Minnesota Legislative session: What a mess!

By: Charlie St. Dennis

Image taken from Wikimedia Commons

The Minnesota Timberwolves won their playoff game against the Denver Nuggets on Sunday, May 19th, successfully moving on to the Western Conference Finals against the Dallas Mavericks. While many Minnesotans celebrated at home, bars, or watch parties, a small group of Minnesotans were stuck at the State Capitol working tirelessly to pass as much legislation as they could before the end of the session, which occurred at 12am on Monday, May 20th.

For those who are unaware, Minnesotans are put into state legislative districts, which typically consist of roughly 85,000 people per senate district, and about 42,500 per house district. We elect these leaders, and the current state makeup is 70-64 with a DFL majority in the House, and 34-33 with a DFL majority in the Senate as well. Having such narrow majorities in both legislative bodies makes it incredibly difficult for legislation to pass, because it means you need *every* DFLer on board, or your legislation might die.

Unfortunately, that happens often. I’ll start reviewing this past legislative session with what I consider the *wins* for Minnesotans. Powerful bills challenging oppressive institutions, like the Minnesota African-American Family Preservation Act, introduced in the house by Rep. Esther Agbaje (DFL) gained bipartisan support from DFLers and Republicans alike, including Sen. Bobby Joe Champion (DFL) and Sen. Clare Oumou Verbeten (DFL), and Rep. Walter Hudson (R) and Sen. Jim Abeler (R), who ended up sponsoring this important piece of legislation. The goal of this legislation is to promote family reunification and appropriate social services for disproportionately affected African-American families.

They were also able to work with intergovernmental relations from the Minneapolis City Council and passed worker protections legislation for Uber/Lyft drivers. They also passed HR1989, a billed lovingly nicknamed the “Taylor Swift Ticketing Bill,” which was a bill basically saying that companies like Ticketmaster and AXS must disclose ticket prices with fees included, instead of just revealing right as people pay.

While this may not sound like a lot, you’re right, it’s not. I skipped over some of the really boring stuff, but mostly this year had a pretty blank slate, at least until the last day. The DFL realized they had a lot of work left to do due to some long, unnecessary debates from the Republicans. This leftover work notably included FairVote Minnesota’s Local Options Bill, which guarantees ranked choice voting as an option in local elections across the state. In addition to this, many activists and DFLers across the state were pushing for the Equal Rights Amendment to pass, which had been pushed to the last week of session for a second year now.

The DFL wanted to accomplish all of their legislative goals before that upcoming midnight deadline, so their solution was to make multiple omnibus bills, which means to combine pieces of legislation together and speed up the process. Once combing these omnibuses, they put it into one big omnibus: not so lovingly nicknamed “Omnibus Prime” or the “Megabus.”

This was appalling to Republicans. Despite admitting last year that they don’t read the bills (they accidentally legalized cannabis), now they suddenly care about having time to read this legislation. When Speaker Melissa Hortman (DFL) recognized a motion from Rep. Jamie Long (DFL) for a roll call vote, Minority Leader Lisa Demuth (R) began yelling “Madam Speaker!,” questioning her integrity as she thought she was not following the rules, along with several other Republican colleagues. This yelling went on for upwards of 30 minutes, which successfully left the legislature out of time to pass any legislation on to the Senate.

While I agree that the “Omnibus Prime” package was a lot to deliver on the final night of session, I also believe that Speaker Hortman, who has served in the House for 20 years now, is a reverent leader who knows what she’s doing. She recognized a motion, as she should, and they were going to begin a roll call vote, as they should. Because the *Republicans* didn’t understand the rules, we weren’t able to get nearly as much done this session as we could’ve. Although, despite not having the greatest record this past session, this has been the most productive biennium in 50 years.

My message for Republicans: you do not get to spin the rules just because they aren’t in your favor. You do not get to throw a hissy fit because you don’t want to progress our state. And lastly, the voters in November will look at the TV ads, campaign mailers, and lawn signs for your candidates and legislators and think of the way they acted like toddlers once given a position of power. And best believe they will vote accordingly.

‘When The Pawn…’ by Fiona Apple album review

By: Fletcher Pike

Fiona Apple’s unique album ‘When The Pawn…’ came out in 1999 and featured 10 songs total with a total length of 42 minutes. This album was released following Fiona’s hit album ‘Tidal’ which came out just a few years before in 1996. The full title of this album is actually a 90 word poem that is featured on an overlay on the album cover. In this album, Fiona Apple incorporates piano elements into most of her songs with pop-style jazz beats and features her distinct smooth alto voice.

Track 1: On The Bound

The first song on this album, “On The Bound” begins with a swing beat with a heavy piano melody accompanied with electric piano undertones. The chorus shifts into an elegant beat with added string instruments as Fiona howls echoed lyrics. I loved this song a lot and I think it was a great opening to this album. I think that this song deserves a 10/10.

Track 2: To Your Love

The following song, “To Your Love” features vibrating and scaling vocals with a classic drum beat and fast piano hits. I did like the melody but personally this song didn’t stand out as much as the other songs on this album. It was still a really enjoyable song and I would rate it a 9/10.

Track 3: Limp

“Limp” starts with a simple growing piano melody with increasing intensity that explodes into sections with loud drums and a note-descending saxophone. I really loved the drums on this song and how the intensity increased as the song continued. I thought that this song was very pleasant to listen to and I rate it a 9.5/10

Track 4: Love Ridden

“Love Ridden” is a solemn tune compacted with emotion including a mostly piano and vocal composed melody. Stringed instrument undertones add depth to the song. I found this song to be very touching, with Fiona’s emotive and powerful vocals. I really liked this song overall and I would rate it a 9.5/10.

Track 5: Paper Bag

“Paper Bag” begins with a slower scratchy drum beat with a vinyl-like effect over it, with Fiona’s scaling and staccato vocals entering shortly after. I loved how this song was put together and I found the lyrics to be very interesting, which talks about how hope can lead to disappointment. I think this song deserves a 10/10 for the melody and intriguing lyrics.

Track 6: A Mistake

“A Mistake” starts with an electric organ with scratchy brass elements. I overall thought that this song was pretty great, but it didn’t really stand out to me. I liked the melody and the electric organ that was used in the song, so I think that this song is a 9/10.

Track 7: Fast As You Can

“Fast As You Can” is the hit single from this album. The song includes a racing tempo with quick piano hits that stops at slow segments during the song that picks up as it continues. I enjoyed the faster tempo on this song, as it grabs your attention right away with the march-style drums and vibrant theme. I think that this track has to be one of my favorites on the album and I rate it a 10/10.

Track 8: The Way Things Are

The song “The Way Things Are” begins with a wavy synth instrument shifting into a roaring heavy guitar and a classic drum beat. I liked the addition of the heavy guitar since it made it stand out from the other songs on the album. I think that overall this song was pretty good to listen to, and that I rate it a 9.5/10

Track 9: Get Gone

“Get Gone” begins with a tranquil piano and an ambient brushed drum beat that transitions to a louder drum set and piano sounds with string instrument undertones. I was a big fan of Fiona’s vocals in this song and the duality between dynamics. I loved the melody of the song and the different instruments used in this track. Parts of this song reminded me of some vintage jazz songs, which I admired a lot. This is a really great song, and I think it’s a 10/10. 

Track 10: I Know

‘When The Pawn…’ ends with a slow and melancholy rhythm with an ambient piano under Fiona’s gentle vocals. I think that it was a fitting song to end this album, and I enjoyed the vocals in this song. This was a great finish to the album, and I rate it a 9.5/10.

‘When The Pawn…’ is by far one of my most favorite albums by Fiona Apple. I find that the creativity and uniqueness that she incorporates into her songs makes her stand out as an artist. These songs were full of different kinds of emotions that I found to be interesting to listen to. Overall, I think that this album is a 10/10.

Sports schedule for: Jun 3-8

ATHLETIC EVENTS SCHEDULE: JUNE 3 – JUNE 8  
MONDAYJUNE 3 
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TUESDAYJUNE 4
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WEDNESDAYJUNE 5
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THURSDAYJUNE 6
TIMEBUS TIMESEVENTLOCATION
10:00am Boys Tennis State TournamentBaseline Tennis Center
FRIDAYJUNE 7
TIMEBUS TIMESEVENTLOCATION
TBD Boys Tennis State TournamentBaseline Tennis Center
9:00amTBDTrack and Field State Meet PrelimsSt. Michael-Albertville High School
SATURDAYJUNE 8
TIMEBUS TIMESEVENTLOCATION
9:00amTBDTrack and Field State Meet FinalsSt. Michael-Albertville High School