

‘The Last Man On Earth’ review

By: Bijou Kruszka

Phil “Tandy” Miller is the last man on Earth. The year is 2020, and he has found himself alone due to a global pandemic. Yeah, you read that right. This 2015 comedy series somehow predicted COVID-19, and it’s one of the best shows to watch while quarantining.

Let’s start with the characters. Tandy, played by Will Forte, is the main character. The pilot follows him in his post-apocalyptic life. He spray-paints billboards across America, saying that he is alive in Tucson, Arizona. He talks to sports balls with faces on them, after watching Tom Hanks in ‘Castaway’.

He is in peak despair when he finds Carol Pilbasian, played by Kristen Schall, the believed last woman on Earth, and my favorite character.

As the series goes on, the cast expands, all with their own interesting personalities and arcs. One of my favorite running jokes in the show is that a celebrity comedian will be introduced, only to get killed off halfway through their first line.

The show is hilarious, but also still dark. Of course, the central cast are the last people on Earth, and they have to deal with all sorts of consequences because of it. They are forced to flee from their homes because of nuclear meltdowns, there are hardly any animals left, and they have to deal with trying to repopulate the planet, and that barely scratches the surface. The series does a great job balancing the seriousness of living in a post-apocalyptic world though and the humor of being a sitcom, which many other shows struggle to do.

Later on, we meet Pamela, played by Kristen Wiig. Pamela is special because her first episode features none of the central cast, just her, in a prologue before the virus killed everyone.

In “Got Milk?”, the 10th episode, of the 3rd season, we follow life as the pandemic spreads, and the parallels to COVID-19 will make you wonder how much of the writing staff had the ability to see the future. People everywhere are seen wearing masks. Pamela goes grocery shopping in a homemade hazmat suit, and all the aisles have been heavily picked over. She keeps saying over time that the vaccines are going to come any day now. This episode is almost unsettling to watch, considering it aired in 2017.

Of course, no show is without its flaws. The first season is incredibly rough, as they are trying to introduce all the characters, but over a span of an entire season. Plus, Tandy is completely unlikeable until the second season. He’s a self-centered, rude person who can’t stop lying, which is one of my least favorite tropes. But as the seasons go on, he becomes funny, he cares for people, and sure, he still lies for plot reasons from time to time, but it’s more justified.

In 2018, the season 4 finale aired, ending with a huge cliffhanger that I won’t spoil here. Unfortunately, after that, NBC cancelled the show, letting fans suffer on the unresolved plotline forever. I do hope that the show gets picked up again, and that it will get a good ending.

My final rating for ‘The Last Man On Earth’ is an 8/10.

‘Death Note’ recommendation 

By: Mohamed Ahmed 

‘Death Note’. Have you heard of if?

No. All right then, this article is meant to see if you would like ‘Death Note’. 

‘Death Note’ is an anime/manga series that aired back in 2006. It was a very successful manga and had a live action based of the anime adaptation. 

The story of ‘Death Note’ revolves around a high school student named Light Yagami. He lives a decent life, his dad is a cop and makes enough to support him and his family. He was a genius and school was a breeze.

One day, when he looked out the window, he saw a book fall from the sky. That was when he discovered the Death Note.

I won’t explain the terms or conditions, but in the end, he makes a deal with a shinigami, otherwise known as a god of death in Japanese folklore. Know that shinigami are not the grim reaper or Satan. They’re are not pure evil or good either. 

Then he murders hundreds of criminals before catching the eye of L, the world’s best detective. L proceeds to narrow down the suspects of who Kira.(Light’s nickname) is.

The rest of the show is a mind game where Light has to find ways to prove that he is not Kira, and the extreme lengths he goes to hide that he is a mass murderer.

The characters in this show aren’t one dimensional and are based in reality. They have problems and other things going on in their life. They have issues, priorities, and they all come together to make the story realistic and feel like reality. For example, the police chief is shown to have other responsibilities along with his police work that focuses on Kira. His whole life, and story line, isn’t just connected to the Kira case.

The thing that makes ‘Death Note’ so intriguing is the moral dilemmas in the show. There are naive, sadistic, and morally ambiguous characters.

To what extent is it okay to go to catch a criminal? How much are you willing to sacrifice for the greater good?

Human nature, morality, and greed are major themes in ‘Death Note’. 

If you like mind games, thrillers and supernatural elements in your story, then just give ‘Death Note’ a chance.

Review on Netflix’s ‘100 Humans’

By: Joxery Mezen Camacho

While I was browsing Netflix, the show ‘100 Humans’ came up.

The slogan “Life’s Questions. Answered.” is what compelled me to click on it and see what the show is about.

The Netflix synopsis states that the show has humans of different backgrounds partake in a multitude of experiments that explore different aspects of life. This easily convinced me to watch it because of my heavy interest in psychology. 

The show looked at people’s difference in abilities and in perspectives. The whole thing is set out to be a social experiment. The experiments done on these 100 humans were all quite interesting, and the reasoning behind most of them did make me interested in watching to the end to find out the results. However, at times the experiments didn’t use all of the 100 humans available which made their end results to be less accurate. 

I would also say that 100 humans doesn’t mean 100% accuracy on the end results, since there are over 7 billion people living in this world. Nevertheless, the topics and questions that are brought up do make one question and reflect what their own perspectives are and what society’s perspectives are. The show did this by bringing in people who are knowledgeable about the different topics mentioned to further speak about them and explain what the results meant, and why those were the results they arrived at. 

The experiments done were also quite interesting. Many of them were funny, and some took a more serious approach. But overall, they were all light-hearted.

The show went through a few experiments each episode and would switch off from each as everything went on. I didn’t mind the approach and thought it worked well because it left little room for boredom of a question. 

The show was funny and interesting and the episodes were about half an hour each. And while the show and experiments weren’t all that accurate, and could’ve probably been done better, I liked most of the questions they posed and how they made me think and reflect on the experiment results.

I’d rate this show a 9/10. 

Remy the Ratatouille: how a TikTok trend became a full musical

By: Bijou Kruszka

It’s the year 2007, and the Pixar movie ‘Ratatouille’ just came out in theaters. Now, nearly 14 years later, the musical version of the movie, composed by TikTok creators, is performed by Broadway actors. How did we get here?

It all started with Emily Jacobson in August of 2020, who had just read an article on a new ‘Ratatouille’-themed ride at Disney World, according to an Inside Edition interview with Jacobson. She started singing an improvised song about the main character, Remy, and decided to post it to TikTok. The song’s lyrics were “Remy the ratatouille, the rat of all my dreams. I praise you, oh ratatouille. May the world remember your name.”

In a Buzzfeed interview, Jacobson said that she had “pretty much forgotten about it” until 2 months later, when she “woke up to hundreds of notifications.” The song had blown up and got the attention of composer Daniel Mertzluff. Mertzluff added ensemble-like vocals and instrumentation to Jacobson’s song, and pitched the idea of a ‘Ratatouille’ musical.

People all over TikTok quickly jumped on to this idea, composing songs, choreographing said songs, dreaming up costume and set designs, and even creating a Playbill cover. The 15-second song, consisting of 4 short lines, had somehow created an entire community on TikTok.

In the Buzzfeed interview, Jacobson stated that she was concerned that she was going to get copyrighted by Disney, but Disney seemed to encourage the trend. Patton Oswalt, who voiced Remy in the movie, showed his support as well.

In December of 2020, it was announced a virtual performance of this ‘Ratatouille’ musical would be live streamed, with the proceeds going to the Actors Fund, which benefits actors, especially during the pandemic. The production streamed from January 1st to January 4th, and it raised $2,000,000 for the Actors Fund.

The performance starred Titus Burgess as Remy, Wayne Brady as his father, Andrew Barth Feldman as Linguini, Ashley Park as Colette and Andre de Shields as Anton Ego. The show got good reception, with critics agreeing that though it was odd, it was very enjoyable.

In the end, we can see that somehow ‘Ratatouille’, in the middle of a pandemic, pulled thousands of people together to create something. Perhaps, Remy really is the rat of all our dreams.

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‘Bachelor’ host Chris Harrison defending a racist contestant

‘Bachelor’ host Chris Harrison came under fire after an interview with Rachel Lindsay, on ‘The Extra’, defending one of the contestants, Rachel Kirkconnel’s racist past. Kirkconnell was photographed dressed as a Native American at a South Antebellum Plantation-themed fraternity formal in 2018, she liked racist posts, and shared QAnon conspiracy theories (that falsely claimed that former President Trump is facing down a shadowy cabal of Democratic pedophiles) online.

The Antebellum period was from the late 18th century until the start of the American Civil War, in 1861. During those years, societal standards were created establishing ideals of Southern white manhood and womanhood. The Antebellum parties of the Old South are celebrations of the Antebellum-era and the Confederacy. Attending these parties, or throwing one, is symbolizing and paying respect to the Confederate South and the violent racism of that era.

Here is the interaction between Harrison and Lindsay on ‘The Extra’ about the photos of Kirkconnell: 

Harrison: “Well, Rachel, is it a good look in 2018? Or, is it not a good look in 2021? Because there’s a big difference.”

Linsay: “It’s not a good look ever.” She added, “If I went to that party, what would I represent at that party?”

Harrison: “You’re 100 percent right in 2021. That was not the case in 2018. And again, I’m not defending Rachael. I just know that I don’t know, 50 million people did that in 2018. That was the type of party that a lot of people went to. And again, I’m not defending it. I didn’t go to it.”

After facing criticism about his comments. Harrison’s took to Twitter and Instagram the following day posting: 

“To my Bachelor Nation family — I will always own a mistake when I make one, so I am here to extend a sincere apology. I  have this incredible platform to speak about love, and yesterday I took a stance on topics about which I should have been better informed.”

The following day, after weeks of being silent, Kirkconnell apologized on her Instagram for not recognizing “how offensive and racist” her actions were. She wrote:

“I am sorry to the communities and individuals that my actions harmed and offended. I am ashamed of my lack of education, but it is no one’s responsibility to educate me”, She wrote, “If you are a person who doesn’t understand the offense in question, I urge you to learn from my mistakes and encourage you to use them as a teachable moment.”

The female contestants on the current season, the most diverse group of contestants in the franchise’s history, took a stand in support of Lindsay and condemned the defense of racism. 

“We are the women of ‘Bachelor’ Season 25,” the women posted. “Twenty-five women who identify as BIPOC (Black, Indigenous, and people of color) were cast on this historic season that was meant to represent change. We are deeply disappointed and want to make it clear that we denounce any defense of racism. Rachel Lindsay continued to advocate with grace” they added, “We stand with her, we hear her, and we advocate for change alongside her.”

After the backlash from Harrison’s interview, he announced in an Instagram and Twitter post that he will be stepping aside for a while to get educated on a more profound and productive level, and that also, he will not join the “After the Final Rose” special.

In the interview Harrison did with Lindsay, I think what he wanted was for everyone to give Kirkconnell a chance to speak out, but then he went on to defend her racist actions and said since it was back in 2018 her actions should be excused. Attending an Antebellum party is not a good look ever, and being in attendance at this kind of party is offensive and racist, even if it was 5 years ago.

Even though I think Kirkconnell’s apology was sincere, white people in her comments are excusing her behavior saying “You did nothing wrong” and that Lindsay is the one who should be apologizing. Due to the negative and racist messages that have been sent to Lindsay, the one who did Harrison interview, she has had to delete her Instagram.

When someone apologizes for their racist actions, or for saying the N-word, white people should not decide what was racist or accept the apology; the apology is not for you. Kirkconnell didn’t offend you, and instead of Kirkconnell being held accountable for her actions, Lindsay had to delete her Instagram because of the racist messages she received.

Review on documentary: ‘Dolores’

By: Joxery Mezen Camacho

“Then we see the racism that we’re looking at today, we see the misogyny, homophobia and all that. And that’s because our histories are not being told, they are not included in our school books. So then what happens is that people will  grow up ignorant of the contributions of people of color or of women or of the LGBT community, of labor unions, etc. We have this abysmal ignorance of women inside America. I think that it’s not only important for women, but it’s important for our  whole society that our stories be told and that our victories and our achievements can be recorded in history. “ – Dolores Huerta, Huffington Post

Dolores Huerta has spent most of her life being an activist; however, many don’t know who she is or find her to be a subordinate when compared to her work partner, Cesar Chavez. This documentary shows her life as a dedicated activist and the problems she had to face because of it. 

The documentary mainly focuses on her time spent making change for farm workers through the Farmworkers Movement in the 1960’s. However, it begins retelling her earlier years of when she wasn’t an activist. We’re shown the inequality and the state of the society she lived in. The documentary captures it well. It also captures her want to do something about it by showing her actions and everything she has to sacrifice. 

It goes on to further show her sacrifices and struggles in her work as an activist through videos. Some showed the sexism she faced and the difficulties that came with being a single mother. Some of her children are also in the documentary, and they speak of their own perspectives and thoughts. This helped when trying to understand the struggles that come with the dedication of activism. 

The documentary pays careful attention to the outside things that impacted Huerta’s work, such as the people who worked around her and those that she met through her work. We see her grow as an activist and as a person who becomes more confident. 

Once the end of the documentary is near, there is a focus on who Huerta has become and what she has accomplished, as well as her own opinions on the way she has lived her life. 

Overall, the documentary uses a good mix of interviews of people in Huerta’s life, historians, past interview clips, and commentary in order to get her story across. It was able to captivate my interest and had many scenes where I felt as though I was actually there experiencing the events unfolding.

I give the documentary a 10/10 and strongly recommend it for its ability to show different perspectives while keeping everything interesting and informative. 

I believe that this documentary is important because it spreads the importance of who Dolores Huerta is, giving her the credit she deserves. 

‘The Lorax’ movie analysis

By: Ellie Mulvaney and Irene Cohen

Many children’s movies are made with themes that are much less superficial than the frivolous, kid-friendly plots that house them. Often, messages and lessons are disguised in how the characters interact and the way conflict is resolved in order to teach life skills in an intertwining way. ​’The Lorax’,​ originally written by Dr. Seuss, and directed by Chris Renaud, is no exception.

The story follows one Ted Wiggins, a teenage boy living in a seemingly perfect town, though one that is almost entirely artificial. In his quest to find a real tree for the girl he likes, he travels outside the gates of town, against the wishes of the mayor, and antagonist, Mr. O’Hare. He finds a barren and dead landscape, and a man by the name of The Oncler, who retells the story of how his business ruined the surrounding land, resulting in the fake city with no real plants that Ted lives in.

In this, the viewer sees the once thriving ecosystem that once existed, and the Lorax, a creature who protected it. As The Oncler went against the Lorax’s demands to leave the trees alone, we can see the depleting resources for the animals who live there, and the further destruction as the company becomes more large scale. By creating these animal characters, that children come to befriend during the former half of the film, it builds their empathy for when these same animals eventually have to leave what was once their home due to the pollution.

The film even includes a famous Dr. Seuss quote spoken by The Oncler; “Unless someone like you cares a whole awful lot, nothing is going to get better. It’s not.” By teaching children the importance of their actions and their own effect on the world they live in, ‘The Lorax’ film effectively helps raise an awareness of oneself in the future generations, and an understanding of the human footprint on our planet.

Much like in the real world, the depletion of these natural resources, the Truffula trees, and resulting pollution is not the goal, it is a mere side effect of the Onceler’s greed. The Onceler doesn’t care about anything other than his objective of being as wealthy as he can possibly be, no matter the consequences.

In the beginning of the movie, the Onceler is not respected by his relatives because of his lack of his success, but as the plot progresses, and he makes more and more profit off of the Thneeds he produces, he begins to gain their respect. This criticizes our society’s standard of success, because even though his production of these Thneeds is devastating the environment, it doesn’t matter as long as it is “helping the economy.”

In the song “How Bad Can I Be?” it is explicitly stated by the Onceler what he thinks is important in life. It says:

The people with the money (people with the money) Make this ever-loving world go ’round
So I’m biggering my company, I’m biggering my factory, I’m biggering my corporate size.

Everybody out there, take care of yours and me? I’ll take care. of.
Mine, mine, mine, mine, mine.

This is an excerpt from the song. We see that the Onceler knows that the people in power are the people with the money, so he will continue to expand his company at the cost of decimating entire forests of Truffula trees and polluting the ecosystem. He believes he should be able to continue this pollution in the name of his company without anyone criticizing him so he can continue generating profit.

All of this ravaging of the ecosystem results in the extinction of Truffula trees, which were the main source of oxygen for the people of the town. Since this natural resource is now scarce, Mr. O’Hare takes advantage of this and commodifies oxygen, a basic right. He begins to sell bottled oxygen to the citizens of his town, something that was once free and natural is now just another commercialized item.

‘The Lorax’ movie cautions its viewers of what capitalist greed could ultimately lead to. When those in power are those who control the economy, society will not progress. To be in control of the economy, you first have to let go of human decency in order to exploit and ruin the lives of others. Basic human rights should never be commodified or considered a luxury.

‘The Departed’: Rat and mouse

By: Hayden Fitzsimons

Scorsese’s 2006 film, ‘The Departed’, was a hit when it came out and maintained its popularity to this day for a very good reason.

Leonardo DiCaprio plays Billy Costigan, an intelligent police academy reject, and Matt Damon plays Colin Sullivan, an academy graduate who quickly climbed the ranks to sergeant. Billy becomes an undercover cop in crime boss Costello’s, played by Jack Nicholson, Irish mafia. However, Sullivan is doing the exact inverse as he acts as a rat for Costello, within the Massachusetts State Police. From here, their paths repeatedly cross and both spiral deeper and deeper into an ever-increasingly unstable rivalry.

Scorsese is able to lead his cast through a winding story headed by Jack Nicholson’s incredible performance as a purely evil and steely villain. Matt Damon and DiCaprio deserve just as much praise as they both perform excellently in two extremely tense roles.

As the film continues, an initially somewhat regular plot grows complex as both main characters continually are put in situations where they seemingly have no way out, yet always come out on top. This sort of plot allows the entertainment value of the film to increase and increase seemingly without end, at least until the film itself ends.

The film from the very beginning demands the viewer’s attention, as it is very hard to not be glued to the screen throughout the entirety of the film. In a constantly changing plot, the viewer is able to find some stability in ‘The Departed’s’ characters. All of the important figures remain as they were in the beginning, as the only real differences in how they act are simply their increasing suspicion and panic as their worlds’ walls inch closer and closer.

‘The Departed’ seems predictable enough, however the viewer often has enough time to predict what happens next. In a lesser film, the viewer would be able to discern the next story beat, yet in  ‘The Departed’ it’s almost as if it plays too fast for your brain, and you yourself are dragged along by the enigmatic trio.

When it comes to predictability, if you were able to see the ending’s multiple shocking turns coming, I’d have to say that you’d be a genius. If there is ever a movie that manages to take the film trope of two or more characters’ individual lives eventually entangling, it’s ‘The Departed’.

​The danger of high school movies

​By: Annika Getz

There are countless movies revolving around high-schoolers, and middle-schoolers, and their many adventures and misadventures. These movies appear to be harmless on the surface, but when one thinks about the material in said movies, and the results they have on real teenagers, it’s evident that they are more harmful than they seem.

For starters, there’s a significant lack of diversity in most of these movies. The majority of the time, the main characters are white, cisgender, able bodied, and straight. It is this exclusion of races, sexual orientations, and gender identities, which results in straight, cis, and white, being seen as a sort of default.

However, it’s not just the lack of diversity which makes these movies detrimental to teenagers. Another big issue is that they’re often very dramatized. The situation which the characters are placed in are more often than not, extremely unrealistic. This sets an impractical expectation for kids going into high school and middle school. School, in real life, often seems boring in comparison to the films that teens have watched leading up to it.

Many movies also include a “quirky girl” trope. This trope creates a girl who is supposed to break stereotypes, but usually it is not carried out well, and ends up only perpetuating said stereotypes. The “quirky girl” is often portrayed to be unlike other girls, however this implies that most girls are stereotypical “girly girls.” It also degrades those who are like that.

These movies also dramatize cliques, many times even giving names to each specific one. When this is done, it only enforces the idea that everyone has to fit into a specific group in order to enjoy their experiences in middle school and high school.

And while there are groups of friends, it normally isn’t as dramatic as it is in many of these movies (this is of course only my experience, and I’m sure there are some people who have undergone different experiences).

I believe another large issue with these movies is that they are not typically made with teenager’s best interest in mind. Oftentimes, they’re just capitalistic money grabs, fueled by corporate greed. This means that they aren’t made with the viewers wellbeing in mind. And sometimes, regardless of the creators intentions, these movies still have some sort of negative influence on the teens watching.

I’m not saying that high school movies are inherently bad. There certainly are some good ones, but sometimes, it feels like for every good one, there are ten bad ones.

Given everything I’ve just listed, I think it’s incredibly important that directors and writers make sure to keep the wellbeing, of their teenagers watching, in mind when making these movies, because when they don’t, they more often than not, end up harming their target demographic.