History of R&B music

By: Fletcher Pike

Photo by Nascimento Jr. on Pexels.com

Many might know about the popular music genre of R&B, popularized by several artists such as Lauryn Hill, Michael Jackson, and Whitney Houston. But some might not know of the history of this music genre and how it became so popular today. In this article, I plan to go over the basic history of R&B, and some notable figures who influenced this unique genre of music.

In the 1920s-1930s, a large number of African Americans migrated to urban cities and industrial areas such as Chicago, Los Angeles, and New York City, which created a brand new market for music such as jazz or blues music. “Race music” was the term that was used to initially describe music that was made by African Americans, but the term later acquired a racist interpretation.

In 1949, writer Jerry Wexler substituted the label “rhythm and blues” which would later become the title of R&B music, as R&B stands for rhythm and blues.

Ruth Brown (Jan. 12, 1928- Nov. 17, 2006), also known as “Miss Rhythm”, was a popular R&B singer who released music throughout the 1950s. After the release of her first recording, “So Long”, she became one of the most notable female R&B singers of the 1950s. She brought many pop genre elements to the R&B genres, which influenced many artists in the future.

In the 1960s, African American made music shifted from its primary theme of blues music and shifted to more gospel styled music. “Soul” was the title that many African Americans called this style of music in 1964, which captured the emotional value of this genre.

Since then, R&B has evolved to adapt more modern elements, especially in the 90s and 2000s, with artists such as Mary J. Blige, Aaliyah, Lauryn Hill, and Alicia Keys bringing modern-pop elements to the R&B genre.

The genre itself can be usually characterized by its combination of many different genres, such as blues, jazz, pop, and gospel, with slow rhythms and emotional lyrics. 

I hope that this article taught you about some of the history of the R&B genre as well as some of the different artists that popularized this genre. 

If you want to learn more about the history of R&B music, check out this link: https://www.britannica.com/art/rhythm-and-blues

The Northern Cities Vowel Shift

By: Maggie Hong

Image created using Canva AI

If you think the Midwest isn’t an important part of the English speaking world, think again. The largest change to the English language since the time of Shakespeare is happening right here, in the upper Midwest.

Think of a typical Minnesotan accent. Someone might say ‘bayg’ instead of ‘bag’, or ‘melk’ instead of ‘milk’. These aren’t just regional pronunciations; they are markers of a big change to the way we speak English.

When we pronounce words like ‘bag’, ‘milk’, ‘cat’, and ‘bit’, we form vowel sounds using a certain position of our mouth. All our vowel sounds, though they were in use for centuries before, were firmly established during the Great Vowel Shift throughout the 15th century. They’ve remained mostly the same since. Now, in cities surrounding the Great Lakes region, they are changing.

Vowels are organized in a sort of carousel, corresponding to where in the mouth they are pronounced. Vowels like the one in ‘bat’ are pronounced near the back of the mouth, while ‘bot’ is pronounced at the bottom of the mouth. When one vowel moves out of its spot, say from the back to the bottom of the mouth, the rest follow it. The vowel which was pronounced at the bottom of the mouth moves to the front, the one from the front moves to the top, and so on.

In the northern cities, this began with the vowel in ‘bat’, known as the trap vowel. The trap vowel, which was pronounced in the middle of the mouth, began to get longer, now sounding like the vowel in ‘yeah’ or ‘mia’ and resulting in the Midwestern pronunciation of ‘bayg’. As the trap vowel moves up, it occupies the space once held by the ‘kit’ vowel. ‘Kit’ moves down, now being pronounced with the vowel in ‘dress’, and resulting in the Midwestern pronunciation of ‘melk’. This continues until every vowel sound has shifted.

The resulting set of pronunciations defines the Midwestern accent. And although English speakers around the world have accents, the Midwestern accent is the most significant because it is a chain shift. In the British or Australian accent, vowels move one at a time. The change is small. In the Midwest, they shift in a chain reaction, each move prompting another. No such chain shift has occurred on a large scale since vowels were first established in the 15th century. So, the next time you hear someone say ‘melk’, you are witnessing a historic moment for the English speaking world: the Northern Cities Vowel Shift.

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