By: Ricky Perez Cardoza

‘UTOPIA’ by Travis Scott is a Rap album released this year, and is the highest-selling album of 2023, breaking records of weekly sales in the world. ‘UTOPIA’s’ starting track “HYAENA” is one of the best intros for an album we’ve had in a long time. We get a very industrial sound after the great sample at the start where Travis raps on this raging beat through the whole song with an amazing flow and flow switches. The main sample of this track is from: the Chronicle grime “Career Cats Get Tiger Suits”.

We then go onto the next track titled “THANK GOD”. This track is where Travis talks about people calling him a “satanist” for past events, Thanking god for his life, and proving to everyone that he is a Christian. That’s the first part of the song. In the second half, we get a great transition with amazing vocals by Travis to bring back some of the effects ‘ASTROWORLD’ had back in 2018, and this is where the rapping picks back up with him going off on how he isn’t stressed or pressured into what the people might think about his new sound.

The next track “MODERN JAM” (feat. Teezo Touchdown) is exactly what it’s named, a very modern jam with very questionable lyrics and a very bumpy beat that Travis still raps nicely on. The real star on this song is Teezo Touchdown when he starts singing, sounding almost like Freddie Mercury (fun fact: this song uses a scrapped beat from Kanye West from 2013).

Now the track “MY EYES” is easily one of Travis’s best songs. It starts slow with a more chill beat. This part of the song is great even with a vocal feature from Sampha, but what most people talk about is the amazing transition into his next beat where he goes all out in his rapping and storytelling. He references his ex Kylie Jenner, he talks about his Astroworld accident as well, saying how he would jump off the stage to save a kid and how he replays those nights when 7 people died at his concert.

“GOD’S COUNTRY” is the next track where Travis uses another beat/song by Kanye West originally. This song like “THANK GOD” references the Bible and also talks about his loyalty to God, and is also one of the shorter songs on the album.

The next song “SIRENS” is where the hype comes back with a perfect rapping performance from Travis on a beat around the sample from a Zambian artist: Amanza-nsunka Lwendo with added hard-hitting bass and drums to add to the already amazing instrumental. We even get some of the best synths on the album by Mike Dean. The real hype in this song is at the end when we hear Drake talking about his utopia.

“MELTDOWN” (feat. Drake) is easily the most hyped-up song on the album mostly because of the almost ‘Star Wars’-type beat and Drake delivering as usual. Most people compare this song to “SICKO MODE” because of how similar and great both songs are. Both Drake and Travis delivered some of the best bars of the whole album in this song making it one of the best. The hype built up to this song is levels above anyone right now.

Once again Travis showed us that he is easily one of the most versatile rappers in the game by going a different route on the song “FE!N” (feat. Playboi Carti) this song is all about rage. There is no storytelling, little bars, and mostly consists of mumble rap for the entire song. What makes this song so different from the rest is its beat focusing on synths and pure raging drums and 808s.

“DELRESTO (ECHOES)” (feat. Beyoncé) is the next song. It almost sounds like a scrapped song from Beyonce’s recent album ‘Renaissance’ and given that it’s Beyoncé with Travis Scott it’s honestly an unexpected collab for most people. Travis gets outshined by Beyoncé on this track and I feel like he could’ve done more with this song. One of the only moments on the album where it should’ve been focused on making a radio hit instead of what we got because, overall, there aren’t any shining moments on the song.

The next track “I KNOW?” This is where we pick back up in the rapping and has easily one of the best flows on the album with honestly one of the more simple beats on the album compared to others. It’s overall a more underrated song on the album.

“TOPIA TWINS” (feat. Rob 49 & 21 Savage) another great hit on this album and a very unexpected feature from Rob 49 that no one expected to be on this album. Also, probably the least family-friendly song on the album mostly because of the 21 Savage influence. This song is so good with all 3 artists delivering their amazing verses, with Travis in the chorus, it’s just a perfect song once again.

“CIRCUS MAXIMUS” (feat. The Weekend & Swae Lee) is one of those songs where Travis shows us again that he isn’t just the auto-tune guy. He gives a track with great synths and drums that sound familiar to a song from Kanye West called: “Black Skinhead”. It’s also on this song where we get the best Weekend performance we’ve seen in a long time, and on the album. It’s also named after the movie Travis directed called ‘CIRCUS MAXIMUS’ released the same as the album.

The next track is called “PARASAIL” (feat. Yung Lean & Dave Chappelle) and it acts more like an interlude on this album not providing much from all artists on it.

“SKITZO” (feat. Young Thug) is the longest song on the album being 6 minutes long. It’s a song that has 4 different beat switches with a great feature from Young Thug on the first third of the song. This part of the song is more hard-hitting and trap. Midway through the song, we get our first beat switch where Travis is the only one rapping and goes off referencing his failed love once again. A minute later we get a whole different song where once again Travis gives us an amazing rapping performance throughout the whole part. The final beat switch comes and goes fast with Travis saying how he’s loyal and has Ye (Kanye West) over Biden because of Kanye running for president back in 2020. He says this because of the crazy influence he’s had on this album that most people can tell. Even having Kanye samples, and full songs on the album, it’s safe to say that without Kanye West we wouldn’t have the ‘UTOPIA’ that we got.

“LOST FOREVER” (feat. Westside Gunn) is the song that made everyone hyped for this album when it first leaked and was even performed by Travis before ‘UTOPIA’ dropped. It’s a song that got everyone hooked because it is the first song where we get the “utopia” sound that everyone wanted. It’s the song that also had the best Travis Scott verse on the album. What people didn’t expect is the dark and hard-hitting beat switch right after the end of Travis’s verse and that’s where we get the great Westside Gunn verse that everyone thought would get cut on the final version.

“LOOOVE” (feat. Kid Cudi) is the reunion of THE SCOTTS and it was one of the more hated songs on the album when it was first released. Not sure why it was like that but the song is kind of another modern jam with both SCOTTS giving great verses on the most experimental beat on the album (fun fact: there was a snippet of this song back in 2013 a decade ago).

The next song on the album is “K-POP” (feat. Bad Bunny & The Weekend) and it’s easily the most hated by everyone. Personally, I think it’s a great song. The only thing really bad about it is just The Weekend feature which is surprising, but it’s just the lyrics are really weird, but it’s overall a song that I never hated.

Now “TELEKINESIS” (feat. SZA & Future) is another song that was also originally a Kanye West song again, and it’s like a very futuristic sound that makes you levitate, and has a great Travis Scott vocal performance. Future is also just an obvious choice for a feature on this type of song; he gives us great bars and just flows on the beat the whole verse. When the album was first released it had hidden features and this is really important because the faces on everyone when we first heard SZA’s voice on this song is easily one of the most memorable moments this year for music. She delivers some of the most emotional singing we’ve had from and is easily the best feature on the whole album. It’s honestly beautiful.

Finally, after 18 amazing tracks we are on the last one called “TIL FURTHER NOTICE” (feat. James Blake & 21 Savage) we get production from the famous Metro Boomin and vocals from James Blake. It’s already a great song but with the added 21 Savage verse he just flows on the beat perfectly. The real star is of course Travis Scott where he shines on this beat and gives us a great verse, with people even saying it’s the best on the whole album. It’s one of the best endings to a great album and contrasts perfectly with the intro.

In the end, Travis Scott’s ‘UTOPIA’ works as a way to show us how he can be versatile in his sound. It is a longer album with 19 tracks, and most people thought it wouldn’t be good because of its length, but it shows that making a long album isn’t bad because imagine this album being shorter; we wouldn’t have gotten the 5 years of music that we should’ve gotten from him. He shows on this album that he doesn’t follow the norm and doesn’t let the public tell him what to do, and he bounces back from tragedies like the Astroworld concert. Most people compare it to his equivalent of ‘Yeezus’ by Kanye West, not only because of the heavy influence it has on ‘UTOPIA’, but also because of how it serves the same purpose by showing that he can change his sound and experiment and still come out with a classic album even if it’s different than what they usually put out.